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Original tekst

Peer Gynt. Edvard Grieg. Piano Solo sheet music.

Oversættelse

Peer Gynt. Edvard Grieg. Noder Klaver solo.

Original tekst

Peer Gynt. Suite No. 1 Op. 46 and No. 2 Op. 55. Composed by Edvard Grieg. 1843-1907. For Piano. Piano. Schott. Softcover. 46 pages. Schott Music #ED9033. Published by Schott Music. HL.49008303. ISBN 3795754720. 9x12 inches. In 1888 Grieg arranged four pieces from his incidental music for Ibsen's verse drama Peer Gynt to form an orchestral suite. Op. 46. This was followed in 1891 by a second orchestral suite. Op. 55. again comprising 4 pieces. Both suites quickly became established in the concert repertoire and contributed significantly to Grieg's international fame. He made piano arrangements of both suites and published them simultaneously with the orchestral suites in 1888 and 1893. Grieg subsequently made further adjustments in the piano pieces. shortening some, for example “Morning,” and expanding others like “The Death of Åse.” Overall, Grieg reduces the dramatic orchestral conception in favour of a more intimate expression and more restrained effects. Suite 1. Morning-mood. The death of Ase. Anitra's dance. In the Hall of the Mountain King. Suite 2. Ingrid's Lament. Arabian Dance. Peer Gynt's Return Home. Solvejgs Song.

Oversættelse

Peer Gynt. Suite nr. 1 Op. 46 og nr. 2 Op. 55. Komponeret af Edvard Grieg. 1843-1907. For Piano. Plan. Schott. Softcover. 46 sider. Schott Music. Udgivet af Schott Music. HL.49008303. ISBN 3795754720. 9x12 inches. I 1888 Grieg arrangeret fire stykker fra hans tilfældige musik til Ibsens vers drama Peer Gynt at danne et orkester suite. Op. 46. Dette blev fulgt op i 1891 af en anden orkestrale suite. Op. 55. igen bestående af 4 stykker. Begge suiter blev hurtigt etableret i koncert repertoire og bidraget væsentligt til Griegs international berømmelse. Han gjorde klaver arrangementer af både suiter og offentliggjorde dem samtidig med de orkestrale suiter i 1888 og 1893. Grieg efterfølgende foretaget yderligere justeringer i klaverstykker. forkorte nogle, for eksempel "Morgen", og udvide andre som "The Death of Åse." Generelt Grieg reducerer dramatisk orkestrale opfattelse til fordel for en mere intim udtryk og mere tilbageholdende effekter. Suite 1. Morgen-humør. Død Ase. Anitra dans. I Hall of Mountain King. Suite 2. Ingrids Lament. Arabian Dance. Peer Gynt hjemkomst. Solvejgs Song.