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Original tekst

Psalm 125. Jean-Philippe Rameau. Voice sheet music. Choir sheet music. Double Bass sheet music. Piano and Keyboard sheet music.

Oversættelse

Salme 125. Jean-Philippe Rameau. Voice noder. Choir noder. Double Bass noder. Klaver og keyboard noder.

Original tekst

Psalm 125 composed by Jean-Philippe Rameau. 1683-1764. Edited by Jean-Paul C. Montagnier. For ST. BarB vocal soli, SST. TBarB choir, 2 flute, 2 oboe, 2 violin, 2 viola, cello. contra bass, bassoon, basso continuo. French Sacred Music. Language. Latin. 12 pages. Duration 26 minutes. Published by Carus Verlag. CA.2100812. With Language. Latin. The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Being performed in a "concert spirituel" in 1751, In Convertendo was poorly received. this failure long continued to pursue Rameau. Yet these masterworks are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751.

Oversættelse

Salme 125 komponeret af Jean-Philippe Rameau. 1683-1764. Redigeret af Jean-Paul C. Montagnier. For ST. Barb vokal alene, SST. TBarB kor, 2 fløjte, 2 obo, 2 violin, 2 bratsch, cello. contra bas, fagot, continuo. French Sacred Music. Sprog. Latin. 12 sider. Varighed 26 minutter. Udgivet af Carus Verlag. CA.2100812. Med Sprog. Latin. De tre grands motetter, Quam Dilecta, In convertendo og Deus noster refugium, som Jean-Philippe Rameau komponeret 1713-1715 er stadig relativt ukendt i dag. Udføres i en Concert spirituel i 1751, blev i Convertendo dårligt modtaget. denne fejl længe fortsatte med at forfølge Rameau. Alligevel disse mesterværker er vidnesbyrd om Rameau store kontrapunktisk beherskelse og indeholder smukke lyriske passager. Quam Dilecta og Deus noster refugium har overlevet kun i senere kilder, der opstod omkring 1770 efter Rameau død, og værkerne er blevet afsagt i en scoring, som ikke svarer til hans intentioner. Den nuværende nye udgave forsøger for første gang at rekonstruere dem så tæt som muligt på deres oprindelige form. Den udgave af In convertendo er baseret på Rameau autograf score fra 1751.