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Original tekst

Moon Dreams. Guitar sheet music. Alto Saxophone sheet music. B-Flat Trumpet sheet music. Baritone Saxophone sheet music. Drums sheet music. Horn sheet music. Percussion sheet music. Piano sheet music. Tenor Saxophone sheet music. Trombone sheet music. Tuba sheet music. Advanced.

Oversættelse

Moon Dreams. Guitar noder. Altsaxofon noder. B-Flat Trumpet noder. Baryton Saxofon noder. Drums noder. Horn noder. Percussion noder. Klaver Noder. Tenorsaxofon noder. Trombone noder. Tuba noder. Avanceret.

Original tekst

Moon Dreams by The Claude Thornhill Orchestra. Edited by Jeffrey Sultanof. Arranged by Gil Evans. For orchestra. 3 Flutes, 1 Clarinet, 1 Alto sax. dbl. clarinet 2. , 2 Tenor saxes. 1st dbl. clarinet 3, 2nd dbl. bass clarinet 1. , 1 Baritone sax. dbl. bass clarinet 2. , 3 Trumpets, 2 French Horns, 2 Trombones, Tuba, Guitar, Piano, Bass, Drums. Ballad. Advanced. Full score and set of parts. Published by Jazz Lines Publications. JL.JLP-8122. Notes by Jeffrey Sultanof. Background. The Claude Thornhill Orchestra was an ensemble that had a unique approach. a vibrato-less sound mass as support for the leaders piano stylings. Not that Thornhill didnt like adventurous music. hed composed a piece in 1941 called Portrait of a Guinea Farm which was pretty advanced. But by 1947, he wanted a more straight-forward band that played ballads and music for dancing. Thornhill virtually turned over the ensemble to Evans after the war with regard to its musical direction, showing up for work but little else. Evans was going through a period of self-study. going to the New York Public Library and borrowing records and scores of the music of Prokofiev, Stravinsky, Bartok and a particular favorite, Ernest Bloch. composer of the cello concerto Schlomo. Between arranging pop songs and commissioning scores from the top young arrangers of the day, such as Gerry Mulligan, George Russell and John Carisi, he was expanding his musical vision by arranging Charlie Parker and Miles Davis bebop lines and incorporating his expanding musical vocabulary into his scores for the band. This can certainly be seen in part of a ballad medley of Easy Living, Everything Happens to Me and Moon Dreams. The Music. Instrumentation for this setting is. 3 flutes, clarinet, alto sax. dbl. clarinet 2. , 2 tenor saxes. 1st dbl. clarinet 3, 2nd dbl. bass clarinet 1. baritone sax. dbl. bass clarinet 2. , 3 trumpets, 2 French Horns, 2 trombones, tuba, guitar, piano, bass, drums. For a brief period in mid-1947, the Thornhill Orchestra included three flutes, and this medley can be dated based on the inclusion of these instruments. the arrangement can be played without them. Evans makes the most of the flutes in this setting. they add another color and a shimmering, velvety top to the ensemble sound. At the same time, the last part of Moon Dreams has to be one of the most dissonant, complex pieces written for a dance band in the ensembles history. the only other big band composer who wrote such disturbing music during this period was Robert Graettinger for the Stan Kenton Orchestra. One wonders whether the entire medley was played in public, or simply cut at bar 40. It was not recorded. Moon Dreams was clearly an important musical milestone for Evans. There is strong evidence to suggest that Moon Dreams was the first arrangement written for the Miles Davis Nonet. later to be called the Birth of the Cool ensemble. This is the only arrangement with a clarinet part, as Evans originally wanted Danny Polo from the Thornhill band to be included. the alto sax part is an exact transposition of the clarinet part. , and Evans chose an already-written setting to set for the smaller ensemble, partly to show the other arrangers how to approach the instrumentation of the ensemble. the goal being to get the Thornhill sound with a smaller group. That he would have revisited the complex final eighteen bars of Moon Dreams says a lot for Evans continual re-thinking and revising his own work, as he would later on with different versions of Jambangle, Blues for Pablo, and La Nevada. As has been pointed out elsewhere in notes for other Evans. Thornhill arrangements in this series, Evans wrote contrapuntally vs. chordally, considering the line first. Musicians have commented that one of the reasons they love playing his arrangements is because he writes interesting parts that cross at times. look at most trombone parts he wrote for Thornhill. At the same time, he frequently wrote a five-part harmony that was doubled an octave below, creating some striking soft dissonances. The only way to deal with these is to have your students listen carefully as well as maintain accurate tuning. In an age where ensembles have played Brookmeyer and Schneider, this should not be too difficult. The last eighteen bars are pure counterpoint, and should be rehearsed in groups with the same musical lines. marking up the score with different color highlighters might be useful. The groupings of five must be played evenly. This arrangement has been published from the original autograph score and is authorized by the Estate of Gil Evans. This is not a transcription. This is a very complex arrangement full dense, lush voicings and difficult rhythms. Gil later modified this arrangement for the Miles Davis 'Birth of the Cool' session. This arrangement was recently recorded by the Dutch Jazz Orchestra on their 2008 CD titled 'Moon Dreams. Rediscovered Music of Gil Evans and Gerry Mulligan. ' Note. The sound sample is courtesy of the Manhattan School of Music's Concert Jazz Band, conducted by Justin DiCioccio.

