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Original tekst

Suzuki Recorder School. Soprano and Alto Recorder. , Volume 8. Alto Recorder sheet music.

Oversættelse

Suzuki Recorder School. Soprano og Alto Recorder. , Bind 8. Alto Recorder noder.

Original tekst

Suzuki Recorder School. Soprano and Alto Recorder. , Volume 8. Recorder Part. For Recorder. Method. Instruction. Recorder Method. Suzuki. Suzuki. Suzuki Recorder School. Book. 20 pages. Published by Alfred Music. AP.30396. ISBN 0739053086. Titles. Adagio from Sonata in F Major, Op. 5, No. 4. Arcangelo Corelli. Allegro from Sonata in F Major, Op. 5, No. 4. Arcangelo Corelli. Dolce from Fantasia in F Minor, TWV 40. G. P. Telemann. Spirituoso from Fantasia in F Minor, TWV 40. G. P. Telemann. RÃjouissance from Suite in A Minor. G. P. Telemann. Largo from Concerto in C Major, RV 443. Antonio Vivaldi. Allegro molto from Concerto in C Major, RV 443. Antonio Vivaldi. Allegro assai from Concerto in F Major. Giuseppe Sammartini. The Suzuki Method is based on the principle that all children possess ability and that this ability can be developed and enhanced through a nurturing environment. All children learn to speak their own language with relative ease and if the same natural learning process is applied in teaching other skills, these can be acquired as successfully. Suzuki referred to the process as the Mother Tongue Method and to the whole system of pedagogy as Talent Education. The important elements of the Suzuki approach to instrumental teaching include the following. an early start. aged 3-4 is normal in most countries. the importance of listening to music. learning to play before learning to read. -the involvement of the parent. a nurturing and positive learning environment. a high standard of teaching by trained teachers. the importance of producing a good sound in a balanced and natural way. core repertoire, used by Suzuki students across the world. social interaction with other children. Suzuki students from all over the world can communicate through the language of music. div. Adagio from Sonata in F Major, Op. 5, No. 4. Allegro from Sonata in F Major, Op. 5, No. 4. Dolce from Fantasia in F Minor, TWV 40. Spirituoso from Fantasia in F Minor, TWV 40. Rejouissance from Suite in A Minor. Largo from Concerto in C Major, RV 443. Allegro molto from Concerto in C Major, RV 443. Allegro assai from Concerto in F Major.

Oversættelse

Suzuki Recorder School. Soprano og Alto Recorder. , Bind 8. Optager. For Recorder. Metode. Instruktion. Optager Method. Suzuki. Suzuki. Suzuki Recorder School. Bog. 20 sider. Udgivet af Alfred Music. AP.30396. ISBN 0739053086. Titler. Adagio fra Sonate i F-dur, Op. 5, nr. 4. Arcangelo Corelli. Allegro fra Sonate i F-dur, Op. 5, nr. 4. Arcangelo Corelli. Dolce fra Fantasia i F Minor, TWV 40. G. P. Telemann. Spirituoso fra Fantasia i F Minor, TWV 40. G. P. Telemann. RÃjouissance fra Suite i A Minor. G. P. Telemann. Largo fra Koncert i C-dur, RV 443. Antonio Vivaldi. Allegro molto fra Koncert i C-dur, RV 443. Antonio Vivaldi. Allegro assai fra Concerto in F Major. Giuseppe Sammartini. Suzuki Metoden er baseret på princippet om, at alle børn besidder evne og at denne evne kan udvikles og styrkes gennem en nærende miljø. Lære alle børn at tale deres eget sprog, med relativ lethed, og hvis den samme naturlige læreproces anvendes i undervisning af andre færdigheder, kan disse erhverves som med succes. Suzuki henvist til processen som modersmål Metode og hele systemet af pædagogik som Talent Education. De vigtige elementer i Suzuki tilgang til instrumental undervisning omfatter følgende. en tidlig start. alderen 3-4 er normalt i de fleste lande. vigtigheden af ​​at lytte til musik. at lære at spille, før at lære at læse. -Inddragelse af forældrene. en plejende og positivt læringsmiljø. en høj standard for undervisning af uddannede lærere. vigtigheden af ​​at frembringe en god lyd i en afbalanceret og naturlig måde. core repertoire, der anvendes af Suzuki elever over hele verden. socialt samspil med andre børn. Suzuki studerende fra hele verden kan kommunikere gennem sproget i musikken. div. Adagio fra Sonate i F-dur, Op. 5, nr. 4. Allegro fra Sonate i F-dur, Op. 5, nr. 4. Dolce fra Fantasia i F Minor, TWV 40. Spirituoso fra Fantasia i F Minor, TWV 40. Rejouissance fra Suite i A Minor. Largo fra Koncert i C-dur, RV 443. Allegro molto fra Koncert i C-dur, RV 443. Allegro assai fra Concerto in F Major.