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Johann Sebastian Bach. Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, tenor saxophone part. Johann Sebastian Bach. Tenor Saxophone sheet music. Advanced.

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Johann Sebastian Bach. Wehage Goldberg Variationer, BWV 988, arrangeret for SATB Saxophone Quartet, tenor saxofon del. Johann Sebastian Bach. Tenorsaxofon noder. Avanceret.

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Johann Sebastian Bach. Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, tenor saxophone part composed by Johann Sebastian Bach. 1685-1750. Arranged by Paul Wehage. For Saxophone,Woodwind Quartet. Baroque Period,Repertoire. Advanced Intermediate. Individual Part. Published by Musik Fabrik. S0.31917. The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title. « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising. Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play. View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. Use our iPad app to view your digital sheet music on the go. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application.

Oversættelse

Johann Sebastian Bach. Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, tenor saxophone part composed by Johann Sebastian Bach. 1685-1750. Arrangeret af Paul Wehage. For Saxophone, træblæsere Quartet. Barokken Repertoire. Advanced Intermediate. Individuel Part. Udgivet af Musik Fabrik. S0.31917. Den Aria med 30 variationer, som danner det arbejde, der er kendt som Goldberg» variationer er en af ​​de største værker af Bach. Det er hans eneste værk som bruger i form af variationer og gennem tre serier af ti varianter hver, det udforsker et utal af musikalske genrer og stilarter. Den oprindelige Aria, som synes at være temmelig banalt og banale i begyndelsen af ​​arbejdet, er forstørret gennem disse forandringer, og da capo i slutningen bringer os tilbage til begyndelsen, som er blevet ændret af en musikalsk rejse,. Som en slags musikalsk «indledningen», er det blevet et værk, der sparks fantasi og som skaber en atmosfære alle det egne. Historien om, hvordan arbejdet kom til at blive skrevet er til at komme til os gennem Bachs første biograf, Johann Nikolaus Forkel i 1805, 75 år efter død Bach. Det ser ud til, at en vis Grev Keyserlingk, den russiske ambassadør til Retten i Dresden, havde svært ved at sove og bad Bach at komponere et værk, som hans protegé, en cembalo virtuos ved navn Goldberg, kunne spille i en salon i nærheden af ​​hans soveværelse til . For denne kommission, Bach skulle modtage den største gebyr på sit liv, et hundrede louis d'or i en gylden bæger. Det ser ud til, at denne historie er måske mere en legende end noget andet, da der ikke bæger blev fundet i Bachs ejendom ved slutningen af ​​sit liv, og ingen dokumenterede bevis på denne historie er fundet. Goldberg var faktisk en elev af CP E Bach, måske Bachs søn og søn har bedt sin far til at skrive disse værker for hans strålende elev. Ingen manuskript til Goldberg Variationer eksisterer, kun en første udgave rettet i hånden af ​​Bach, som indeholder visse tempo indikationer og andre mærker. Den første udgave udført desuden følgende overskrift. «Clavierübung, der består af en Aria med forskellige variationer for cembaloet med to manualer sammensat for musikelskere at genopfriske deres spiritus af JS Bach». I denne version for Saxophone Quartet, er det vigtigt at huske, at Bach skrev for cembalo og ikke til Piano-forte. Bach har faktisk kender til Piano-forte og spillede en af ​​de første instrumenter produceret, men det lader til, at han ikke brød sig meget for dette nye instrument. For at finde noget i stil med de præcise og klart definerede angreb cembaloet, præcis artikulation og klarhed i lyden skal være den første prioritet. Generelt, selv i de langsomste bevægelser, bør angrebene tage præcedens over alle andre elementer i ydeevne. Hvis behovet for klarhed for linje og præcision for angreb overholdes, bør den iboende musikalitet, der er indeholdt i arbejdet være tydelig, selv i denne nye form. Da Bach selv transskriberede mange af hans egne værker og andres, vil jeg gerne håbe, at han ville finde dette spørgsmål at være interessant, og resultaterne til at være overraskende. Digital Print er printbare noder rådighed når som helst, hvor som helst. Bare køb, print og leg. Se din online noder derhjemme, skole, arbejde eller hvor som helst du har en computer tilsluttet til internettet. Brug vores iPad app til at se dine digitale noder på farten. Med Digital Print kan du udskrive din digitale noder umiddelbart efter købet, eller vente, indtil dets bekvemme. Og vores installation software er let - vi vil guide dig gennem de enkle trin til at sikre, at du har Adobe Flash Player, Adobe AIR og Noder Plus AIR-program.