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Original tekst

Bluegrass Jazz Guitar Volume 1. Electric Guitar sheet music. Flatpicking Guitar sheet music. Advanced.

Oversættelse

Bluegrass Jazz Guitar bind 1. Elektrisk Guitar noder. Flatpicking Guitar noder. Avanceret.

Original tekst

Bluegrass Jazz Guitar Volume 1 composed by Barry Solomon. For Guitar. Flatpicking. Saddle-stitched, methods. Grossman Audio. Solos. Transcriptions. Intermediate-Advanced. Book. 3-CD Set. 36 pages. Published by Mel Bay Publications, Inc. MB.30203BCD. ISBN 9780786685639. Solos. Transcriptions. 8.75 x 11.75 inches. Flatpicking guitar has taken an interesting journey since its inception, first with Maybelle Carter, then Don Reno, Doc Watson and Clarence White. Younger players who began by listening to the original masters have melded those influences with other styles, including blues, swing, classical and even various world music styles. When first listening to Doc Watson and Clarence White, Barry Solomon was particularly attracted to their use of swing and jazz licks and phrasing, and their choices of songs straight from the Tin Pan Alley and Great American Songbook. Tunes like Limehouse Blues, All of Me, and Honeysuckle Rose were exciting challenges to explore after becoming comfortable with bluegrass and fiddle tunes. Barry always thought that bluegrass and jazz were a wonderful combination, and the most gratifying challenge has been to create arrangements that meld both styles in a tasteful and exciting manner. Titles presented in Volume 1 include. Lady Be Good, Take the A Train, Solly's Blues, Back Home In Indiana, There'll Never Be Another You and Georgia On My Mind. Accompanying audio is included.

Oversættelse

Bluegrass Jazz Guitar Volume 1 composed by Barry Solomon. For Guitar. Flatpicking. Midterhæftet, metoder. Grossman Audio. Solos. Udskrifter. Intermediate-Advanced. Bog. 3-CD sæt. 36 sider. Udgivet af Mel Bay Publications, Inc. MB.30203BCD. ISBN 9780786685639. Solos. Udskrifter. 8,75 x 11,75 inches. Flatpicking guitar har taget en interessant rejse siden sin fremkomst først med Maybelle Carter, da Don Reno, Doc Watson og Clarence White. Yngre spillere, der begyndte ved at lytte til de oprindelige mestre har melded disse påvirkninger med andre stilarter, herunder blues, swing, klassisk og endda forskellige verden musik stilarter. Når først at lytte til Doc Watson og Clarence White, Barry Solomon var især tiltrukket af deres brug af swing og jazz licks og frasering og deres valg af sange lige fra Tin Pan Alley og Great American Songbook. Tunes som Limehouse Blues, hele mig, og Honeysuckle Rose var spændende udfordringer at udforske efter at være blevet fortrolig med bluegrass og violin melodier. Barry altid troet, at bluegrass og jazz var en fantastisk kombination, og den mest glædeligt udfordring har været at skabe ordninger, der smelter begge stilarter i en smagfuld og spændende måde. Afsnit præsenteres i bind 1 omfatter. Lady Be Good, Tag A Train, Solly s Blues, Hjemme i Indiana, der vil aldrig være en anden Du og Georgien On My Mind. Ledsagende lyd er inkluderet.