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Original tekst

Cape Breton Postcard. Catherine McMichael. B-Flat Trumpet sheet music. Euphonium sheet music. Horn sheet music. Percussion sheet music. Timpani sheet music. Trombone sheet music. Tuba sheet music. Grade 3.

Oversættelse

Cape Breton Postkort. Catherine McMichael. B-Flat Trumpet noder. Euphonium noder. Horn noder. Percussion noder. Timpani noder. Trombone noder. Tuba noder. Grad 3.

Original tekst

Cape Breton Postcard composed by Catherine McMichael. For concert band. Piccolo, Flute 1. 2, Oboe, Bassoon, Clarinet in Bb 1. 3, Bass Clarinet, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1. 2, Trombone 1. 2, Euphonium,. Baritone T.C. , Tuba, Timpani, Per. Band Music. Maestro Band Series. Grade 3. Score and parts. Duration 7. 00. Published by C. Alan Publications. CN.10090. The three movements. Dawn, Mist and Thunder are all intrinsic to the Cape Breton environment. The Mist is derived from a melody for solo fiddle called "Arisaig Mist" by Wilfred Gillis, a Canadian composer. That haunting melody was the starting point for the concept of the entire piece. All other melodies are original to this work but inspired by much listening to music from Cape Breton. What is it about Cape Breton. What makes the people so strong and their music so keen. In 1497 the first Europeans led by the famed explorer John Cabot arrived on Cape Breton, which is now part of Nova Scotia, Canada. Cabot's discovery of the island led to its gradual settlement by Scots, Irish, French and English. The mid 1700s brought major changes to Scotland with the end of the Highland Clan System. Contemplating a grim future in their homeland, many Scots left for new opportunity in Cape Breton. Cape Breton has since become a stronghold of Gaelic culture, some say more deeply Scottish than Scotland. This fierce blend of daring, edgy courage, pathos and energy has become distilled to a fine, strong spirit in the music played by Bretonians from then until now. Music from Cape Breton is Celtic times twenty. The three movements of Cape Breton Postcard are meant to portray the integral bond between the land and the soul. Dawn, Mist and Thunder are all intrinsic to the Cape Breton environment. The Mist is derived from a melody for solo fiddle called "Arisaig Mist" by Wilfred Gillis, a Canadian composer, and used by permission of Cranford Publications of Cape Breton Island. That haunting melody was the starting point for the concept of the entire piece. All other melodies are original to this work but inspired by much listening to music from Cape Breton. Cape Breton Postcard was commissioned by the Hill Country Middle School Bands in Austin, Texas, Cheryl Floyd and Chuck Fisher, directors. The commission was funded by the Baylor University School of Music, Dr. Kevin Sedatole, conductor, and the Stevenson family. The piece was premiered by the Hill Country Middle School Band on May 24, 2005 at the Westlake High School Auditorium with the composer present. The orchestra adaptation was premiered by the Midland. MI. Community Orchestra, Robert Ralston, conductor on February 19, 2006.

Oversættelse

Cape Breton Postkort komponeret af Catherine McMichael. For Harmoniorkester. Piccolo, Fløjte 1. 2, obo, fagot, klarinet i Bb 1. 3, Basklarinet, Altsaxofon 1. 2, Tenorsaxofon, Baryton saxofon, trompet i Bb 1, trompet i Bb 2, trompet i Bb 3, Horn i F 1. 2, Basun 1. 2, Euphonium,. Baryton T.C. , Tuba, Pauke, Per. Band Music. Maestro Band-serien. Grad 3. Partitur og stemmer. Varighed 7. 00. Udgivet af C. Alan Publications. CN.10090. De tre bevægelser. Dawn, Mist og Thunder er alle iboende til Cape Breton miljø. The Mist er afledt af en melodi for solo violin kaldes "Arisaig Mist" af Wilfred Gillis, en canadisk komponist. Det uforglemmelige melodi var udgangspunktet for tanken om hele stykket. Alle andre melodier er originalen til dette arbejde, men inspireret af meget at lytte til musik fra Cape Breton. Hvad handler det om Cape Breton. Hvad gør folk så stærke, og deres musik så ivrig. I 1497 de første europæere ledet af den berømte opdagelsesrejsende John Cabot ankom på Cape Breton, som nu er en del af Nova Scotia, Canada. Cabot opdagelse af øen førte til dens gradvise afvikling af skotter, irske, franske og engelske. I midten af ​​1700'erne bragte store forandringer til Skotland med slutningen af ​​Highland Clan System. Overvejer en grum fremtid i deres hjemland, mange skotter tilbage til ny lejlighed i Cape Breton. Cape Breton er siden blevet en højborg for gælisk kultur, nogle siger mere dybt skotsk end Skotland. Denne voldsomme blanding af dristige, edgy mod, patos og energi er blevet destilleret til et fint, stærk ånd i musik af Bretonians spilles fra da indtil nu. Musik fra Cape Breton er Celtic gange tyve. De tre bevægelser Cape Breton Postkort er beregnet til at skildre den integrerede bånd mellem land og sjælen. Dawn, Mist og Thunder er alle iboende til Cape Breton miljø. The Mist er afledt af en melodi for solo violin kaldes "Arisaig Mist" af Wilfred Gillis, en canadisk komponist, og anvendes med tilladelse fra Cranford Publikationer Cape Breton Island. Det uforglemmelige melodi var udgangspunktet for tanken om hele stykket. Alle andre melodier er originalen til dette arbejde, men inspireret af meget at lytte til musik fra Cape Breton. Cape Breton Postkort blev bestilt af Hill Country Middle School Bands i Austin, Texas, Cheryl Floyd og Chuck Fisher, direktører. Kommissionen blev finansieret af Baylor University School of Music, Dr. Kevin Sedatole, dirigent og Stevenson familien. Stykket blev uropført af Hill Country Middle School Band den 24. maj 2005 på Westlake High School Auditorium med komponisten til stede. Orkestret tilpasning blev uropført af Midland. MI. Community Orchestra, Robert Ralston, dirigent på februar 19, 2006.