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Original tekst

Compendium. Percussion sheet music. Snare Drum sheet music. Vibraphone sheet music. Xylophone sheet music.

Oversættelse

Kompendium. Percussion noder. Lilletromme noder. Vibrafon noder. Xylofon noder.

Original tekst

Compendium composed by Blake M. Wilkins. Percussion ensemble. For player 1. orchestra bells, chimes, timbales, medium gong, medium cymbal. , player 2. xylophone, medium cymbal, 3 tuned gongs, bass drum. , player 3. xylophone, crotales, medium large gong, snare drum, 2 brake drums, small cymbal. , player 4. vibraphone, 5 al. 11 players. Difficulty. Difficult. Duration 11. 45. Published by C. Alan Publications. CN.34. At first glance, the eight years that separate Twilight Offering Music and Compendium seem to bear witness to a drastic change in aesthetic orientation for Blake Wilkins. on the surface, the differences between these two pieces are striking. Yet Compendium is not fundamentally that far removed from Twilight Offering Music. They seem more to occupy different points on a continuum. Compendium simply brings to the forefront and provides an enhanced focus on the primary issues that have informed the bulk of Wilkins' compositions to date. a fascination with coherent organic structures. a preoccupation with the interaction of disparate closed-ended processes. the cultivation of virtuosity in the context of ensemble playing. and the generation of unique and compelling sound worlds. Written between June and September of 1994, Compendium is the result of a commission granted by the University of Oklahoma Percussion Ensemble. It began as a significantly different piece bearing the title 17 Essays on Parametric Transmogrification Presented Coetaneously and In a Single Movement. Wilkins quickly discovered, however, that the broad outline of abstract principles he intended the work to embody would have resulted in a composition that rivaled Twilight Offering Music in length. The composer's central strategy was to isolate the normally integrated parameters of music ú rhythm, melody, harmony, texture, timbre and so forth ú and submit them to various closed-ended transformational processes. The seventeen resulting processes, or "essays," would be of different lengths, starting and ending at different points in the music. Some would last for less than a minute, others would extend through the entirety of the piece. They would overlap and intersect, yet always remain self-contained. This strategy is also the primary focus of Compendium, which even uses some of the music intended for original. Thus, Compendium is precisely that ú a summary of the principles developed in the 17 Essays, focusing mostly on those processes dealing with rhythmic and melodic transformations. But while derivative of the 17 Essays, Compendium is a substantially different work. "As for the fate of 17 Essays on Parametric Transmogrification," writes the composer, "I am loath not to complete it, lest I might disappoint those who have assured me the title is too good to waste. Compendium was commissioned by the University of Oklahoma Percussion Ensemble, Richard C. Gipson, Conductor. It received its premiere performance November 18, 1994, by the Ensemble at the Percussive Arts Society International Convention in Atlanta, Georgia, Dr. Gipson conducting. About the OU Percussion Press. In 1977 the OU Percussion Orchestra and Ensemble embarked on a project that developed into a national model for the encouragement and development of new music for percussion ensemble. The OU Percussion Ensemble Commissioning Series regularly engages outstanding composers to write works for this medium. The Commissioning Series is responsible for the creation of some of today's staples in the percussion ensemble repertoire. In 1983 the University of Oklahoma funded the establishment of the OU Percussion Press, a non-profit extension of the percussion area. Through the Percussion Press, the commissioning series compositions plus other works expressly written for the OU Percussion Orchestra and Ensembles have been made available for purchase and performance by the world's leading percussion ensembles. The Percussion Press' catalog numbers more than 50 works, all published in a non-profit venture as a service to the profession.

