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Original tekst

Viola Solo. Viola sheet music.

Oversættelse

Viola solo. Viola noder.

Original tekst

Viola Solo composed by David Saperstein. For solo viola. Engraved by Peter Jarvis. Score. Published by Calabrese Brothers Music, LLC. CE.CBM-11-00436. Viola Solo. 2011. was requested by Mel Goldfinger, who was a classmate of mine and fellow graduate of Rutherford High School. Doctor Goldfinger is a Professor of Neuroscience at Wright State University in Dayton, Ohio, and is active as a player in several local ensembles. He has always been a supporter of my music and it is with much pleasure, gratitude and respect that I dedicate this work to him. In one movement, which lasts approximately 3 1. 2 minutes, the Viola Solo, like other works of mine, is inspired by both classical works and elements of the popular culture. The entire work seems to arise out of a single minor third, the pitches C and E-Flat, which are stated at the beginning of the piece in the instrument's lowest register and then recur several times more throughout the work, each initiating a rising phrase. Sul ponticello tremolos and "snap" pizzicati. a la Bartok. are also features of the piece, adding to the work's palette of colors. Overall, the piece's mood is a somber one, and it concludes with the final instance of the work's opening minor third. -David Saperstein.

Oversættelse

Viola Solo composed by David Saperstein. For solo bratsch. Graveret af Peter Jarvis. Score. Udgivet af Calabrese Brothers Music, LLC. CE.CBM-11-00436. Viola solo. 2011. anmodede Mel Goldfinger, der var en af ​​mine klassekammerater og medstuderende for Rutherford High School. Læge Goldfinger er en professor i neurovidenskab ved Wright State University i Dayton, Ohio, og er aktiv som spiller i flere lokale ensembler. Han har altid været tilhænger af min musik, og det er med stor glæde, taknemmelighed og respekt, som jeg dedikere dette arbejde til ham. I en bevægelse, som varer ca 3 1. 2 minutter, Viola Solo, ligesom andre værker af minen, er inspireret af både klassiske værker og elementer af den populære kultur. Hele arbejde synes at opstå ud af en enkelt lille terts, banerne C og E-Flat, der er angivet i begyndelsen af ​​stykket i instrumentets laveste register og derefter gentage sig flere gange mere i hele arbejdet, hver indlede en stigende sætning. På broen tremolo og "snap" pizzicato. a la Bartok. er også af stykket, hvilket bidrager til værkets palet af farver. Samlet set stykke humør er en dyster en, og den afsluttes med sidste instans af værkets åbning mindre tredjedel. -David Saperstein.