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Original tekst

Ernesto Nazareth Guitar Solo Anthology. Acoustic Guitar sheet music. Classical Guitar sheet music. Guitar Solo sheet music. Intermediate.

Oversættelse

Ernesto Nazareth Guitar Solo Anthology. Akustisk guitar noder. Klassisk guitar noder. Noder Guitar Solo. Intermediate.

Original tekst

Ernesto Nazareth Guitar Solo Anthology. 28 Guitar Solos on Compositions. Composed by Flavio Henrique Medeiros and Carlos de Lemos Almada. For Guitar. Classical. Perfect binding, Solos. Bill's Music Shelf. Classic. Intermediate. Book. 136 pages. Published by Mel Bay Publications, Inc. MB.99178. ISBN 9780786659821. Classic. 8.5 x 11 inches. A collection of 28 Ernesto Nazareth compositions expertly transcribed for classic guitar solo. One of the major difficulties in trying to arrange Ernesto Nazareth's themes for any instrument, but the piano, is to separate the melodic line from its accompaniment. both are so closely together. that is one of the strongest characteristics of his pianistic style of composition. that it becomes almost impossible to treat one of the features disregarding the other. If one did that, the result would be only a pale and incomplete portrait of what was intended by the composer. That thought has guided us in the making of this book. In spite of the huge obstacles that resulted from the transposition of a piece originally written for the piano - a very rich instrument regarding the expressive recourses - to the more "modest" guitar, we always kept in mind our principal intention. to preserve at the most all the melodic dialogues of the scores, in special the ones between the melody and the bass line, both the elements that form the soul of Nazareth's compositions. We obviously had to do some changes. Thus, for instance, in some arrangements it was necessary to transpose the original key to a more appropriate one. at the guitar view-point, of course. Some phrases or fragments had also to be written an octave higher or lower. that can be perfectly understandable if we consider the very wide melodic range of the piano and the extensive way with which Nazareth uses it. Needless to say that all those recourses were used only when it has been strictly necessary. Despite the fact that those 28 pieces are only a little portion of Nazareth's work, this group of arrangements represents a good and representative panel. Among them there are some of Nazareth's greatest hits. "Apanhei-te Cavaquinho", "Odeon", "Brejeiro", "Ameno Reseda", etc. as well as other not so known compositions- but no less beautiful and important. Listening to those pieces one can observe the compositional talent of Nazareth and his incredible harmonic, melodic and - especially - rhythmic versatility. Each of them has its own and unmistakable personality. The most part of the scores of this book - as well as in Nazarethian repertoire - is composed by tangos brasileiros. , Brazilian tangos. , but there are also some polcas and some of his most expressive valsas, like "Confidencias" and "Coracao que Sente".

Oversættelse

Ernesto Nazareth Guitar Solo Anthology. 28 Guitar Solos om Kompositioner. Komponeret af Flavio Henrique Medeiros og Carlos de Lemos Almada. For Guitar. Klassisk. Perfekt bindende, Solos. Bill Musik Hylde. Classic. Intermediate. Bog. 136 sider. Udgivet af Mel Bay Publications, Inc. MB.99178. ISBN 9780786659821. Classic. 8,5 x 11 inches. En samling af 28 Ernesto Nazareth kompositioner mesterligt transskriberet for klassisk guitar solo. En af de store vanskeligheder med at forsøge at arrangere Ernesto Nazareth temaer for ethvert instrument, men klaver, er at adskille den melodiske linje fra dens akkompagnement. begge er så tæt sammen. der er en af ​​de stærkeste kendetegn for hans pianistiske stil sammensætning. at det bliver næsten umuligt at behandle en af ​​de funktioner, der ses bort fra andre. Hvis man gjorde det, ville resultatet kun være en bleg og ufuldstændig portræt af, hvad der var hensigten med komponisten. Den tanke har vejledt os i tilblivelsen af ​​denne bog. På trods af de store forhindringer, der førte fra gennemførelsen af ​​et stykke oprindeligt skrevet for klaver - en meget rig instrument vedrørende ekspressive resurser - til den mere "beskedne" guitar, vi altid huske vores primære hensigt. at bevare på det mest alle de melodiske dialoger af de scores, i specielle dem mellem melodien og bassen, både de elementer, der udgør sjælen i Nazareth kompositioner. Vi havde naturligvis at gøre nogle ændringer. Således for eksempel i nogle arrangementer var det nødvendigt at gennemføre den oprindelige nøgle til et mere passende. på guitar visning-punkt, selvfølgelig. Nogle sætninger eller fragmenter havde også skrevet en oktav højere eller lavere. der kan være helt forståeligt, hvis vi betragter den meget brede melodiske vifte af klaveret og omfattende måde, som Nazareth bruger det. Det er overflødigt at sige, at alle disse henvendelser kun blev brugt, når det har været strengt nødvendigt. Trods det faktum, at de 28 stykker er kun en lille del af Nazareth arbejde, denne gruppe arrangementer udgør en god og repræsentativt panel. Blandt dem er der nogle af Nazareth største hits. Apanhei-te Cavaquinho, Odeon, Brejeiro, Ameno Reseda, etc. såvel som andre ikke så kendte præparater, men ikke mindre smuk og vigtig. Lytte til disse stykker kan man observere kompositoriske talent af Nazareth og hans utrolige harmonisk, melodisk og - især - rytmisk alsidighed. Hver af dem har sin egen og umiskendelig personlighed. Det meste af snesevis af denne bog - samt i Nazarethian repertoire - er sammensat af Tangos Brasileiros. , Brasilianske tangos. , Men der er også nogle polcas og nogle af hans mest udtryksfulde valsas, ligesom Confidencias og Coracao que Sente.