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Original tekst

Stabat Mater in C minor. Josef Gabriel Rheinberger. Voice sheet music. Choir sheet music. Double Bass sheet music. Horn sheet music. Trombone sheet music.

Oversættelse

Stabat Mater i c-mol. Josef Gabriel Rheinberger. Voice noder. Choir noder. Double Bass noder. Horn noder. Trombone noder.

Original tekst

Stabat Mater in C minor composed by Josef Gabriel Rheinberger. Edited by Han Theill. For STB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, trombone, 2 violins, viola, cello, contrabass. C-Moll. C minor. Score available separately - see item CA.5001600. Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Level 2. Violin 2 part. Language. Latin. German. Composed 1864. Op. 16. 8 pages. Duration 16 minutes. Published by Carus Verlag. CA.5001612. With Language. Latin. German. Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Contemporary criticism saw in Rheinberger's Stabat Mater op. 16 from 1864 "one of the most beautiful works of this type which the present time has to offer. Distinguished through its breadth of conception and its noble tonal effect, with its rich polyphony it reaches the masterpieces of the old Italian school. " In the expressive choral movements rich-sounding homophonic passages are combined with sections worked out in strict polyphony. The sustained songlike solo pieces are of a profound expression.

Oversættelse

Stabat Mater i c-mol komponeret af Josef Gabriel Rheinberger. Redigeret af Han Theill. For STB vokal soli, SATB kor, 2 oboer, 2 klarinetter, 2 fagotter, 2 horn, trombone, 2 violiner, bratsch, cello, kontrabas. C-Moll. C-mol. Score købes separat - se punkt CA.5001600. Fasten og Passiontide, fester den hellige Jomfru Maria, Hymns i ros af Jomfru Maria. Niveau 2. Violin 2 del. Sprog. Latin. German. Komponeret 1864. Op. 16. 8 sider. Varighed 16 minutter. Udgivet af Carus Verlag. CA.5001612. Med Sprog. Latin. German. Fasten og Passiontide, fester den hellige Jomfru Maria, Hymns i ros af Jomfru Maria. Moderne kritik så i Rheinberger s Stabat Mater op. 16 fra 1864 "en af ​​de smukkeste værker af denne type, som for tiden har at byde på. Distinguished gennem sin bredde af undfangelse og dens ædle tonal effekt, med sin rige polyfoni det når mesterværker af den gamle italienske skole. "I de udtryksfulde korsatser rige klingende homophonic passager kombineres med sektioner udarbejdet i nøje polyfoni. Den fortsat songlike solo stykker er af en dyb udtryk.