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Original tekst

Deception. Miles Davis. Alto Saxophone sheet music. B-Flat Trumpet sheet music. Baritone Saxophone sheet music. Bass Trombone sheet music. Drums sheet music. Horn sheet music. Percussion sheet music. Piano sheet music. Tuba sheet music. Advanced.

Oversættelse

Deception. Miles Davis. Altsaxofon noder. B-Flat Trumpet noder. Baryton Saxofon noder. Bass Trombone noder. Drums noder. Horn noder. Percussion noder. Klaver Noder. Tuba noder. Avanceret.

Original tekst

Deception by Miles Davis. Edited by Jeffrey Sultanof. Arranged by Gerry Mulligan. For nonet. Alto Saxophone, Baritone Saxophone, Trumpet, Horn in F. or Trumpet 2. , Trombone, Tuba. or Bass Trombone. , Piano, Bass, Drums. Swing. Difficult. Score and parts. Published by Jazz Lines Publications. JL.JLP-8058. from the performance notes by Jeffrey Sultanof. Except for a rare few, historians now consider The Miles Davis Nonet one of the most important ensembles in the history of jazz. Certainly such composers as Shorty Rogers, Andre Previn, Marty Paich, John Graas, Jack Montrose, Manny Albam and Andre Hodeir were heavily influenced by the nonet, as their music shows. Happily, many of the original parts of the sides recorded, plus parts for other compositions and arrangements for this ensemble, were discovered in three cartons of music that Miles Davis put into storage in Philadelphia and reclaimed after his death. In 2002, my edition of 12 scores from the repertoire of this ensemble was published by the Hal Leonard Corporation. An article detailing the editing process and errata in the folio itself will be published by the Journal of Jazz Studies in 2010. These Jazzlines Publications are extensively re-edited, and I now consider these new editions definitive. Deception was Miles' take on George Shearing's Conception and was recorded on the last Capitol nonet session. The piece is surrounded by mysteries that will never truly be sorted out. It appears that Miles began arranging and copying the piece. there is a two-stave piano sketch and most of the parts available. there is no horn, piano and drum part extant. , and while it has never been confirmed, both the piano sketch and parts are in Miles hand for the beginning of the piece. Mulligans hand takes over at about bar 61 on the parts, but each part has a different starting point for Gerrys portion of the arrangement. I am not aware that Mulligan ever commented on this piece, and probably considered it a favor to help out Miles. A special note on the chord names. since there was no original piano part, it was Rob Duboffs idea to consult the piano part for the Re-birth of the Cool album. Because Mulligan had seen and approved them, many of these chord names were adopted for this publication. Lastly, alternate parts have been included in the event that you don't have access to a horn in F or tuba. A trumpet 2 part has been included as a substitute for the horn and the tuba part may be played by a bass trombone.

Oversættelse

Deception af Miles Davis. Redigeret af Jeffrey Sultanof. Arrangeret af Gerry Mulligan. For nonet. Altsaxofon Baryton Saxofon, Trompet, Horn i F. eller Trumpet 2. , Basun, Tuba. eller Bass Trombone. , klaver, bas, trommer. Swing. Svært. Partitur og stemmer. Udgivet af Jazz Lines Publications. JL.JLP-8058. fra andre noter af Jeffrey Sultanof. Bortset fra en sjælden par, historikere nu overveje Miles Davis Nonet en af ​​de vigtigste ensembler i jazzens historie. Bestemt sådanne komponister som Shorty Rogers, André Previn, Marty Paich, John Graas, Jack Montrose, Manny Albam og Andre Hodeir var stærkt påvirket af nonet, som deres musik shows. Lykkeligvis er mange af de oprindelige dele af siderne registreres, plus dele for andre kompositioner og arrangementer for dette ensemble, blev opdaget i tre kartoner musik, Miles Davis sat i opbevaring i Philadelphia og regenereret efter hans død. I 2002 blev min udgave af 12 scoringer fra repertoire af dette ensemble udgivet af Hal Leonard Corporation. En artikel beskriver redigeringsprocessen og errata i folio selv vil blive offentliggjort af Journal of Jazz Studies i 2010. Disse Jazzlines Publications er udførligt redigeres igen, og jeg nu overveje disse nye udgaver endelige. Bedrag var Miles 'tage på George Shearing undfangelse og blev optaget på den sidste Capitol nonet session. Stykket er omgivet af mysterier, der aldrig vil virkelig blive sorteret ud. Det fremgår, at Miles begyndte at arrangere og kopiere stykke. der er en to-stav klaver skitse og de fleste dele til rådighed. der er ingen horn, klaver og tromme del bevarede. , Og mens det er aldrig blevet bekræftet, både klaver skitse og dele er i Miles hånd for begyndelsen af ​​stykket. Mulligans hånd tager over på omkring bar 61 på de dele, men hver del har et andet udgangspunkt for Gerrys del af arrangementet. Jeg er ikke bekendt med, at Mulligan nogensinde kommenteret dette stykke, og sandsynligvis overvejet det en fordel at hjælpe Miles. En særlig bemærkning om akkord navne. da der ikke var nogen original klaver del, det var Rob Duboffs idé at konsultere klaver del for Re-fødsel Cool album. Fordi Mulligan havde set og godkendt dem, mange af disse akkorder blev vedtaget for denne publikation. Endelig er alternative dele er medtaget i tilfælde af at du ikke har adgang til et horn i F eller tuba. En trompet 2 del er medtaget som en erstatning for hornet og tuba del kan spilles af en bas trombone.