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Original tekst

GanJam. B-Flat Trumpet sheet music. Double Bass sheet music. Electric Guitar sheet music. Percussion sheet music. Piano sheet music. Trombone sheet music.

Oversættelse

Ganjam. B-Flat Trumpet noder. Double Bass noder. Elektrisk Guitar noder. Percussion noder. Klaver Noder. Trombone noder.

Original tekst

GanJam composed by Ferdinand "Jelly Roll" Morton. Edited by James Dapogny. Jazz Ensembles. For 2 Alto Saxophones, 2 Tenor Saxophones, 3 Trumpets, 2 Trombones, Piano, Guitar, Doublebass, Drum. Modern, Jazz, Orchestral. Set of parts. Duration circa 4-7 minutes. Published by Edition Peters. PE.P68279A. ISBN 979-0-3007-5756-8. Modern, Jazz, Orchestral. As an editor, Dapogny shows his customary sound musical scholarship and deep knowledge of Morton's style. The publishers are to be congratulated for bringing this fascinating work into the public domain, which throws a totally new light on 'Mister Jelly Lord. ' Who knows what he would have achieved had he lived beyond his alleged 51 years. --Martin Litton, for JUST JAZZ. Feb 2011. Set of parts. For the full score, please see EP68279. "At the end of 1938, Jelly Roll Morton. 1890- 1941. returned to New York from his years in Washington, D.C. Recent publicity had made a comeback seem possible, and he hoped to recapture the prominent place in the jazz world that he had held in the 1920s. Still well known, though mainly as a New Orleans music pioneer, he understood that in order to be taken seriously as a contemporary artist, he needed to form a big band like those of his competition, such as Duke Ellington, Count Basie, Benny Goodman, and Tommy and Jimmy Dorsey. In the 1920s Morton's recordings and tours featured a ten-piece band following the first-generation big-band format. But in the late 1930s, larger groups were popular, so Morton assembled a conventional '30s band consisting of four saxophones, six brass, and four rhythm. The band was to open at the Golden Gate Ballroom in Harlem on April 17th, 1939, but on opening night Morton collapsed before going onstage. During his recuperation from the asthma and heart problems that dogged him, the band broke up, never to reassemble. Only six items written for that band's instrumentation are known to exist. Morton's arrangements of his own compositions -- Finger Breaker, GanJam, Good Old New York, Mister Joe, and Stop and Go -- and an arrangement, Mamies' Blues, by another artist. " -- James Dapogny. Editor.

Oversættelse

Ganjam komponeret af Ferdinand Jelly Roll Morton. Redigeret af James Dapogny. Jazzensembler. For 2 Alto saxofoner, 2 Tenor Saxofoner, 3 trompeter, 2 basuner, klaver, guitar, kontrabas, Drum. Moderne, Jazz, Orchestral. Sæt af dele. Varighed circa 4-7 minutter. Udgivet af Edition Peters. PE.P68279A. ISBN 979-0-3007-5756-8. Moderne, Jazz, Orchestral. Som en redaktør, Dapogny viser sin sædvanlige lyd musical stipendium og dyb viden om Mortons stil. Udgiverne skal lykønskes for at bringe dette fascinerende værk i det offentlige domæne, som kaster et helt nyt lys 'Mister Jelly Lord. "Hvem ved, hvad han ville have opnået hvis han havde levet over hans påståede 51 år. - Martin Litton for JUST JAZZ. Feb 2011. Sæt af dele. For fuld score, se venligst EP68279. "I slutningen af ​​1938 Jelly Roll Morton. 1890 - 1941. vendte tilbage til New York fra hans år i Washington, havde Seneste omtale DC gjort et comeback synes muligt, og han håbede at generobre den fremtrædende plads i jazzens verden, at han havde holdt i 1920'erne. Stadig velkendt, men først og fremmest som en New Orleans musik pioner, han forstod, at for at blive taget alvorligt som en moderne kunstner, han havde brug for at danne et big band som dem i sin konkurrence, såsom Duke Ellington, Count Basie, Benny Goodman , og Tommy og Jimmy Dorsey. I 1920'erne Mortons optagelser og ture fremhævede en ti-mands orkester efter den første generation af big-band-format. Men i slutningen af ​​1930'erne, større grupper var populær, så Morton samlet en konventionelle 30'erne band bestående af fire saxofoner, seks messing og fire rytme. Bandet var at åbne på Golden Gate Ballroom i Harlem den 17. april 1939 men på premiereaftenen Morton kollapsede før de går på scenen. Under sin rekonvalescens fra astma og hjerteproblemer som forfulgt ham, bandet brød op, aldrig at samle. Kun seks punkter skrevet for at bandets instrumentering er kendt for at eksistere. Mortons arrangementer af sine egne kompositioner - Finger Breaker, Ganjam, Good Old New York, Mister Joe, og Stop and Go - samt et arrangement, Mamies 'Blues, af en anden kunstner. "- James Dapogny. Editor.