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Original tekst

Summerfield. Reber Clark. B-Flat Trumpet sheet music. Horn sheet music. Trombone sheet music. Grade 3.

Oversættelse

Summerfield. Reber Clark. B-Flat Trumpet noder. Horn noder. Trombone noder. Grad 3.

Original tekst

Summerfield composed by Reber Clark. 1955-. Arranged by Michael Brand. For concert band. Flute, Oboe. opt. , Bassoon. opt. , Clarinet in Bb 1, Clarinet in Bb 2. 3, Bass Clarinet 1. 2, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1, Horn in F 2, Trombone 1, Trombone 2, Euph. Band Music. Grade 3. Score only. Duration 5. 30. Published by C. Alan Publications. CN.11521. Summerfield, set in a somewhat contemporary fashion and interpreted by a current day director and ensemble, attempts to celebrate the music of all time in the context of the music of one's own time. Summerfield was commissioned by the Commack High School Wind Ensemble, Melissa Hendrickson, Conductor. The title of this piece comes, in a very 'round about way, from the name of a rock band of which I was a member while in college. The majority of the members of the rock band Summerfield consisted mainly of music education majors with a few 'outsider' hard core rockers. It was the mid to late nineteen seventies and we played everything from the Doobie Brothers to Chicago to Blood Sweat and Tears to many covers of any and all rock tunes of the day. The band had many adventures and traveled widely in our region, typical of the college circuit bands of that time. What set us apart was our four man horn section and our commitment to doing horn band tunes. Summerfield's horn section came from a music department whose directors were dedicated to the wind band music of Grainger, Holst, Vaughn-Williams, Persichetti, Chance, Reed, Nelhybel, and many others. We came from a world steeped in wind band tradition. Although Summerfield was playing pop music, the undercurrents in the band, especially the horn section, came from those musical values instilled in us by our teachers and the wind band tradition. In retrospect this musical situation reminds me of the Irish ceilis' that I've been to on visits to Ireland. A ceili' is an informal dance and music get-together with food and drinks that is attended by both young and old. The bands at the ceilis are invariably young but play the traditional tunes of the Irish tradition with as much force and heart as the punk tunes they inevitably render on the same job. Summerfield, set in a somewhat contemporary fashion and interpreted by a current day director and ensemble, attempts to celebrate the music of all time in the context of the music of one's own time. To that end I've used the following traditional folk melodies. the Irish tune 'Spancil Hill' - a recollection of boyhood days long ago and far away, the English tune 'Ramble Away,' from Somerset in the Midlands - about a young man out for conquest, and from Liverpool 'The Leaving of Liverpool,-' about those girls we've left behind. The text of the tunes is printed in the back of the score. 'Reber Clark.

Oversættelse

Summerfield komponeret af Reber Clark. 1955 -. Arrangeret af Michael Brand. For Harmoniorkester. Fløjte, obo. opt. , Fagot. opt. , Klarinet i Bb 1, Klarinet i Bb 2. 3, Basklarinet 1. 2, Altsaxofon 1. 2, Tenorsaxofon, Baryton saxofon, trompet i Bb 1, trompet i Bb 2, trompet i Bb 3, Horn i F 1, Horn i F 2, Basun 1, Basun 2, Euph. Band Music. Grad 3. Score kun. Varighed 5. 30. Udgivet af C. Alan Publications. CN.11521. Summerfield, sat i en noget moderne måde og fortolkes af en aktuel dag direktør og ensemble, forsøg på at fejre musik af alle tid i forbindelse med musik af ens egen tid. Summerfield blev bestilt af Commack High School Wind Ensemble, Melissa Hendrickson, Dirigent. Titlen på dette stykke kommer, i en meget 'rundt om vej, fra navnet på et rockband, som jeg var medlem mens det i kollegiet. Flertallet af medlemmerne af rockbandet Summerfield bestod hovedsagelig af musik uddannelse majors med et par 'outsider' hårde kerne rockere. Det var midten til slutningen af ​​nitten halvfjerdserne og vi spillede alt fra Doobie Brothers til Chicago til Blood sved og tårer til mange coverversioner af enhver og alle rock-melodier af dagen. Bandet havde mange eventyr og rejste meget i vores region, typisk for kollegium kredsløb bands fra den tid. Hvad adskiller os var vores fire mand horn sektion og vores vilje til at gøre horn band tunes. Summerfield horn sektion kom fra en musik-afdeling, hvis direktører var dedikeret til vinden band musik af Grainger, Holst, Vaughn-Williams, Persichetti, Chance, Reed, Nelhybel, og mange andre. Vi kom fra en verden gennemsyret af blæseorkester tradition. Selvom Summerfield spillede popmusik, understrømme i bandet, især horn sektion, kom fra de musikalske værdier indpodet i os af vores lærere og vinden bandet tradition. Set i bakspejlet denne musikalske situation, minder mig om den irske ceilis ', som jeg har været til på besøg på Irland. En ceili 'er en uformel dans og musik komsammen med mad og drikkevarer, der er deltagelse af både unge og gamle. Båndene til de ceilis er altid ung, men spille den traditionelle melodier af den irske tradition med så meget kraft og hjerte som punk melodier de uundgåeligt gør på det samme job. Summerfield, sat i en noget moderne måde og fortolkes af en aktuel dag direktør og ensemble, forsøg på at fejre musik af alle tid i forbindelse med musik af ens egen tid. Til det formål har jeg brugt følgende traditionelle folkemelodier. den irske melodi 'Spancil Hill' - en erindring om drengeår længe siden og langt væk, den engelske melodi "Ramble Away 'fra Somerset i Midlands - om en ung mand ud for erobring, og fra Liverpool' Leaving of Liverpool, - "om de piger, vi har efterladt. Teksten til melodier er trykt på bagsiden af ​​partituret. 'Reber Clark.