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Original tekst

Great Scott. Horn sheet music.

Oversættelse

Great Scott. Horn noder.

Original tekst

Great Scott. composed by Fred Cohen. For Horn & Concert Band. Study Score. Composed 2004. Published by Seesaw Music Corp. SS.50600020. Composer's Note. "Great Scott. " was commissioned by Mary Ann Craig, Director of Bands at Montclair State University for the MSU Wind Ensemble, and is dedicated to Mr. Jeffrey Scott. A work in one movement, Great Scott. may be heard as a stream of consciousness in the mind of the soloist. The work opens with the soloist quietly reflecting. The remnants of a dance tune are heard in the lower brass, as if from a radio, and the soloist unselfconsciously incorporates this material into his musings. He is joined by the ensemble, which reiterates and makes emphatic the soloist's reflections. A variation of the dance tune, now integrated with the soloist's ideas, is heard in the saxophones, soon joined by the French horn, gradually leading to a quieter section that again incorporates and expands the gathering musical materials. This leads to the central, lyric section of the piece - where the soloist returns to his initial musings, now amplified by the ensemble. This time, the dance music is not heard separately - in essence, it has been re-constructed by the soloist with contributions from the ensemble. A fanfare-like section follows, featuring brass and timpani. After a brief pause, the opening material is heard a final time, now with an active, rapid surface, as the piece rushes to a close.

Oversættelse

Great Scott. komponeret af Fred Cohen. For Horn. Study Score. Komponeret 2004. Udgivet af vippen Music Corp. SS.50600020. Komponist note. "Great Scott. "Blev bestilt af Mary Ann Craig, direktør for Bands på Montclair State University for MSU Wind Ensemble, og er dedikeret til Mr. Jeffrey Scott. Et værk i én bevægelse, Great Scott. kan høres som en strøm af bevidsthed i sindet af solisten. Værket åbner med solisten roligt reflekterende. Resterne af en dans melodi høres i den nederste messing, som om fra en radio, og solisten unselfconsciously indarbejder dette materiale i hans spekulationer. Han får følgeskab af ensemblet, som gentager og gør eftertrykkelig solistens refleksioner. En variation af dansen melodi, nu integreret med solisten ideer, høres i saxofoner, snart følgeskab af den franske horn, efterhånden fører til en roligere afsnit, der igen inkorporerer og udvider indsamling musikalske materialer. Dette fører til den centrale, lyriske del af stykket - hvor solisten vender tilbage til hans første spekulationer, nu forstærket af ensemblet. Denne gang er det dansemusik ikke hørt hver for sig - i det væsentlige, det er blevet re-konstrueret af solisten med bidrag fra ensemblet. En fanfare-lignende afsnit følger, og byder på messing og pauker. Efter en kort pause, er åbningen materiale hørt en sidste gang, nu med en aktiv, hurtig overflade, da stykket skynder sig sin afslutning.