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Original tekst

Ave Maria. Knut Nystedt. Choir sheet music.

Oversættelse

Ave Maria. Knut Nystedt. Choir noder.

Original tekst

Ave Maria composed by Knut Nystedt. 1915-. For SATB choir, violin. Carus Novus. Contemporary choral music. Score available separately - see item CA.991300. Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Violin part. Language. Latin. Composed 2001. Op. 110. 4 pages. Duration 13 minutes. Published by Carus Verlag. CA.991311. With Language. Latin. Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. In his Ave Maria Nystedt has followed tradition by setting the original words of the prayer to Mary. He has adopted the unusual form of a violin concerto, with the choir replacing the orchestra as the violin's partner. In a sort of neo-romantic tonal language the choir joins in a dialogue with what is perhaps the most songlike of all instruments, the violin, which in accordance with the classical-romantic tradition even has a solo cadenza. Repeatedly, in addition to this dialogue, a wonderful blending of the sound of violin and choir occurs in which the choir employs primarily chordal sounds of an enriched tonality. but often it also uses pure major and minor chords to express the profound moments of the prayer.

Oversættelse

Ave Maria komponeret af Knut Nystedt. 1915 -. For SATB kor, violin. Carus Novus. Moderne kormusik. Score købes separat - se punkt CA.991300. Fester Jomfru Maria, Hymns i lovprisning af Jomfru Maria. Violin del. Sprog. Latin. Komponeret 2001. Op. 110. 4 sider. Varighed 13 minutter. Udgivet af Carus Verlag. CA.991311. Med Sprog. Latin. Fester Jomfru Maria, Hymns i lovprisning af Jomfru Maria. I sin Ave Maria Nystedt har fulgt traditionen ved at sætte de oprindelige ord bøn til Maria. Han har vedtaget den usædvanlige form af en violinkoncert med koret erstatter orkestret som violinens partner. I en slags neo-romantiske tonesprog slutter sig til koret i en dialog med, hvad der er måske den mest songlike alle instrumenter, violin, der i overensstemmelse med den klassiske romantiske tradition har endda en solokadence. Gentagne gange, i tillæg til denne dialog, en vidunderlig blanding af lyden af ​​violin og kor optræder, hvor koret beskæftiger primært CHORDAL lyde af en beriget tonalitet. men ofte er det også bruger rene dur og mol akkorder til at udtrykke de dybe øjeblikke af bønnen.