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Original tekst

My God and King. Three George Herbert Motets. A Cappella sheet music. Soprano Voice sheet music. Voice Solo sheet music. Advanced.

Oversættelse

Min Gud og konge. Tre George Herbert motetter. En Cappella noder. Sopran Voice noder. Noderne Voice Solo. Avanceret.

Original tekst

My God and King. Three George Herbert Motets. The Call, II. Discipline & III. Thanksgiving. Composed by Donald Hunt. For SATB choir with divisi, soprano voice solo, a cappella. Cathedral. Choral, Festival, General, Lent. Medium Difficult. Difficult. Choral octavo. Published by Paraclete Press. PL.9612. The Call--Whitsuntide. General2. Discipline--Lent. General3. Antiphon--Thanksgiving. GeneralDonald Hunt's close association with the great English composers of the first half of this century is revealed in his "Three George Herbert Motets". While inheriting the lyricism and sensitivity to words that characterize the works of Howells and Vaughan Williams, Hunt has added his own gifts of expressive harmony and rhythmic vitality. His gracious choral writing uses a broad range of expression, and his rich harmonic variety underscores the texts of these well-loved poems. Particularly worthy of note is the use of solo soprano at moments of emotional intensity. These works are appropriate for general use but also as concert pieces.

Oversættelse

Min Gud og konge. Tre George Herbert motetter. The Call, II. Disciplin. Sammensat af Donald Hunt. For SATB kor med delt, kun sopran, a capella. Katedral. Kor, Festival, General, fasten. Medium Svær. Svært. Choral octavo. Udgivet af Parakleten Press. PL.9612. The Call - pinsen. General2. Disciplin - fasten. General3. Antifon - Thanksgiving. GeneralDonald Hunts tæt samarbejde med de store engelske komponister i første halvdel af dette århundrede er åbenbaret i hans "Tre George Herbert motetter". Mens arve lyrikken og følsomhed over for ord, der kendetegner værker af Howells og Vaughan Williams har Hunt tilføjet sine egne gaver af udtryksfulde harmoni og rytmisk vitalitet. Hans nådige kor skrivning bruger en bred vifte af udtryk, og hans rige harmonisk variation understreger teksterne til disse godt elskede digte. Særlig bemærkelsesværdig er brugen af ​​solo sopran på øjeblikke af følelsesmæssig intensitet. Disse værker er passende til almindelig brug, men også som koncertstykker.