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Original tekst

Joost At The Roost. Claude Thornhill. Guitar sheet music. B-Flat Trumpet sheet music. Horn sheet music. Trombone sheet music. Advanced.

Oversættelse

Joost At The Roost. Claude Thornhill. Guitar noder. B-Flat Trumpet noder. Horn noder. Trombone noder. Avanceret.

Original tekst

Joost At The Roost by Claude Thornhill. Edited by Jeffrey Sultanof. Arranged by Gerry Mulligan. For big band. 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 3 Trumpets. a 4th Trumpet part is included that is an alternate for Horn 1. , 2 Horns in F. see alternates. , 2 Trombones. a 3rd Trombone part is included that is an alternate for Horn 2. , Guitar, P. Written for Claude Thornhill. Swing. Difficult. Score and parts. Published by Jazz Lines Publications. JL.JLP-8125. From the notes by Jeffrey Sultanof. Background. The period from 1948-49 was a period of tremendous growth for Gerry Mulligan. Living in New York City right in the thick of modern jazz pioneers and innovators, Mulligan was encouraged and mentored by Gil Evans, who got him work writing for Claude Thornhill. Mulligan was also writing for fellow Philadelphian Elliot Lawrence, whom he'd worked with before he joined Gene Krupa in 1946. Mulligan became one of the main architects of the Miles Davis Nonet, contributing several arrangements and compositions to the ensemble. The Music. Joost at the Roost was written for both the nonet and the Thornhill big band. The score for the nonet is lost, but all of the parts exist and were the basis for the publication of this composition in the folio of nonet music published by Hal Leonard in 2000. A newly edited and corrected version was published by Jazzlines Publications in 2010. The big band score is dated October 20, 1948. Whereas the nonet version is fairly straightforward as a vehicle for solos. although the out-chorus has some similarities with the Thornhill version. , the big band version is an ambitious composition that combines Mulligans continued exploration of contrapuntal ensemble writing and use of time-signature changes as in Jeru. But what is striking is that as early as 1948, Mulligan shows in this score that he had already formulated a concept to turn the big band into an extended small group, with linear give-and-take as in his small group with Chet Baker, and a lighter ensemble approach to orchestration. In fact, it was the only score from this era to be included in the Concert Jazz Band book twelve years later, the two French horn parts transposed to create a third trombone part. It was recorded for Verve Records in July, 1961, but was never issued and apparently rejected. the master no longer exists. Notes to the Conductor. When I was preparing the initial nonet publication of Joost at the Roost, Gerry Mulligan had already passed away, and he and I never had an opportunity to discuss this piece. Id never even heard of it before. There was no tempo listing anywhere, and I decided to contact bassist Bill Crow, who'd recorded the piece with the Concert Jazz Band. Bill came back with a tempo of quarter note 144. When the Dutch Jazz Orchestra recorded Joost on their 2008 CD Moon Dreams. Rediscovered Music of Gil Evans and Gerry Mulligan. Challenge. the tempo was a bit faster than this. Although it must be said that the tempos on this CD are faster than the Thornhill recordings, this is not meant as a criticism. These performances are excellent and offer a different view of this music. With the knowledge that Mulligan generally did not like his music played very fast, the director must decide how he. she hears this music and can then select a tempo. Between the time changes and the two-beat triplets, realizing a relaxed performance of this piece can be a challenge. Rehearsal at a slow tempo after letter H is recommended so that everything falls into place and the piece sounds spontaneous.

Oversættelse

Joost At The Roost af Claude Thornhill. Redigeret af Jeffrey Sultanof. Arrangeret af Gerry Mulligan. For big band. 2 Alto saxofoner, 2 Tenor Saxophones, Baryton Saxofon, 3 trompeter. en 4. Trumpet del indgår der er en suppleant for Horn 1. , 2 horn i F. se suppleanter. , 2 basuner. en 3. Trombone del indgår der er en suppleant for Horn 2. , Guitar, P. Skrevet til Claude Thornhill. Swing. Svært. Partitur og stemmer. Udgivet af Jazz Lines Publications. JL.JLP-8125. Fra noterne efter Jeffrey Sultanof. Baggrund. Perioden 1948-49 var en periode med enorm vækst for Gerry Mulligan. Bor i New York ret i tyk af moderne jazz pionerer og innovatorer blev Mulligan opmuntret og vejledt af Gil Evans, der fik ham arbejde skrive for Claude Thornhill. Mulligan blev også skrive til kollega Philadelphian Elliot Lawrence, som han havde arbejdet med før han tiltrådte Gene Krupa i 1946. Mulligan blev en af ​​de vigtigste arkitekter Miles Davis Nonet, bidrager flere arrangementer og kompositioner til ensemblet. The Music. Joost på Roost blev skrevet for både nonet og Thornhill big band. Scoren for nonet er tabt, men alle dele findes, og dannede grundlag for offentliggørelsen af ​​denne sammensætning i folio af nonet musik udgivet af Hal Leonard i 2000. En nyligt redigeret og korrigeret version blev udgivet af Jazzlines Publications i 2010. Den store band score er dateret 20 oktober 1948. Mens nonet version er forholdsvis ligetil som et redskab for soloer. selvom out-kor har visse ligheder med den Thornhill versionen. , Big band-versionen er en ambitiøs komposition, der kombinerer Mulligans fortsatte efterforskning af kontrapunktiske ensemble skrivning og brug af tid signatur ændringer i Jeru. Men hvad er slående, er, at så tidligt som 1948 Mulligan viser i denne score, at han allerede havde formuleret et koncept for at slå big band i en udvidet lille gruppe, med lineær give-and-take som i hans lille gruppe med Chet Baker, og en lighter ensemble tilgang til orkestrering. I virkeligheden var det den eneste score fra denne æra, der skal indgå i Concert Jazz Band bog tolv år senere, de to franske horn dele, gennemført for at skabe en tredje trombone del. Den blev indspillet for Verve Records i juli 1961, men blev aldrig udsendt og tilsyneladende afvist. skibsføreren ikke længere eksisterer. Noter til Dirigent. Da jeg var ved at forberede den indledende nonet offentliggørelsen af ​​Joost på Roost havde Gerry Mulligan allerede gået bort, og han og jeg har aldrig haft lejlighed til at drøfte dette stykke. Id aldrig selv hørt om det før. Der var ingen tempo notering overalt, og jeg besluttede at kontakte bassist Bill Crow, der havde indspillet stykke med Concert Jazz Band. Bill kom tilbage med et tempo på kvartnode 144. Når den hollandske Jazz Orchestra indspillet Joost på deres 2008 CD Moon Dreams. Genfundne musik af Gil Evans og Gerry Mulligan. Udfordring. tempoet var lidt hurtigere end dette. Selv om det må siges, at de tempi på denne cd er hurtigere end Thornhill optagelser, dette er ikke ment som en kritik. Disse forestillinger er fremragende og tilbyder en anden opfattelse af denne musik. Med den viden, at Mulligan generelt ikke kunne lide hans musik spillet meget hurtigt, må direktøren beslutte, hvordan han. hun hører denne musik, og kan derefter vælge et tempo. Mellem det tidspunkt ændringer og to-beat trillinger, kan realisere en afslappet præstation af dette stykke være en udfordring. Anbefales generalprøve i et langsomt tempo, efter bogstavet H, så alt falder på plads, og det stykke lyder spontane.