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Original tekst

La Paloma. Guitar sheet music. B-Flat Trumpet sheet music. Drums sheet music. Horn sheet music. Percussion sheet music. Piano sheet music. Trombone sheet music. Advanced.

Oversættelse

La Paloma. Guitar noder. B-Flat Trumpet noder. Drums noder. Horn noder. Percussion noder. Klaver Noder. Trombone noder. Avanceret.

Original tekst

La Paloma by The Claude Thornhill Orchestra. Edited by Rob Duboff and Jeffrey Sultanof. Arranged by Gil Evans. For big band. Reed 1. Clarinet, Reed 2. Clarinet, Reed 3. Clarinet, Reed 4. Bass Clarinet, Reed 5. Clarinet. Baritone Saxophone, 3 Trumpets, 2 Horns in F, 2 Trombones, Guitar, Piano, Bass, Drums, Trumpet 4. Alt Part for Horn 1, Trombone 3. Alt Part for Horn 2. Straight Eighth. Advanced. Score and parts. Published by Jazz Lines Publications. JL.JLP-8137. The Claude Thornhill Orchestra was moderately successful before WWII, and after the war, Thornhill re-formed the orchestra with Gil Evans as chief arranger and now musical director. The original instrumentation of the band in 1946 was 4 trumpets, 3 trombones, 5 reeds and rhythm section. By the time La Paloma was arranged in June of 1947, the brass section now consisted of 3 trumpets, 2 trombones, tuba, 5 reeds and rhythm. The source for this publication is Evans's original score. It must have been arranged during the transition period when the band lost a trumpet and trombone, as most of the score includes parts for these instruments, as well as a sixth reed. Unfortunately, in re-scoring parts of the arrangement for this reduced brass section, Evans threw out 2 pages of score and re-scored these bars. the additional trumpet, trombone and reed are not here. For that reason, it is now difficult to restore these parts, and we have not attempted to do this. Even though the discographical listing for the Columbia recording of June 30, 1947 lists Bill Barber present playing tuba, there is no tuba part on this score, and tuba is not heard on the recording. Once again, Evans presents us with music that has various challenges, which only increases respect for the musicianship of the Thornhill Orchestra. Anyone who heard the recording and questioned whether it was too slow because it sounded in the key of E Major can now be assured that E Major is in fact the key of the first part of the arrangement. the introduction on the manuscript has no key signature. For the second chorus, Evans modulates to G Major via a G chord over a Ab pedal. It is obvious that intonation is a key factor in playing this music properly, but just as important are the horn lines which often serve as accompaniment to the piano. Horns need to listen carefully so that the parts synchronize properly. As with most of the Thornhill book, dynamics must be carefully observed. The reeds are arranged for 4 clarinets. reed 5 doubles baritone sax. and 1 bass clarinet. We have included optional alternate parts for the two horns. trumpet 4 and trombone 3. But, to achieve the proper sound and balance we strongly recommend using the horn parts if at all possible and not using the alternate brass parts. This is a great opportunity to feature your piano player. Ranges. Trumpet 1. to C#6 Trombone 1.

Oversættelse

La Paloma af The Claude Thornhill Orchestra. Redigeret af Rob Duboff og Jeffrey Sultanof. Arrangeret af Gil Evans. For big band. Reed 1. Klarinet, Reed 2. Klarinet, Reed 3. Klarinet, Reed 4. Basklarinet, Reed 5. Klarinet. Baryton Saxofon, 3 trompeter, 2 horn i F, 2 basuner, guitar, klaver, bas, trommer, trompet 4. Alt Del for Horn 1, Basun 3. Alt Del for Horn 2. Lige Ottende. Avanceret. Partitur og stemmer. Udgivet af Jazz Lines Publications. JL.JLP-8137. Den Claude Thornhill Orchestra var moderat succes før Anden Verdenskrig, og efter krigen, Thornhill re-dannede orkestret med Gil Evans som chef arrangør og nu musikalsk direktør. Den oprindelige instrumentering af bandet i 1946 var 4 trompeter, 3 basuner, 5 siv og rytmesektion. Ved den tid, La Paloma blev arrangeret i juni 1947 messing afsnittet nu bestod af 3 trompeter, 2 basuner, tuba, 5 siv og rytme. Kilden til denne publikation er Evans oprindelige score. Det må have været arrangeret i overgangsperioden, da bandet mistede en trompet og trombone, da de fleste af partituret indeholder dele til disse instrumenter, samt en sjette reed. Desværre, i re-scoring dele af ordningen for denne reducerede messing sektion, Evans smed 2 sider af score og re-scoret disse stænger. den ekstra trompet, trombone og Reed er ikke her. Derfor er det nu vanskeligt at genoprette disse dele, og vi har ikke forsøgt at gøre dette. Selvom discographical notering for Columbia indspilning af 30 Juni 1947 lister Bill Barber nuværende spille tuba, er der ingen tuba del på denne score, og tuba ikke høres på optagelsen. Igen, Evans præsenterer os med musik, der har forskellige udfordringer, som kun øger respekt for musikerskab af Thornhill Orchestra. Enhver, der har hørt optagelsen, og spørgsmålstegn ved, om det var for langsom, fordi det lød i tonearten E Major kan nu være sikker på, at E Major er i virkeligheden nøglen til den første del af arrangementet. introduktionen på manuskriptet har ingen nøgle signatur. For det andet kor, Evans modulerer til G Major via en G akkord over en Ab pedal. Det er indlysende, at intonationen er en nøglefaktor i at spille denne musik ordentligt, men lige så vigtigt er de horn linjer, der ofte fungerer som akkompagnement til klaver. Horns nødt til at lytte omhyggeligt, så delene synkroniserer korrekt. Som med de fleste af Thornhill bogen, skal dynamik observeres omhyggeligt. Sivene er arrangeret for 4 klarinetter. reed 5 fordobler baryton sax. og 1 basklarinet. Vi har inkluderet valgfrie alternative dele til de to horn. trompet 4 og trombone 3. Men for at opnå den rette lyd og balance anbefaler vi kraftigt at bruge horn dele, hvis det overhovedet er muligt og ikke bruger de alternative dele i messing. Dette er en fantastisk mulighed for at funktionen din pianist. Ranges. Trompet 1. к С.