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Original tekst

Te Deum. Karl Heinrich Graun. Voice sheet music. Choir sheet music. Horn sheet music. Piano and Keyboard sheet music.

Oversættelse

Te Deum. Karl Heinrich Graun. Voice noder. Choir noder. Horn noder. Klaver og keyboard noder.

Original tekst

Te Deum composed by Karl Heinrich Graun. 1704-1759. Edited by Herbert Lolkes. Arranged by Paul Horn. For SMTB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 2 violins, viola, basso continuo. This edition. Paperbound. German title. Te Deum. Praise and thanks. Vocal score. Language. Latin. Composed 1757. 80 pages. Published by Carus Verlag. CA.2719603. ISBN M-007-07746-4. With Language. Latin. Praise and thanks. Among the sacred compositions of Carl Heinrich Graun, who served for many years as the Court Music Director of Frederick II in Berlin, two works have attained a prominent position. the passion cantata Der Tod Jesu from 1755, and the eleven-movement Te Deum, which was written in 1757 to celebrate a military victory. Both works belonged to the repertoires of many singing academies and oratorio societies well into the 19th century and today they have been rediscovered and are generating renewed interest among musicians. After a long absence the Te Deum, as a vocal score in a new critical edition, is once again available.

Oversættelse

Te Deum composed by Karl Heinrich Graun. 1704-1759. Redigeret af Herbert Lolkes. Arrangeret af Paul Horn. For SMTB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 bassoons, 2 horns, 2 violins, viola, basso continuo. Denne udgave. Hæftet. Tyske titel. Te Deum. Ros og tak. Korpartitur. Sprog. Latin. Komponeret 1757. 80 sider. Udgivet af Carus Verlag. CA.2719603. ISBN M-007-07746-4. Med Sprog. Latin. Ros og tak. Blandt de hellige sammensætninger af Carl Heinrich Graun, der tjente i mange år som Domstolen musikchef Frederik II i Berlin, har to værker opnået en fremtrædende position. lidenskab kantate Der Tod Jesu fra 1755 og elleve-bevægelsen Te Deum, som blev skrevet i 1757 for at fejre en militær sejr. Begge værker tilhørte repertoirer mange syngende akademier og Oratorio samfund godt ind i det 19. århundrede og i dag de er blevet genopdaget og frembringe fornyet interesse blandt musikere. After a long absence the Te Deum, as a vocal score in a new critical edition, is once again available.