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Piano Concerto. Mozartiana. 2007. for piano solo and chamber orchestra. Thomas Oboe Lee. Piano Solo sheet music. Advanced.

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Piano Concerto. Mozartiana. 2007. for klaver solo og kammerorkester. Thomas Obo Lee. Noder Klaver solo. Avanceret.

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Piano Concerto. Mozartiana. 2007. for piano solo and chamber orchestra composed by Thomas Oboe Lee. For Piano,Orchestra. Baroque Period,Classical Period,Romantic Period,20th Century,21st Century. Advanced Intermediate. Score. 2 Flute. also piccolo. 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French horns 2 Trumpets in Bb 2 Trombones Timpani Piano solo. Published by Thomas Oboe Lee. S0.10957. With 2 Flute. also piccolo. 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French horns 2 Trumpets in Bb 2 Trombones Timpani Piano solo. Baroque Period,Classical Period,Romantic Period,20th Century,21st Century. Instrumentation. 2 Flute. also piccolo. 2 Oboes2 Clarinets in Bb 2 Bassoons2 French horns 2 Trumpets in Bb2 TrombonesTimpaniPiano solo 1st Violin2nd ViolinViolaCelloDouble bass Program note. It is with great pleasure that I have had this opportunity to write my very first piano concerto for my next-door neighbor and friend, Robert Levin. The virtuoso pianist Robert Levin and the music of Mozart are an inseparable pairing. I knew immediately that I had to include some Mozart in this stew. For my “Mozartiana,” I went to the complete Mozart edition and looked for some incomplete melodic or thematic fragments that I could “steal” as themes and motives for my concerto. The concerto is in four sections – slow-fast, slow-fast. Perhaps I should say that the work is in two movements – in each movement the music begins slowly, then shifts gear and becomes fast. Out of the four themes in this work, three of them are based on Mozart fragments. The first movement begins with a slow theme in D-minor. The material is derivative of a Mozart fragment in D-major – a “Kyrie” theme for chorus and orchestra. At 80 measures the orchestra goes into a fast romp. The material for this section has nothing to do with Mozart. Texturally, it sounds like a four-part counterpoint display in the style of Bach. The second movement theme is taken from a Mozart fragment originally intended for an orchestral overture. Its main characteristic is a melodic turn followed by a zig-zagging arpeggio theme. The fast music that follows, a mad scherzo, once again at measure 80, is based on a Mozart fragment in triple meter that he sketched for an unfinished string quintet. When I showed Robert Levin the score recently, he said he was quite surprised that he did not recognize the Mozart fragments. “When I read through the score,” he told me, “it sounded like your characteristic TOL music. ” Well, I have to say I was quite relieved and pleased. It is OK to “steal” from the Salzburg Genius, but it is more important that the stolen material should go through a filtering process resulting in something that is recognizably my music and not Mozart’s. Incidentally, Mr. Levin is well known for his improvised cadenzas in concertos by Mozart and Beethoven. Toward the end of the second movement, I gave him ample room to improvise to his heart’s content. Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play. View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. Use our iPad app to view your digital sheet music on the go. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application.

Oversættelse

Piano Concerto. Mozartiana. 2007. for klaver solo og kammerorkester komponeret af Thomas Obo Lee. . Barokken Klassisk Periode, romantiske periode, fra det 20. århundrede, det 21. århundrede. Advanced Intermediate. Score. 2 Flute. Også små. 2 Oboer 2 klarinetter i Bb 2 Fagotter 2 franske horn 2 trompeter i Bb 2 basuner Timpani Piano solo. Udgivet af Thomas Obo Lee. S0.10957. Med 2 Flute. Også små. 2 Oboer 2 klarinetter i Bb 2 Fagotter 2 franske horn 2 trompeter i Bb 2 basuner Timpani Piano solo. Barokken Klassisk Periode, romantiske periode, fra det 20. århundrede, det 21. århundrede. Instrumentering. 2 Flute. Også små. 2 Oboes2 klarinet i Bb 2 Bassoons2 franske horn 2 trompeter i BB2 TrombonesTimpaniPiano solo 1st Violin2nd ViolinViolaCelloDouble bas programnote. Det er med stor glæde, at jeg har haft denne mulighed for at skrive min allerførste klaverkoncert til min nabo og ven, Robert Levin. Den virtuose pianist Robert Levin og musik af Mozart er en uadskillelig parring. Jeg vidste straks, at jeg var nødt til at medtage nogle Mozart i denne gryderet. For min Mozartiana, Jeg gik til den komplette Mozart udgave og kiggede for nogle ufuldstændige melodiske eller tematiske fragmenter at jeg kunne stjæle som temaer og motiver for min koncert. Den koncert er i fire sektioner - langsom-hurtig, langsom-hurtig. Måske skulle jeg sige, at arbejdet er i to bevægelser - i hver bevægelse musikken begynder langsomt, skifter derefter gear og bliver hurtigt. Ud af de fire temaer i dette arbejde, er tre af dem baseret på Mozart-fragmenter. Den første bevægelse begynder med en langsom tema i D-mol. Materialet er derivat af en Mozart-fragment i D-dur - en Kyrie tema for kor og orkester. Ved 80 foranstaltninger orkestret går ind i en hurtig boltre. Materialet til denne sektion har intet at gøre med Mozart. Texturally, det lyder som en firedelt kontrapunkt skærm i stil med Bach. Den anden bevægelse tema er taget fra en Mozart fragment oprindelig beregnet til et orkesterværk overture. Dens vigtigste kendetegn er en melodisk drejning efterfulgt af en zig-zag arpeggio tema. Den hurtige musik, der følger, en gal scherzo igen ved foranstaltning 80, er baseret på en Mozart-fragment i triple meter som han skitserede for et ufærdigt strygekvintet. Da jeg viste Robert Levin score nylig, sagde han, at han var temmelig overrasket over, at han ikke genkende Mozart fragmenter. Da jeg læste igennem score, sagde han til mig, det lød som din karakteristiske TOL musik. Nå, jeg må sige, jeg var helt lettet og glad. Det er OK at stjæle fra Salzburg Genius, men det er vigtigere, at de stjålne materiale skal gå igennem en filtrering proces resulterer i noget, der er genkendeligt min musik og ikke Mozarts. I øvrigt, er Mr. Levin kendt for sine improviserede kadencer i koncerter af Mozart og Beethoven. Hen mod slutningen af ​​anden sats, gav jeg ham rigelig plads til at improvisere til sit hjerte indhold. Digital Print er printbare noder rådighed når som helst, hvor som helst. Bare køb, print og leg. Se din online noder derhjemme, skole, arbejde eller hvor som helst du har en computer tilsluttet til internettet. Brug vores iPad app til at se dine digitale noder på farten. Med Digital Print kan du udskrive din digitale noder umiddelbart efter købet, eller vente, indtil dets bekvemme. Og vores installation software er let - vi vil guide dig gennem de enkle trin til at sikre, at du har Adobe Flash Player, Adobe AIR og Noder Plus AIR-program.