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Original tekst

Dum transisset Sabbatum. Robert Johnson. A cappella. Sacred , Motet. Language. Latin. SATBarB.

Oversættelse

Dum transisset Sabbatum. Robert Johnson. A cappella. Sacred, Motet. Sprog. Latin. SATBARB.

Original tekst

From a manuscript in the library of Christ Church, Oxford. The soprano and alto parts are attributed in the manuscript to “Mr Johnson”. The baritone part is attributed to “Tallis alias Johnson”. In the manuscript this part is written in plainchant notation. Slurs in this edition represent ligatures in the original plainchant. The work was published by Charles Burney in his “General History of Music” in 1776 with many changes to reduce dissonances and adapt the work to 18th Century taste. In a complete performance, the plainsong intonation and entire polyphony were probably intended to be sung first. Then the plainsong verse Et valde mane. Then the polyphony from Ut venientes to the end. Then the plainsong Gloria patri. Finally the polyphonic Alleluia. In the original manuscript “Alleluia” is written out “Al-le-lui-a”. There are a number of differences in published versions of. the plainsong intonation,. ii. the Et valde mane and. iii. the Gloria patri sections. These sections are not included in the manuscript source for this edition of the Johnson five part setting. The three last notes in the intonation, usually sung “sse – e - et”, are sometimes replaced by a single long note in, for instance, published editions of Tallis’ 5 part setting of “Dum Transisset”. There are a variety of different interpretations of the Et valde mane and the Gloria patri plainsong sections. Examples are included in the CPDL edition of the Taverner setting by Rupert Preston Bell, the edition of the Tallis setting by JJ Hutchings on Sibelius Music , the edition of the same Tallis setting by Richard Abram, published in “Musical Times”, February 1979, and the performance on CD of the Johnson four and five part settings by Cappella Nova. directed by Alan Tavener.

Oversættelse

Fra et manuskript i biblioteket i Christ Church, Oxford. Sopranen og alto dele er tilskrevet i manuskriptet til "Johnson". Den baryton del tilskrives "Tallis alias Johnson". I manuskriptet denne del er skrevet i plainchant notation. Nedsættende bemærkninger i denne udgave repræsentere ligaturer i den oprindelige plainchant. Værket udkom af Charles Burney i sin "General History of Music" i 1776 med mange ændringer for at reducere dissonanser og tilpasse arbejdet til det 18. århundrede smag. I et komplet præstation blev det plainsong intonation og hele polyfoni formentlig beregnet til at blive sunget først. Så plainsong vers Et Valde manke. Så polyfoni fra Ut venientes til enden. Så plainsong Gloria Patri. Endelig polyfone Halleluja. I den oprindelige manuskript "Halleluja" skrives ud "Al-le-lui-a". Der er en række forskelle i offentliggjorte versioner af. den plainsong intonation,. ii. Det Et Valde manke og. iii. De Gloria Patri sektioner. Disse afsnit er ikke inkluderet i manuskriptet kilde til denne udgave af Johnson fem del indstilling. De tre sidste noter i intonation, som regel sunget "sse - e - et", undertiden erstattet af en enkelt lang tone i eksempelvis offentliggjort udgaver af Tallis '5 del indstillingen af ​​"Dum Transisset". Der er en række forskellige fortolkninger af Et Valde manke og Gloria Patri plainsong sektioner. Eksempler er inkluderet i CPDL udgave af indstillingen Taverner af Rupert Preston Bell, den udgave af Tallis indstillingen af ​​JJ Hutchings på Sibelius Music, udgaven af ​​samme Tallis indstillingen af ​​Richard Abram, offentliggjort i "Musical Times", February 1979 og udførelse på CD af Johnson fire og fem del indstillinger ved Cappella Nova. instrueret af Alan Tavener.