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Original tekst

PlÃner Musiktag - Evening Concert No. 5. Paul Hindemith. Recorder sheet music.

Oversættelse

PLANER Musiktag - Evening Concert nr. 5. Paul Hindemith. Optager noder.

Original tekst

PlÃner Musiktag - Evening Concert No. 5. Recorder Trio. Composed by Paul Hindemith. 1895-1963. For Recorder Trio. Originalmusik fur Blockflote. Recorder Library. Score and parts. 40 pages. Schott Music #OFB208. Published by Schott Music. HL.49016945. “We have to make music here the whole day long. ” Such was the enthusiastic response of Paul Hindemith when he heard the school orchestra of Plön. “We start with an aubade blown from the tower, then we play a cantata in the park, table music at lunchtime and in the evening a serenade in the Knights' Hall. ” No. 5 of this evening music from the Plöner Musiktag is the “Trio für Blockflöten. ” An edition was published as early as 1932 by Walter Bergmann who adapted the original phrasing and articulation to the customs of recorder playing at that time. This new edition goes back to the original version again, as recently published in the Paul Hindemith Complete Edition. The still common combination of the three recorders. Soprano, Alto-Alto or Tenor. , however, has been retained unchanged.

Oversættelse

PLANER Musiktag - Evening Concert nr. 5. Recorder Trio. Komponeret af Paul Hindemith. 1895-1963. For Recorder Trio. Originalmusik pels Blockflöte. Optager Bibliotek. Partitur og stemmer. 40 sider. Schott Music. Udgivet af Schott Music. HL.49016945. "Vi er nødt til at lave musik her hele dagen lang. "Sådan var den entusiastiske reaktion Paul Hindemith, da han hørte skolens orkester Plön. "Vi starter med en Aubade blæst fra tårnet, så spiller vi en kantate i parken, tabel musik ved frokosttid og om aftenen en serenade i Riddersalen. "Nej 5 i denne aften musik fra Plöner Musiktag er" Trio für Blockflöten. "An udgave blev offentliggjort så tidligt som 1932 af Walter Bergmann, der er tilpasset den oprindelige frasering og artikulation til skikke optager spille dengang. Denne nye udgave går tilbage til den oprindelige version igen, som for nylig blev offentliggjort i Paul Hindemith Complete Edition. Den stadig udbredt kombination af de tre optagere. Sopran, Alt eller Tenor-Alto. Men er bevaret uændret.