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Original tekst

Requiem op. 148. Robert Schumann. Voice Solo sheet music.

Oversættelse

Requiem op. 148. Robert Schumann. Noderne Voice Solo.

Original tekst

Requiem op. 148 composed by Robert Schumann. Edited by Bernhard R. Appel. For vocal soloists, choir and orchestra. This edition. RSA 1034. Cloth-cover. Complete edition. Complete Editions. Robert Schumann - New Edition of Complete Works Band 3. Score and critical commentary. 208 pages. Published by Schott Music. SD.49011968. ISBN 9790001143639. As late as 1830, Robert Schumann described himself as 'religious without religion'. Nevertheless, in 1852, he composed within four months not only Missa sacra but also his Requiem, a touching work which unfortunately is only seldom performed. It may well be that the external reason for their creation was the obligation, inherent in his new position in Dusseldorf, to write two church music pieces a year. But Schumann turned to the topic of religion internally as well. In a letter to August Strackerjahn from January 1851 he wrote. 'To devote his powers to religious music probably remains the artist's ultimategoal. ' In this work, he combined the 'sacred dignity of the old music with therich ornamentation of the newer one'. As in Missa sacra, the free handling of the liturgical text is conspicuous.

Oversættelse

Requiem op. 148 sammensat af Robert Schumann. Redigeret af Bernhard R. Appel. For sangsolister, kor og orkester. Denne udgave. RSA 1034. Klud-cover. Komplet udgave. Komplet Editions. Robert Schumann - Ny udgave af Complete Works Band 3. Score og kritisk kommentar. 208 sider. Udgivet af Schott Music. SD.49011968. ISBN 9790001143639. Så sent som i 1830 Robert Schumann beskrev sig selv som "den religiøse uden religion '. Ikke desto mindre, i 1852, han komponerede inden for fire måneder, ikke kun Missa Sacra men også hans Requiem, en rørende arbejde, som desværre kun sjældent udføres. Det kan godt være, at den eksterne årsag til deres oprettelse var en forpligtelse, der ligger i sin nye stilling i Düsseldorf, til at skrive to kirke musikstykker et år. Men Schumann vendte sig til emnet religion internt såvel. I et brev til august Strackerjahn fra januar 1851 skrev han. 'For at afsætte sine beføjelser til religiøs musik sandsynligvis forbliver kunstnerens ultimategoal. "I dette arbejde, kombineret han den" hellige værdighed af den gamle musik med therich udsmykning af den nyere en '. Som i Missa Sacra, den frie håndtering af den liturgiske tekst er iøjnefaldende.