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Original tekst

Ollantay. Alberto Ginastera. Grade 4.

Oversættelse

Ollantay. Alberto Ginastera. Grad 4.

Original tekst

Ollantay. Tres Movimientos Sinfonicos. Composed by Alberto Ginastera. 1916-1983. Arranged by Douglas McLain. For Concert Band. Grade 4. Full score. Duration 15. 00. Published by Baton Music. BF.BM476-SCORE. 'Ollantay' is one of the last scores of his nationalistic period of the Argentin composer Alverto Ginastera. The imagery for the music comes from the 'Popol Vuh', or Council Book, an assemblage of Mayan myths of the creation and the legendary gods. Ollantay is the son of the Earth. he opposes Inca, the son of the Sun. When Ollantay attempts to rape Coyllur, the daughter of Inca, thereby profaning the Temple of the Virgins, Inca declares war on Ollantay, who resists for a time in his fortress, but who finally is defeated and killed. Ginastera divided the tale into three sections, which he described as follows. I. Paisaje de Ollantaytambo. The Countryside of Ollantaytambo. II. Los Guerreros. The Warriors. III. La Muerte de Ollantay. The Death of Ollantay. Ginastera composed Ollantay in Buenos Aires in 1947. Erich Kleiber, to whom the work is dedicated, conducted the world premiere in Buenos Aires on October 29, 1949, with the orchestra of the Teatro Colon.

Oversættelse

Ollantay. Tre symfonisk. Komponeret af Alberto Ginastera. 1916-1983. Arrangeret af Douglas McLain. For Concert Band. Grad 4. Fuld score. Varighed 15. 00. Udgivet af Baton Music. BF.BM476-SCORE. »Ollantay 'er en af ​​de sidste snesevis af hans nationalistiske periode af Argentin komponist Alverto Ginastera. Billederne til musikken kommer fra den Popol Vuh« eller Rådet Book, en samling af Maya myter om skabelsen og den legendariske guder. Ollantay er søn af Jorden. han er imod Inca, søn af Solen . Ginastera delte fortælling i tre sektioner, som han beskrev som følger. I. Landskab Ollantaytambo. Landskabet i Ollantaytambo. II. . The Warriors. III. . The Death of Ollantay. Ginastera komponeret Ollantay i Buenos Aires i 1947. Erich Kleiber, for hvem arbejdet er dedikeret, gennemførte verdenspremieren i Buenos Aires den 29. oktober 1949 med orkestret af Teatro Colon.