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Original tekst

Zarabanda. Joseph Turrin. B-Flat Trumpet sheet music. Double Bass sheet music. Euphonium sheet music. Horn sheet music. Percussion sheet music. Trombone sheet music. Tuba sheet music. Grade 4.

Oversættelse

Zarabanda. Joseph Turrin. B-Flat Trumpet noder. Double Bass noder. Euphonium noder. Horn noder. Percussion noder. Trombone noder. Tuba noder. Grad 4.

Original tekst

Zarabanda. Xylophone. Marimba Feature. Composed by Joseph Turrin. 1947-. For Soloist. with Concert Band. Solo Percussion, Piccolo, Flute 1-2, Oboe 1-2, Bassoon 1-2, Clarinet in Eb, Clarinet in Bb 1-3, Bass Clarinet, Alto Saxophone 1-2, Tenor Saxophone, Baritone Saxophone, Horn in F 1-4, Trumpet in Bb 1-5, Trombone 1-3, Euphonium, Tuba, Contrabass, Percussion. Grade 4. Score only. Duration 5. 00. Published by C. Alan Publications. CN.16431. The piece is in several sections with a Latin style rhythm that occasionally gets interrupted by accented outbursts from the ensemble. As the piece develops and moves from section to section, new rhythmic and melodic ideas are introduced. The piece culminates with a bravura mallet cadenza and an optional cadenza, which calls for the additional skills of playing the timbales, bongos, tom-toms, and conga drum. I composed Zarabanda for a Latin American recording project with RCA Records and percussionist Evelyn Glennie. Although the recording project was never realized by RCA, I decided that the work would make a wonderful vehicle for Ms. Glennie along with wind ensemble accompaniment. The piece is in several sections with a Latin style rhythm that occasionally gets interrupted by accented outbursts from the ensemble. The soloist alternates between the xylophone, for the more accented staccato passages and scales, and the marimba, for the more melodic material. As the piece develops and moves from section to section, new rhythmic and melodic ideas are introduced. The piece culminates with a bravura cadenza - the soloist performing rapid-fire staccatos and scales on the xylophone. There is also an optional cadenza, which calls for the additional skills of playing the timbales, bongos, tom-toms, and conga drum. The piece concludes with a quick coda as the solo xylophone and ensemble build a fiery rhythmic syncopation. There are more rapidly accented staccatos, a quick scale, and the final bar. The zarabanda is a late 16th and 17th century Spanish dance in a lively alternating 6. 8 and 3. 4 time. Some evidence suggests that the zarabanda originated in the Spanish colonies in America, making it the first popular Latin American dance. Other evidence seems to suggest an African origin. A possible scenario might be that the zarabanda was brought to Spain by the Moors during the 12th Century, but was heavily modified by American influences during the early 16th Century. The zarabanda and its French descendant, the sarabande, were very different dances. While the French dance was a slow dance in 3. 4 time, the Spanish original was very lively, alternating between 6. 8 and 3. 4 time. In the beginning, the zarabanda was considered very indecent. Cervantes writes about the "diabolic zarabanda" in one of his short stories, and in 1583, a law was passed against singing the zarabanda. The penalties for breaking it were banishment for women and 200 whiplashes and 6 years of galley service for men.

Oversættelse

Zarabanda. Xylofon. Marimba Feature. Komponeret af Joseph Turrin. 1947 -. For Solist. med Concert Band. Kun Slagtøj, Piccolo, Fløjte 1-2, obo 1-2, 1-2 Fagot, Klarinet i Eb, klarinet i Bb 1-3, Basklarinet, Altsaxofon 1-2, Tenorsaxofon, Baryton saxofon, horn i F 1 -4, trompet i Bb 1-5, 1-3 Basun, Euphonium, Tuba, Kontrabas, Slagtøj. Grad 4. Score kun. Varighed 5. 00. Udgivet af C. Alan Publications. CN.16431. Stykket er i flere sektioner med en latinsk stil rytme, der lejlighedsvis bliver afbrudt af udbrud accent fra ensemblet. Som stykket udvikler og flytter fra afsnit til afsnit, der er indført nye rytmiske og melodiske ideer. Stykket kulminerer med en bravour mallet kadence og en valgfri kadence, som opfordrer til yderligere færdigheder spille timbales, bongos, Tom-toms og conga tromme. Jeg komponeret Zarabanda for et latinamerikansk optagelse projekt med RCA Records og percussionist Evelyn Glennie. Selvom optagelsen projektet blev aldrig realiseret af RCA, besluttede jeg, at arbejdet ville gøre en vidunderlig køretøj til Ms Glennie sammen med vind ensemble akkompagnement. Stykket er i flere sektioner med en latinsk stil rytme, der lejlighedsvis bliver afbrudt af udbrud accent fra ensemblet. Solisten veksler mellem xylofon, for de mere accent staccato passager og skalaer og marimba, for de mere melodiske materiale. Som stykket udvikler og flytter fra afsnit til afsnit, der er indført nye rytmiske og melodiske ideer. Stykket kulminerer med en bravour kadence - solisten udfører hurtige brand staccatos og skalaer på xylofon. Der er også en valgfri kadence, som opfordrer til yderligere færdigheder spille timbales, bongos, Tom-toms og conga tromme. Stykket slutter med en hurtig coda som solo xylofon og ensemble opbygge en fyrig rytmisk syncopation. Der er staccatos hurtigere accent, en hurtig skala, og den endelige bar. Den Zarabanda er en slutningen af ​​det 16. og 17. århundrede spansk dans i en livlig vekslende 6. 8 og 3. 4 tid. Nogle tyder på, at Zarabanda opstod i de spanske kolonier i Amerika, hvilket gør det den første populære latinamerikanske danse. Andre beviser synes at antyde en afrikansk oprindelse. Et muligt scenarie kunne være, at Zarabanda blev bragt til Spanien af ​​maurerne i det 12. århundrede, men af ​​amerikanske påvirkninger under den tidlige 16. århundrede var stærkt modificerede. Den Zarabanda og dets franske efterkommer, den Sarabande, var meget forskellige danse. Mens den franske dans var en langsom dans i 3. 4 gang, den spanske original var meget livlig, vekslende mellem 6. 8 og 3. 4 tid. I begyndelsen blev Zarabanda anset for meget uanstændigt. Cervantes skriver om "diabolske Zarabanda" i en af ​​sine noveller, og i 1583 blev der vedtaget en lov mod at synge Zarabanda. Sanktionerne for at bryde det blev forvist til kvinder og 200 whiplashes og 6 års pantry tjeneste for mænd.