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Original tekst

Four Original Warm-Ups for Band. Bert Appermont.

Oversættelse

Fire Original Warm-Ups til Band. Bert Appermont.

Original tekst

Four Original Warm-Ups for Band composed by Bert Appermont. Fanfare. Grade 2-3. Full score. Duration 0. 11. 35. Published by Beriato Music. BT.0605-6-329. From my experience as a conductor and a jury member, I know that many orchestras are faced with typical problems. lack of sound control, intonation difficulties, uncontrolled articulation and insufficient phrasing. Practising these aspects is very demanding of an orchestra and there is little material available that is also enjoyable to play. Four Original Warm-Ups is therefore intended to improve this situation. It consists of four enjoyable warm-up pieces. Each piece focuses on one of the said issues without the music being dull as a result of this. Part 1. Waves of Sound Long chords are played crescendo and diminuendo, thus practising breathing and sound control. These surging chords are reminiscent of the sound of waves, hence the title Waves of Sound. The tempo can be increased or decreased, depending on the skills of the orchestra. It can be decreased slightly every week, thus training the stamina of the musicians. Part 2. Tuning Tones At the start, several instruments take over the tone of the oboe. The aim is to correct the intonation immediately by comparing the two tones carefully. As they are in immediate succession, this is easier to hear. This is followed by a choral theme alternated with a flat chord that is developed repeatedly from the base. This section can be used to practise the tuning of chords. Part 3. Articulation Train All aspects of articulation are addressed in this hellish train journey. The gradual acceleration not only suggests a train that is driving faster and faster, but is also intended to practise staccato playing. For a concert performance, a child or a musician could be dressed up as an engine driver and sound the train departure whistle. A real train whistle can enhance the atmosphere in certain places that have been marked for this purpose. This part can also be used as an encore piece for a concert. Part 4. Cantilene The tuneful melody is played by several parts. instruments. The object is to play every phrase in one breath and to give the melody sufficient tension. This part develops towards a crescendo in which accurate phrasing is an absolute must. The changes in time give the piece a special character. These four pieces can but do not have to be played in succession. Each part can be used separately for a rehearsal or concert. I truly hope that these four parts will contribute to improving the standards of many orchestras without spoiling the fun of playing.

Oversættelse

Fire Original Warm-Ups til Band bestående af Bert Appermont. Fanfare. Grade 2-3. Fuld score. Varighed 0. 11. 35. Udgivet af Beriato Music. BT.0605-6-329. Fra min erfaring som dirigent og et jurymedlem, jeg ved, at mange orkestre står over typiske problemer. mangel på forsvarlig kontrol, intonation vanskeligheder, ukontrolleret artikulation og utilstrækkelig frasering. Praktiserende disse aspekter er meget krævende af et orkester, og der er meget lidt materiale til rådighed, der er også sjovt at spille. Fire Original Warm-Ups har derfor til formål at forbedre denne situation. Den består af fire fornøjelige warm-up stykker. Hvert stykke fokuserer på et af de nævnte spørgsmål uden musikken bliver kedelig som et resultat af denne. Del 1. Bølger af Sound lange akkorder spilles crescendo og diminuendo dermed øve vejrtrækning og lydkontrol. Disse brusende akkorder er minder om lyden af ​​bølger, dermed titlen Bølger af lyd. Tempoet kan øges eller mindskes, afhængigt af de færdigheder af orkestret. Det kan blive lettere nedsat hver uge, således at træne udholdenhed af musikerne. Del 2. Tuning Tones I begyndelsen, flere instrumenter overtage tonen i obo. Målet er at korrigere intonationen straks ved at sammenligne de to toner omhyggeligt. Da de er umiddelbart efter hinanden, er det lettere at høre. Dette efterfølges af en kor tema vekslede med en flad akkord, der er udviklet flere gange fra bunden. Denne sektion kan anvendes til at udøve afstemning af akkorder. Del 3. Artikulation Train Alle aspekter af artikulation behandles i denne helvedes togrejse. Den gradvise acceleration ikke blot antyder et tog, der kører hurtigere og hurtigere, men er også beregnet til at øve staccato spille. For en koncertopførelse, kunne et barn eller en musiker være klædt som en motor driver og lyd toget afgang fløjte. En rigtig tog fløjten kan forbedre stemningen i bestemte steder, der er markeret til dette formål. Denne del kan også anvendes som et ekstranummer stykke til en koncert. Del 4. Cantilene Den iørefaldende melodi spilles af flere dele. instrumenter. Formålet er at spille hver sætning i ét åndedrag og give melodien tilstrækkelig spænding. Denne del udvikler sig i retning af et crescendo, hvor præcis formulering er et absolut must. Ændringerne i tid giver stykket et specialtegn. Disse fire stykker kan, men behøver ikke at blive spillet i rækkefølge. Hver del kan anvendes separat for en afprøvning eller koncert. Jeg håber virkelig, at disse fire dele vil bidrage til at forbedre standarderne for mange orkestre uden at ødelægge det sjove ved at spille.