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Eastern European Rhapsody - duets for flute and clarinet. John Gibson. Clarinet sheet music. Flute sheet music. Advanced.

Oversættelse

Østeuropæiske Rhapsody - duetter for fløjte og klarinet. John Gibson. Klarinet noder. Fløjte noder. Avanceret.

Original tekst

Eastern European Rhapsody - duets for flute and clarinet arranged by John Gibson. For Flute, Clarinet. Romantic Period, 20th Century. Advanced Intermediate. JB Linear #D0095. Published by JB Linear. S0.6928. Great music that is fun to play - not easy music, either. For flute and clarinet. Romanian Rhapsody #1 by Enescu. Hungarian Dance #4 by Liszt. Slavonic Dances #6, 7, and 8 by Dvorak. Hungarian Dances #1, 3, and 10 by Brahms. The audio sample is from Enescu's Romanian Rhapsody for flute and clarinet. All other versions are similar, but adjusted to work with the instruments being used. Here is a review by Simone Weber in the International Clarinet Society magazine, The Clarinet. September 2008. A clarinetist does not usually get the chance to play orchestral literature, apart from studying excerpts, if not a member of an orchestra or philharmonic. East Eu­ropean Rhapsody is a delightful book of duets for clarinet and bassoon that allows just that. John Gibson has arranged eight orchestral pieces for the two woodwind instruments. Transcribing and arranging orchestral literature for two instruments can be challenging, but Gibson has not compromised the integrity of the pieces. And the addition of these duets provides the repertoire another collection of duets for clarinet and bassoon. The collection is comprised of Roma­nian Rhapsody No. 1 by George Enescu, Hungarian Dance #3 by Franz Liszt, Slavonic Dances #6, 7, and 8 by Anton Dvorak, and Hungarian Dances #1, 3, and 10 by Johannes Brahms. Both the clarinet and bassoon players must perform at a high level, and also must be sensitive to each other. Because of the nature of the orchestral works, these transcriptions re­quire advanced use of tempo changes, fer­matas, accelerando, and ritardando. The players must be capable of following the score, able to cue each other and follow cues, and be sensitive to each other's mu­sical nuances. One may miss the lush orchestral sound, but Gibson manages to keep the melodies of the pieces intact, and the pieces, as a whole, very recognizable since the form of the duets remains true to the orches­tral versions. Gibson omits sections of the music when the texture becomes too thick, complex, or when a section repeats itself more than once. The lines are not true to the instruments-there are lines that are played by the clarinet in the or­chestra that Gibson gives to the bassoon and vice versa. That is not always the case, however, because in the Liszt, the cadenza is still played by the clarinet. Some of the musical passages are technically difficult because in the orchestral versions these passages are carried by the violin section. And the transcription of these duets is not always true to the original key of the or­chestral versions. Some of the pieces work very well with two instruments because of the duets that occur within the wind section of the orchestra, Brahms Hungarian Dance #3 in particular. Slavonic Dance #8 by Anton Dvorak may be perhaps the most difficult to arrange for two players because of the orchestral texture and the sheer volume of the piece. Gibson, of necessity, omits some of the harmonies and secondary melodies, but still manages to retain the important melody. As with any duet, the piece demands the full expertise of the players. These du­ets are no exception. The two players are playing almost all the time. If there are rests, they are not long, and few and far between. Accordingly, the performance of these pieces might prove difficult because of the endurance required, especially since the Enescu will last from 12-15 minutes. Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play. View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. Use our iPad app to view your digital sheet music on the go. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application.

Oversættelse

Østeuropæiske Rhapsody - duetter for fløjte og klarinet arrangeret af John Gibson. For fløjte, klarinet. Romantiske periode, 20th Century. Advanced Intermediate. JB Линейный. Udgivet af JB Lineær. S0.6928. Fantastisk musik, der er sjovt at spille - ikke let musik, enten. For fløjte og klarinet. Румынская рапсодия. Венгерский танец. Славянские танцы. Венгерские танцы. Lyden Prøven er fra Enescu rumænske Rhapsody for fløjte og klarinet. Alle andre versioner er ens, men tilpasset til at arbejde med de instrumenter, der anvendes. Her er en gennemgang af Simone Weber i den internationale klarinet Society Magazine, klarinetten. September 2008. En klarinettist normalt ikke får chancen for at spille orkesterlitteraturen, bortset fra at studere uddrag, hvis ikke et medlem af et orkester eller philharmonic. Østeuropæiske Rhapsody er en dejlig bog af duetter for klarinet og fagot, der giver netop det. John Gibson har arrangeret otte orkesterværker for de to træblæsere. Transskribere og arrangere orkestrale litteratur for to instrumenter kan være udfordrende, men Gibson har ikke kompromitteret integriteten af ​​stykkerne. Og tilføjelsen af ​​disse duetter giver repertoire anden samling af duetter for klarinet og fagot. Коллекция состоит из Румынская рапсодия № 1 по Джордже Энеску, Венгерский танец. Både klarinet og fagot spillere skal udføre på et højt niveau, og skal også være følsom over for hinanden. På grund af arten af ​​de orkesterværker disse transskriptioner kræver avanceret brug af temposkift, fermatas, accelerando og ritardando. Spillerne skal være i stand til at følge den score, i stand til at cue hinanden og følger tidskoder, og være følsom over for hinandens musikalske nuancer. Man kan gå glip af den frodige orkestrale lyd, men Gibson formår at holde melodier af stykkerne intakt, og stykkerne, som en helhed, meget genkendelig da form af duetterne forbliver tro mod de orkestrale versioner. Gibson udelader dele af musikken, når teksturen bliver for tyk, kompleks eller når et afsnit gentager sig mere end en gang. Linjerne er ikke rigtigt at de instrumenter, der er linjer, der spilles af klarinet i orkestret, som Gibson giver til fagot og vice versa. Det er ikke altid tilfældet, men fordi i Liszt, er kadence stadig spilles af klarinetten. Nogle af de musikalske passager er teknisk vanskeligt, fordi de orkestrale udgaver disse passager er båret af violin sektion. Og transskription af disse duetter er ikke altid tilfældet med den originale nøgle af de orkestrale versioner. Некоторые из частей очень хорошо работает с двумя инструментами из-за дуэтов, которые происходят в разделе ветра оркестра, Брамс Венгерские танцы. Славянский танец. Gibson, af nødvendighed, udelader nogle af de harmonier og sekundære melodier, men stadig formår at bevare den vigtige melodi. Som med enhver duet, stykket kræver fuld ekspertise af spillerne. Disse du-ets er ingen undtagelse. De to spillere, der spiller næsten hele tiden. Hvis der er pauser, de er ikke lang, og få og langt imellem. Følgelig kan udførelsen af ​​disse stykker være vanskeligt på grund af den udholdenhed kræves, især fordi Enescu vil vare 12-15 minutter. Digital Print er printbare noder rådighed når som helst, hvor som helst. Bare køb, print og leg. Se din online noder derhjemme, skole, arbejde eller hvor som helst du har en computer tilsluttet til internettet. Brug vores iPad app til at se dine digitale noder på farten. Med Digital Print kan du udskrive din digitale noder umiddelbart efter købet, eller vente, indtil dets bekvemme. Og vores installation software er let - vi vil guide dig gennem de enkle trin til at sikre, at du har Adobe Flash Player, Adobe AIR og Noder Plus AIR-program.