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Original tekst

Sobs and sighing, tears and crying. Johann Sebastian Bach. Voice sheet music. Choir sheet music. Piano and Keyboard sheet music. Recorder sheet music.

Oversættelse

Hulker og sukke, tårer og gråd. Johann Sebastian Bach. Voice noder. Choir noder. Klaver og keyboard noder. Optager noder.

Original tekst

Sobs and sighing, tears and crying. Cantata for the 2nd Sunday after Epiphany. Composed by Johann Sebastian Bach. 1685-1750. Edited by Julia Doht. For SATB vocal soli, SATB choir, 2 recorders f1, oboe d'caccia, 2 violins, viola, basso continuo. Stuttgart Urtext Edition. German title. Meine Seufzer, meine Tranen. Epiphany. Choral score. Language. German. English. Composed 1726. BWV 13. 2 pages. Duration 21 minutes. Published by Carus Verlag. CA.3101305. ISBN M-007-10294-4. With Language. German. English. Epiphany. Bach's cantata BWV 13. from the third cycle of Leipzig cantatas. was first performed on the 2nd Sunday after Epiphany in 1726. This work is marked especially by its scoring, unusual in Bach's church music, in which the strings are joined by two recorders and an oboe da caccia. these wind instruments are used to convey the dominant affections of "sighing" and "pain" in the individual arias. In accordance with the intimate character of this cantata the four-part vocal ensemble is used only in the chorale at the end of the work. Score available separately - see item CA.3101300.

Oversættelse

Hulker og sukke, tårer og gråd. Kantate for 2. søndag efter Helligtrekonger. Komponeret af Johann Sebastian Bach. 1685-1750. Redigeret af Julia Doht. For SATB vokal alene, SATB kor, to optagere f1, obo d'jagt, to violiner, bratsch, continuo. Stuttgart Urtext Edition. Tyske titel. Mine suk, mine tårer. Epiphany. Korpartitur. Sprog. German. Engelsk. Komponeret 1726. BWV 13. 2 sider. Varighed 21 minutter. Udgivet af Carus Verlag. CA.3101305. ISBN M-007-10294-4. Med Sprog. German. Engelsk. Epiphany. Bachs kantate BWV 13. fra den tredje cyklus af Leipzig kantater. blev uropført på 2. søndag efter Helligtrekonger i 1726. Dette arbejde er præget især ved sin scoring, usædvanligt i Bachs kirkemusik, hvor strengene er forbundet af to optagere og en obo da caccia. disse blæseinstrumenter bruges til at formidle de dominerende hengivenhed "sukke" og "smerte" i de enkelte arier. I overensstemmelse med den intime karakter af denne kantate fire dele vokalensemble anvendes kun i koral i slutningen af ​​arbejdet. Score købes separat - se punkt CA.3101300.