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Original tekst

Deux Gymnopedies. Erik Satie. Harp sheet music. Percussion sheet music.

Oversættelse

Deux Gymnopedies. Erik Satie. Harp noder. Percussion noder.

Original tekst

Deux Gymnopedies composed by Erik Satie. 1866-1925. Edited by Carl Simpson. Arranged by Claude Debussy. Orchestra. For. 2, 1, 0, 0 - 4, 0, 0, 0. , cymbals, 2 harps, strings. This edition. Paperback. Transcriptions, Dances. Impressionist. French. Study Score. 24 pages. Published by Serenissima. SA.19825. ISBN 9781932419825. Impressionist. French. 6.69 x 9.61 inches. Debussy orchestrated two of the three Gymnopedies composed by his friend Erik Satie after giving an impromptu performance of the piano originals at the home of conductor Gustave Doret, who was so taken with them that he commissioned Debussy to prepare an orchestral setting for an upcoming concert, which was given on Feb. 20, 1897. Though Satie's piano originals are easily his most famous and beloved work now, they were virtually unknown in 1897. Debussy's orchestration of the first and last, presented in reverse order, did much to establish the younger composer's reputation. This newly engraved, critical edition makes these exquistite orchestral miniatures available in an affordable, easy-to-read score for the first time.

Oversættelse

To Gymnopedies komponeret af Erik Satie. 1866-1925. Redigeret af Carl Simpson. Arrangeret af Claude Debussy. Orkester. For. 2, 1, 0, 0 - 4, 0, 0, 0. , bækkener, 2 harper, strygere. Denne udgave. Paperback. Afskrifter Dances. Impressionistisk. French. Study Score. 24 sider. Udgivet af Serenissima. SA.19825. ISBN 9781932419825. Impressionistisk. French. 6,69 x 9,61 inches. Debussy orkestreret to af de tre Gymnopedies komponeret af sin ven Erik Satie efter at give en improviseret ydeevne klaver originaler i hjemmet af dirigent Gustave Doret, som så blev taget med dem, at han bestilte Debussy at forberede et orkesterværk indstilling for en kommende koncert, der blev givet den 20 februar 1897. Selvom Satie klaverkoncerter originalerne er nemt hans mest berømte og elskede arbejde nu, de var næsten ukendt i 1897. Debussys orkestrering af den første og sidste, præsenteres i omvendt rækkefølge, gjorde meget for at etablere den yngre komponist omdømme. Dette nyligt graveret, kritisk udgave gør disse exquistite rådighed i en overkommelig, nem at læse score for første gang orkestrale miniaturer.