Oversættelse

Kompendium komponeret af Blake M. Wilkins. Slagtøjsensemble. For spiller 1. orkester klokker, klokkespil, timbales, medium Gong, medium bækken. , Spiller 2. xylofon, medium bækken, 3 tunede gonger, stortromme. , Spiller 3. Xylophone, crotales, medium stor gong, lilletromme, 2 bremsetromler, lille bækken. , Spiller 4. vibrafon, 5 al. 11 spillere. Vanskeligheder. Svært. Varighed 11. 45. Udgivet af C. Alan Publications. CN.34. Ved første øjekast, de otte år, særskilt Twilight Tilbyder Musik og Kompendium synes at vidne om en drastisk ændring i æstetisk orientering for Blake Wilkins. på overfladen, bliver forskellene mellem disse to stykker slående. Alligevel Kompendium ikke grundlæggende, at langt fra Twilight Offering Music. De synes mere at besætte forskellige punkter på et kontinuum. Kompendium blot bringer i forgrunden og giver et øget fokus på de primære spørgsmål, der har informeret hovedparten af ​​Wilkins 'kompositioner til dato. en fascination med sammenhængende organiske strukturer. en optagethed af samspillet mellem forskellige lukkede processer. dyrkning af virtuositet i forbindelse med sammenspil. og frembringelsen af ​​unikke og overbevisende lyd verdener. Skrevet mellem juni og september 1994, Compendium er resultatet af et provisionen fra University of Oklahoma Percussion Ensemble. Det begyndte som en markant anderledes stykke med titlen 17 essays om Parametric Transmogrification Præsenteret Coetaneously og i en enkelt bevægelse. Wilkins opdagede hurtigt, dog, at hovedlinjerne i abstrakte principper han havde til hensigt at arbejde for at legemliggøre ville have resulteret i en sammensætning, der overhalede Twilight Tilbyder Music i længden. Komponistens centrale strategi var at isolere de normalt er integreret parametre musik à º rytme, melodi, harmoni, tekstur, klangfarve og så videre à º og indsende dem til forskellige lukkede transformationsprocesser. De sytten resulterende processer eller "essays," ville være af forskellige længder, der starter og slutter på forskellige punkter i musikken. Nogle ville vare i mindre end et minut, andre ville strække sig gennem hele den brik. De ville overlappe hinanden og krydser hinanden, men altid forblive selvstændig. Denne strategi er også det primære fokus for Compendium, som selv bruger nogle af musikken er beregnet til original. Således Compendium er netop, at  º et resumé af de principper, der er udviklet i de 17 essays, for det meste med fokus på de processer, der beskæftiger sig med rytmiske og melodiske transformationer. Men mens derivat af de 17 essays, Kompendium er et væsentligt forskelligt arbejde. "Med hensyn til den skæbne 17 Essays om Parametric Transmogrification," skriver komponisten: "Jeg er tilbageholdne ikke at fuldføre det, at jeg ikke kan skuffe dem, der har forsikret mig titlen er for godt til at spilde. Kompendium blev bestilt af University of Oklahoma Percussion Ensemble, Richard C. Gipson, Dirigent. Den fik sin premiere ydeevne November 18, 1994, af Ensemble på Percussive Arts Society International Convention i Atlanta, Georgia, Dr. Gipson ledende. Om OU Percussion Press. I 1977 OU Percussion Orchestra og Ensemble indledt et projekt, der udviklede sig til en national model for fremme og udvikling af ny musik for slagtøj ensemble. OU Percussion Ensemble Idriftsættelse Series engagerer regelmæssigt udestående komponister til at skrive værker til dette medie. Idriftsættelse serien er ansvarlig for skabelsen af ​​nogle af nutidens hæfteklammer i slagtøjsensemble repertoire. University of Oklahoma i 1983 finansieret etableringen af ​​OU Percussion Press, en non-profit forlængelse af percussion-området. Gennem Percussion Press, har idriftsættelse serie kompositioner plus andre værker udtrykkeligt skrevet til OU Percussion Orchestra og Ensembles blevet stillet til rådighed for køb og udførelse af verdens førende percussion ensembler. Den Percussion Press 'katalognumre mere end 50 værker, alle udgivet i en non-profit venture som en service til erhvervet.