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Original tekst

Missa Sancti Hieronymi. Michael Haydn. Voice sheet music. Choir sheet music. Piano and Keyboard sheet music. Trombone sheet music.

Oversættelse

Missa Sancti Hieronymi. Michael Haydn. Voice noder. Choir noder. Klaver og keyboard noder. Trombone noder.

Original tekst

Missa Sancti Hieronymi composed by Michael Haydn. 1737-1806. Edited by Armin Kircher. Arranged by Paul Horn. For SATB vocal soli, SATB choir, 4. oboe, 2 bassoons, 3 trombones, basso continuo. Score available separately - see item CA.5425400. Latin Masses. Cello. double bass part. Language. Latin. Composed 1777. MH 254. 16 pages. Duration 40 minutes. Published by Carus Verlag. CA.5425411. With Language. Latin. Latin Masses. Just by reason of its scoring the Missa Sancti Hieronymi occupies a special place not only among the settings of the Mass by Haydn, but also in the repertoire of church music at the Royal Court of Salzburg. Other than the Hieronymus Mass and the Proprium motet Timete Dominum MH 256, which is connected with it, there are no additional surviving works in the Salzburg repertoire with this type of instrumentation. The unusual instrumentation, the contrapuntal style in the fugal sections, as well as the melodic invention and harmonic elaboration show that this Mass is a masterpiece.

Oversættelse

Missa Sancti Hieronymi komponeret af Michael Haydn. 1737-1806. Redigeret af Armin Kircher. Arrangeret af Paul Horn. For SATB vokal soli, SATB kor, 4. oboer, to fagotter, tre basuner, continuo. Score købes separat - se punkt CA.5425400. Latin Masses. Cello. kontrabas del. Sprog. Latin. Komponeret 1777. MH 254. 16 sider. Varighed 40 minutter. Udgivet af Carus Verlag. CA.5425411. Med Sprog. Latin. Latin Masses. Bare på grund af sin scoring for Missa Sancti Hieronymi indtager en særlig plads ikke kun blandt indstillingerne for Masse af Haydn, men også i repertoire af kirkemusik på Royal Court of Salzburg. Andre end Hieronymus Masse og proprium motet Timete Dominum MH 256, som er forbundet med det, er der ingen yderligere overlevende værker i Salzburg repertoire med denne type af instrumentering. Det usædvanlige instrumentering, den kontrapunktiske stil i fugal sektioner, samt det melodiske opfindelse og harmonisk udformning viser, at denne Masse er et mesterværk.