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Original tekst

Concerto in One Movement for Marimba. piano reduction. Emma Lou Diemer. Marimba sheet music. Percussion sheet music. Piano sheet music. Advanced.

Oversættelse

Concerto in One Movement for Marimba. klaver reduktion. Emma Lou Diemer. Marimba noder. Percussion noder. Klaver Noder. Avanceret.

Original tekst

Concerto in One Movement for Marimba. piano reduction. composed by Emma Lou Diemer. 1927-. Percussion Ensemble. For Marimba Concerto. marimba. 4.5-octave. piano. Concertos. Medium difficult. Piano reduction. Duration 18. 00. Published by C. Alan Publications. CN.01832. So much music in a single. fast-slow-fast. movement. This concerto should be top priority for the serious marimbist. Perfect for a university concerto competition. perfect for the professional. The marimba part is difficult, but accessible, and the orchestra beautifully complements the soloist. A world-class composer demonstrates the height of her craft with this concerto. Emma Lou Diemer's Concerto in One Movement for Marimba was premiered in its original version March 21, 1991 at Mills College, Oakland, California by the Bay Area Women's Philharmonic with JoAnn Falletta conducting and Deborah Schwartz soloist. It was repeated on March 23 in San Francisco. The concerto was commissioned for the 10th anniversary season of the orchestra. The concerto was also performed April 13 and 14, 1991 by the Santa Barbara Symphony conducted by Varujan Kojian with Deborah Schwartz as soloist. It was recorded in June 2002 by Nathan Daughtrey with the Slovak Radio Symphony conducted by Joel Suben, and this recording is available from the publisher, C. Alan Publications, of Greensboro, North Carolina. In October, 2006, the composer made the wind ensemble version of the concerto, and this version was premiered March 1, 2007 in the Saint Vincent De Paul Church in Albany, New York with Felicity Cashman as soloist and The College of Saint Rose Wind Ensemble conducted by Robert Hansbrough. The instrumentation and general style of the concerto are imbued with the individuality of the tone color and technique of the marimba, reflected in the tremolos and glissandos as well as rhythms and melodic motives that echo or reinforce the ideas expressed by the solo instrument. There are two cadenzas and an extended solo passage for marimba in the slow middle section. In the last cadenza the soloist is joined by the percussion section of the orchestra. The spirit of the work is related somewhat to Vivaldi in its use of floating harmonic rhythms. slow-moving harmonies evolved through figuration. , and bears some harmonic relation to another of the composer's favorite writers of music, Ravel. The dynamic virtuoso, Deborah Schwartz, for whom the work was written, offered excellent editorial suggestions in the writing of the marimba part. The concerto was written to be enjoyed by all concerned, including first and foremost the audience who will hear it for the first time.

Oversættelse

Concerto in One Movement for Marimba. klaver reduktion. komponeret af Emma Lou Diemer. 1927 -. Percussion Ensemble. For Marimba Concerto. marimba. 4,5 oktav. plan. Concertos. Medium svært. Piano reduktion. Varighed 18. 00. Udgivet af C. Alan Publications. CN.01832. Så meget musik i en enkelt. hurtig slow-hurtig. movement. Denne koncert bør være en topprioritet for den seriøse marimbist. Perfekt til et universitet koncert konkurrence. perfekt til den professionelle. Marimba del er vanskelig, men tilgængeligt, og orkestret smukt supplerer solisten. En verdensklasse komponist viser højden af ​​sit håndværk med denne koncert. Emma Lou Diemer Concerto in One Movement for Marimba blev uropført i sin oprindelige version, marts 21, 1991 på Mills College, Oakland, Californien af ​​Bay Area Kvinders Philharmonic med JoAnn Falletta ledende og Deborah Schwartz solist. Det blev gentaget den 23. marts i San Francisco. Koncerten blev bestilt for 10-årsdagen sæson af orkestret. Koncerten blev også udført April 13 og 14, 1991 af Santa Barbara Symphony udført af Varujan Kojian med Deborah Schwartz som solist. Det blev indspillet i juni 2002 af Nathan Daughtrey med Den Slovakiske Radio symfoni dirigeret af Joel Suben, og denne optagelse er tilgængelig fra udgiveren, C. Alan Publications, Greensboro, North Carolina. I oktober 2006 komponisten gjorde vinden ensemble version af koncerten, og denne version blev uropført 1 mar 2007 i Saint Vincent De Paul Church i Albany, New York med Felicity Cashman som solist og The College of Saint Rose Wind Ensemble udført af Robert Hansbrough. Instrumenteringen og generelle stil af koncerten er gennemsyret med individualitet tone farve og teknik for marimba, afspejles i de tremolo og glissando samt rytmer og melodiske motiver, som ekko eller styrke de tanker, som den soloinstrument. Der er to kadencer og et udvidet solo passage for marimba i den langsomme midterste sektion. I den sidste cadenza solisten følgeskab af percussion sektion af orkestret. Ånden i arbejdet er relateret lidt til Vivaldi i sin brug af flydende harmoniske rytmer. langsomme harmonier udviklet sig gennem figuration. , Og bærer nogle harmoniske forhold til et andet af komponistens foretrukne forfattere musik, Ravel. Den dynamiske virtuos, Deborah Schwartz, for hvem arbejdet blev skrevet, tilbydes fremragende redaktionelle forslag i skrivning af marimba del. Koncerten blev skrevet for at blive nydt af alle berørte parter, herunder først og fremmest publikum, der vil høre det for første gang.