Noder $65.00

Original tekst

Happy Hooligan. Guitar sheet music. B-Flat Trumpet sheet music. Bass Trombone sheet music. Drums sheet music. Percussion sheet music. Piano sheet music. Intermediate.

Oversættelse

Glad Hooligan. Guitar noder. B-Flat Trumpet noder. Bass Trombone noder. Drums noder. Percussion noder. Klaver Noder. Intermediate.

Original tekst

Happy Hooligan by Elliot Lawrence. Edited by Jeffrey Sultanof. Arranged by Gerry Mulligan. For big band. 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets, 3 Trombones. 3rd is Bass Trombone. , Guitar, Piano, Bass, Drums. Swing. Medium. Score and parts. Published by Jazz Lines Publications. JL.JLP-8203. As a high school student in Philadelphia, Gerry Mulligan approached WCAU house band director John Warrington to write arrangements for the band. Warrington was impressed with Mulligan's music and not only bought some arrangements, but coached him as well. After a stint with the Tommy Tucker band in 1945, Mulligan went back to WCAU, where pianist. arranger Elliot Lawrence had become the new house bandleader. After a year with the Gene Krupa orchestra, Mulligan moved to New York to arrange for the Claude Thornhill orchestra. He also wrote for Lawrence, whose orchestra was now a national attraction with a Columbia Records contract and a full-touring schedule. The Music. Most Mulligan scores are dated, but the score to this piece is unavailable at this time, so the date of this piece is a question-mark. This publication has been engraved from the original parts. The name of the piece is of interest. Happy Hooligan was a comic strip character created by Frederick Burr Opper that ran from 1900 through 1932, when Burr had to retire due to poor eyesight. No doubt Mulligan must have seen it as a child and remembered the character, a penniless hobo who usually had a smile on his face regardless of whatever misfortune and bad luck befell him. The recording made for Fantasy Records may be faster than Mulligan intended this piece to be played. Mulligan was upset with the tempos on this album in general. Certainly your ensemble can play the piece at the speed in which it was recorded, but the slower tempo indicated on the first page of the score is my recommendation based on discussions I had with him during the summer of 1995. The introduction was cut on both the parts and recording. Lawrence plays an eight-bar intro with the rhythm section. Of additional interest are two backgrounds for solos that Mulligan wrote. According to the parts, he cut the background from bars 57-60, but they are present on the recording. The trombone. baritone sax background beginning at bar 65 was not cut on the parts, but was cut for the recording. Ranges.

Oversættelse

Glad Hooligan af Elliot Lawrence. Redigeret af Jeffrey Sultanof. Arrangeret af Gerry Mulligan. For big band. 2 Alto saxofoner, 2 Tenor Saxophones, Baryton Saxofon, 4 trompeter, 3 basuner. 3. er Bass Trombone. , guitar, klaver, bas, trommer. Swing. Medium. Partitur og stemmer. Udgivet af Jazz Lines Publications. JL.JLP-8203. Som en gymnasieelev i Philadelphia, Gerry Mulligan nærmede WCAU husorkester instruktøren John Warrington at skrive arrangementer for bandet. Warrington var imponeret over Mulligan musik og ikke kun købt nogle arrangementer, men coachet ham så godt. Efter en tørn med Tommy Tucker bandet i 1945, Mulligan gik tilbage til WCAU, hvor pianist. arrangør Elliot Lawrence var blevet den nye hus orkesterleder. Efter et år med orkester Gene Krupa, flyttede Mulligan til New York for at arrangere orkester Claude Thornhill. Han skrev også for Lawrence, hvis orkester var nu en national attraktion med en Columbia Records kontrakt og en fuld touring tidsplan. The Music. De fleste Mulligan scoringer er dateret, men score til dette stykke er ikke tilgængelig på dette tidspunkt, så datoen for dette stykke er et spørgsmål-mark. Denne publikation er blevet indgraveret fra de originale dele. Navnet på det stykke er af interesse. Glad Hooligan var en tegneserie karakter skabt af Frederick Burr Opper, der løb fra 1900 og gennem 1932 når Burr måtte trække sig tilbage på grund af dårligt syn. Ingen tvivl Mulligan må have set det som et barn og husket den karakter, en fattig vagabond, der normalt havde et smil på hans ansigt, uanset hvad ulykke og uheld ramte ham. Optagelsen lavet til Fantasy Records kan være hurtigere end Mulligan beregnet dette stykke skal spilles. Mulligan blev forstyrret med tempi på dette album i almindelighed. Bestemt din ensemble kan spille stykket på den hastighed, hvor den er optaget, men det langsommere tempo angivet på første side af partituret er min anbefaling er baseret på drøftelser, jeg havde med ham i løbet af sommeren 1995. Indførelsen blev skåret på begge dele og optagelse. Lawrence spiller en otte-bar intro med rytmesektion. Af yderligere interesse er to baggrunde til soloer som Mulligan skrev. Ifølge de dele, skar han den baggrund fra barer 57-60, men de er til stede på optagelsen. Den trombone. baryton sax baggrund begynder ved bar 65 ikke blev skåret på de dele, men blev skåret til optagelse. Ranges.