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Original tekst

Sextet. Mikko Heinio. Baritone Voice sheet music. Flute sheet music. Piano sheet music. Voice Solo sheet music.

Oversættelse

Sextet. Mikko Heiniö. Baryton Stemme noder. Fløjte noder. Klaver Noder. Noderne Voice Solo.

Original tekst

Sextet composed by Mikko Heinio. For baritone voice, flute, clarinet, violin, cello, piano. Score. Published by Fennica Gehrman. FG.55009-540-3. ISBN 979-0-55009-540-3. Mikko Heinio's Sextet. for baritone, flute, clarinet, violin, cello and piano. is contemporary music that captures the listeners. The baritone soloist is allowed to shine in the resonant register. Tommi Hakala would have liked to sing this at the Cardiff Singer of the World competition, but the orchestra refused to play chamber music. As Jukka Isopuro wrote. Heinio has done a fine job solving the problem of writing modern music that sings. There are no mindless interval leaps, and the baritone. The diatonic-seeming melodic modules are aurally titillating, and there are no heavy chromatic bottlenecks to obstruct the flow. The light, clear sound of this seven-movement work performed without a break weaves in a sense of disappointed, wounded love that is detached and insensible. The coltish scherzo kicks up ironic and comic tones, even down to falsetto.

Oversættelse

Sextet komponeret af Mikko Heiniö. For baryton stemme, fløjte, klarinet, violin, cello, klaver. Score. Udgivet af Fennica Gehrman. FG.55009-540-3. ISBN 979-0-55009-540-3. Mikko Heiniö s Sextet. for baryton, fløjte, klarinet, violin, cello og klaver. er moderne musik, der fanger lytterne. Den baryton solist får lov til at skinne i den resonante register. Tommi Hakala ville have ønsket at synge dette på Cardiff Singer of the World konkurrence, men orkestret nægtede at spille kammermusik. Som Jukka Isopuro skrev. Heiniö har gjort et fint stykke arbejde at løse problemet med at skrive moderne musik, der synger. Der er ingen hjernedød interval spring og baryton. Den diatoniske-tilsyneladende melodiske moduler fonetisk pirrende, og der er ingen tunge kromatiske flaskehalse hindrer strømmen. Lyset, klar lyd af denne syv-bevægelse arbejde udført uden pause væver i en følelse af skuffet, såret kærlighed, der er afmonteret og følelsesløse. Den coltish scherzo skydes op ironiske og komiske toner, selv ned til falset.