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Original tekst

Clair De Lune. Guitar sheet music. B-Flat Trumpet sheet music. Drums sheet music. Percussion sheet music. Piano sheet music. Trombone sheet music. Intermediate.

Oversættelse

Moonlight. Guitar noder. B-Flat Trumpet noder. Drums noder. Percussion noder. Klaver Noder. Trombone noder. Intermediate.

Original tekst

Clair De Lune by The Harry James Orchestra. Edited by Jeffrey Sultanof. Arranged by Jack Matthias. For orchestra. big band with strings. 3 Clarinets, 1 Bass Clarinet, 4 Trumpets, 3 Trombones, 2 Violins, 1 Viola, 1 Cello, Guitar, Piano, Bass, Drums. Waltz. Medium. Full score and set of parts. Published by Jazz Lines Publications. JL.JLP-8760. Background. When Harry James decided to follow the lead of fellow bandleader Artie Shaw and add a string section, he had to build a book quickly. Besides originals, new pop songs and older songs. one of which, You Made Me Love You, would make his ensemble one of the most popular in the country. , his book included arrangements of classical or concert music, three of which were piano pieces that James particularly liked. Arabesque, Golliwogs Cakewalk, and Clair de Lune. The Music. Debussy wrote Clair de Lune as early as 1890, but was published in 1905 as part of Suite Bergamasque. It is possible that the piece was slightly revised by Debussy between its original composition and publication. By 1941, it had become quite a popular piece among piano students and soloists, and James felt it would be recognizable enough to be added to the dance book. The late James Maher often reminded me that big bands during this era played all styles of music for dancing. Even bands led by Fletcher Henderson and Benny Goodman played tangos and waltzes if they were requested. Sy Oliver told me that there were waltzes in the Jimmie Lunceford book, one of the hottest swing bands of the era. So a waltz was hardly a novelty for a big band, particularly one with a string section. It appears that chief arranger Jack Matthias arranged this title, along with Debussy's Arabesque. The original score of Clair de Lune exists, and was used to prepare this edition. unfortunately, there is no name on the score, and no extant parts. The score is filled with note errors, suggesting that the arrangement was prepared in a hurry. perhaps it was one of the first batch of scores created when the string section was added to the James band. Notes to the Conductor. This score was never recorded and there are no airchecks available, so the editor must make a number of decisions so that it can be played. The obvious first step is to find any wrong notes and correct them. The second is to determine the tempo, which is missing. it is not unusual for tempo markings to be missing on music for big bands from any era. Ive examined far too many scores where the tempo must be guessed at, using available information and many years of experience studying and directing this music. Because any score written for a big band was fair game to be recorded. and Arabesque was, but not released until many years later. , I've determined the tempo to be quarter note between 132-148 bpm. There is little more than a verbal sketch for the drum part, so I suggest that the part be played by brushes as subtly as possible. this is hardly a Viennese-style waltz. Dynamics and articulation have been added to all parts. elements all-too-often missing, as such information was communicated during rehearsal. Doubles. The reed section features 3 clarinets and 1 bass clarinet throughout.

Oversættelse

Clair De Lune af The Harry James Orchestra. Redigeret af Jeffrey Sultanof. Arrangeret af Jack Matthias. For orkester. big band med strygere. 3 klarinetter, 1 Basklarinet, 4 trompeter, 3 basuner, 2 violiner, 1 Viola, 1 Cello, Guitar, Klaver, Bass, Drums. Waltz. Medium. Fuld score og sæt dele. Udgivet af Jazz Lines Publications. JL.JLP-8760. Baggrund. Da Harry James besluttet at følge i spidsen af ​​stipendiaten orkesterleder Artie Shaw og tilføjer en streng sektion, han havde til at bygge en bog hurtigt. Udover originaler, nye popsange og ældre sange. hvoraf den ene, du gjorde mig elsker dig, ville gøre hans ensemble et af de mest populære i landet. , Hans bog indeholdt arrangementer af klassisk eller koncert musik, hvoraf tre klaverstykker, at James især ønsket. Arabesque, Golliwogs Cakewalk, og Clair de Lune. The Music. Debussy skrev Clair de Lune så tidligt som 1890, men blev offentliggjort i 1905 som en del af Suite Bergamasque. Det er muligt, at det stykke lidt blev revideret af Debussy mellem dets oprindelige sammensætning og offentliggørelse. Ved 1941 var det blevet ganske populært stykke blandt klaverelever og solister, og James følte, at det ville være genkendelige nok til at blive føjet til dans bog. Den afdøde James Maher ofte mindet mig om, at big bands i løbet af denne æra spillede alle stilarter af musik til dans. Selv bands ledet af Fletcher Henderson og Benny Goodman spillede tangos og valse, hvis de blev anmodet. Sy Oliver fortalte mig, at der var valse i Jimmie Lunceford bog, en af ​​de hotteste swing bands af den æra. Så en vals var næppe en nyhed for et big band, specielt en med en snor sektion. Det fremgår, at chef arrangør Jack Matthias arrangeret denne titel, sammen med Debussys Arabesque. Den oprindelige score på Clair de Lune findes, og blev brugt til at forberede denne udgave. desværre er der intet navn på score, og ingen bevarede dele. Scoren er fyldt med note fejl, hvilket tyder på, at arrangementet blev udarbejdet i en fart. måske var det en af ​​de første parti af scoringer skabes når strengen afsnit blev tilføjet til James band. Noter til Dirigent. Denne score blev aldrig indspillet og der er ingen airchecks rådighed, så redaktøren skal foretage en række beslutninger, så det kan afspilles. Det indlysende første skridt er at finde nogen forkerte toner og rette dem. Den anden er at bestemme tempo, som mangler. Det er ikke usædvanligt, tempo markeringer til at mangle på musik for store bands fra enhver æra. Ive undersøgte alt for mange scoringer, hvor tempoet skal gættes på, ved hjælp af tilgængelige oplysninger og mange års erfaring at studere og lede denne musik. Fordi enhver score skrevet til et big band var fair spil, der skal registreres. og Arabesque var, men ikke frigivet før mange år senere. Jeg har bestemt tempoet til at være kvartnode mellem 132-148 bpm. Der er lidt mere end en verbal skitse til tromlen del, så jeg foreslår, at den del spilles af pensler så subtilt som muligt. dette er næppe en wiener-stil vals. Dynamik og artikulation er blevet tilføjet til alle dele. elementer alt for ofte mangler, som sådanne oplysninger blev meddelt under generalprøven. Doubles. The reed section features 3 clarinets and 1 bass clarinet throughout.