Oversættelse

Moon Dreams af The Claude Thornhill Orchestra. Redigeret af Jeffrey Sultanof. Arrangeret af Gil Evans. For orkester. 3 fløjter, 1 klarinet, 1 altsax. DBL. clarinet 2. , 2 Tenor saxes. 1. dbl. klarinet 3, 2. dbl. basklarinet 1. , 1 Barytonsaxofon. DBL. basklarinet 2. , 3 trompeter, 2 franske horn, 2 basuner, tuba, guitar, klaver, bas, trommer. Ballad. Avanceret. Fuld score og sæt dele. Udgivet af Jazz Lines Publications. JL.JLP-8122. Noter af Jeffrey Sultanof. Baggrund. Den Claude Thornhill Orchestra var et ensemble, der havde en unik tilgang. en vibrato-mindre lyd masse som støtte for lederne klaver stylings. Ikke at Thornhill ikke kunne lide eventyrlystne musik. HED komponeret et stykke i 1941 kaldet Portræt af en Guinea Farm som var temmelig avanceret. Men ved 1947 ville han have en mere straight-forward band spillede ballader og musik til dans. Thornhill næsten slået over ensemblet til Evans efter krigen med henvisning til sin musikalske retning, viser op til arbejde men lidt andet. Evans gik igennem en periode med selvstudium. gå til New York Public Library og låne optegnelser og snesevis af musik af Prokofiev, Stravinsky, Bartok og en særlig favorit, Ernest Bloch. komponist af cellokoncerten Schlomo. Mellem arrangere popsange og idriftsættelse scoringer fra de øverste unge arrangører af dagen, såsom Gerry Mulligan, George Russell og John Carisi, blev han udvide sin musikalske vision ved at arrangere Charlie Parker og Miles Davis bebop linjer og indarbejde hans ekspanderende musikalsk ordforråd i hans scorer for båndet. Dette kan helt sikkert ses i en del af en folkevise medley af Easy Living, alt sker for mig og Moon Dreams. The Music. Instrumentering til denne indstilling er. 3 fløjter, klarinet, altsax. DBL. clarinet 2. , 2 tenor saxofoner. 1. dbl. klarinet 3, 2. dbl. basklarinet 1. baryton sax. DBL. basklarinet 2. , 3 trompeter, 2 franske horn, 2 basuner, tuba, guitar, klaver, bas, trommer. I en kort periode i midten af ​​1947 Thornhill Orchestra omfattede tre fløjter, og dette medley kan dateres baseret på inddragelse af disse instrumenter. arrangementet kan spilles uden dem. Evans gør de fleste af sporene i denne indstilling. de tilføjer en anden farve og en flimrende, fløjlsagtig top til ensemblet lyd. Samtidig, den sidste del af Moon Dreams har at være en af ​​de mest dissonante, komplekse stykker skrevet til en dans band i ensembler historie. den eneste anden big band komponist, der skrev sådan foruroligende musik i denne periode var Robert Graettinger for Stan Kenton Orchestra. Man spekulerer på, om hele medley blev spillet i det offentlige, eller kun tilskåret i bar 40. Det var ikke optaget. Moon Dreams var tydeligvis en vigtig musikalsk milepæl for Evans. Der er stærke beviser for, at Moon Dreams var det første arrangement skrevet til Miles Davis Nonet. senere til at hedde fødsel Cool ensemble. Dette er den eneste arrangement med en klarinet del, da Evans ønskede oprindeligt Danny Polo fra Thornhill bandet skal medtages. den altsax del er en nøjagtig gennemførelse af klarinet del. , Og Evans valgte en allerede skrevet indstilling til at angive for de mindre ensemble, dels for at vise de andre arrangører, hvordan man griber instrumentering af ensemblet. målet er at få Thornhill lyd med en mindre gruppe. At han ville have revisited de komplekse afsluttende atten barer i Moon Dreams siger en masse til Evans løbende nytænkning og revidere sit eget arbejde, da han ville senere med forskellige versioner af Jambangle, Blues for Pablo og La Nevada. Som det er blevet påpeget andetsteds i noterne til andre Evans. Thornhill arrangementer i denne serie, Evans skrev kontrapunktisk vs. chordally, overvejer linjen først. Musikere har kommenteret, at en af ​​grundene til at de elsker at spille hans arrangementer er, fordi han skriver interessante dele, der krydser til tider. ser på de fleste trombone dele, han skrev til Thornhill. Samtidig, han ofte skrev en fem-del harmoni, der blev fordoblet en oktav under, skaber nogle slående bløde dissonanser. Den eneste måde at beskæftige sig med disse er at få dine elever lytte opmærksomt samt vedligeholde præcis tuning. I en tidsalder hvor ensembler har spillet Brookmeyer og Schneider, bør dette ikke være for svært. De sidste atten barer er ren kontrapunkt, og bør indstuderet i grupper med de samme musikalske linjer. markering op score med forskellige farve highlighters kunne være nyttige. Grupperinger af fem skal spilles jævnt. Dette arrangement er blevet offentliggjort fra den oprindelige autograf score, og er godkendt af Estate af Gil Evans. Dette er ikke en transskription. Dette er en meget kompliceret arrangement fuld tætte, frodige stemmeføring og vanskelige rytmer. Gil senere ændret dette arrangement til Miles Davis 'fødsel Cool' sessionen. Denne ordning blev for nylig indspillet af den hollandske Jazz Orchestra på deres 2008-cd med titlen 'Moon Dreams. Genfundne musik af Gil Evans og Gerry Mulligan. 'Bemærk. Lyden Prøven er høflighed af Manhattan School of Music Koncertsal Jazz Band, dirigeret af Justin DiCioccio.