Noder $17.00

Original tekst

Cadenzas to Viola Concerti by Stamitz, Zelter, and Hoffmeister. Franz Beyer. Viola sheet music.

Oversættelse

Kadencer til Viola Concerti af Stamitz, Zelter og Hoffmeister. Franz Beyer. Viola noder.

Original tekst

Cadenzas to Viola Concerti by Stamitz, Zelter, and Hoffmeister composed by Franz Beyer. For Viola. Sheet Music. Published by Edition Kunzelmann. PE.GM0022. The present cadenzas are intended for the three most frequently played viola concertos of the classical period. Apart from stylistic considerations the author was mainly concerned with creating improvisations to suit the character of the instrument and at the same time to stimulate joy of music making. For the 1st and 2nd movements of the Concerto by Carl Stamitz a choise of two cadenzas is offered. The first of these follows the example of Mozart's cadenzas whereas the second in its structure, modulations, and extent points to the extended forms to be found as early as 1800. Cf. Beethoven's own cadenzas of 1809 for the piano transcription of his Violin Concerto. The cadenzas fror Zelter's Concerto. probably the composer's own. are played but rarely, and for this reason an alterative is given herewith. The author hopes that the publication of these cadenzas will not only fulfill a wish he has often heard expressed by viola players, but that they will also give them the incentive to make improvisations of their own. Franz Beyer. Solo Viola.

Oversættelse

Kadencer til Viola Concerti af Stamitz, Zelter og Hoffmeister komponeret af Franz Beyer. For Viola. Noder. Udgivet af Edition Kunzelmann. PE.GM0022. De nuværende kadencer er beregnet for de tre hyppigst spillede bratsch koncerter i den klassiske periode. Bortset fra stilistiske overvejelser forfatteren drejede sig hovedsageligt om at skabe improvisationer, der passer til karakteren af ​​instrumentet og samtidig at stimulere glæden ved musik at gøre. For 1. og 2. sats af Concerto af Carl Stamitz en valget af to kadencer tilbydes. Den første af disse følger eksemplet fra Mozarts kadencer, mens den anden i sin struktur, modulationer og omfang peger på de udvidede formularer, der skal findes så tidligt som 1800. Jfr. Beethovens egne kadencer af 1809 for klaver transskription af hans Violin Concerto. De kadencer fror Zelter Concerto. sandsynligvis komponistens egen. spilles, men sjældent, og af denne grund en alternativ gives der hermed. Forfatteren håber, at offentliggørelsen af ​​disse kadencer ikke kun vil opfylde et ønske, han ofte har hørt udtrykt af bratsch spillere, men at de også vil give dem et incitament til at gøre improvisationer af deres egne. Franz Beyer. Kun Purple.