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Original tekst

Stabat Mater. Franz Lachner. Voice sheet music. Double Bass sheet music. Organ Accompaniment sheet music.

Oversættelse

Stabat Mater. Franz Lachner. Voice noder. Double Bass noder. Orgelledsagelse noder.

Original tekst

Stabat Mater. composed by Franz Lachner. 1803-1890. Edited by Georg Gunther. For SS vocal soli, 2 violas, 2 cellos, contrabaSS. or SS vocal soli, organ. This edition. Paperbound. Score available separately - see item CA.4077300. Holy Week. Vocal score. Language. Latin. Composed 1870. Op. 168. 16 pages. Duration 20 minutes. Published by Carus Verlag. CA.4077303. ISBN M-007-08919-1. With Language. Latin. Holy Week. 2nd version. Arrangement for Soli SS and upper strings 2 Vl, Va, Vc, Cb. Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was limited to a purely vocal ensemble. CV 70.037. the second, op. 168, from 1870 included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts.

Oversættelse

Stabat Mater. komponeret af Franz Lachner. 1803-1890. Redigeret af Georg Gunther. For SS vokal soli, 2 violaer, 2 celloer, kontrabas. eller SS vokal soli, orgel. Denne udgave. Hæftet. Score købes separat - se punkt CA.4077300. Holy Week. Korpartitur. Sprog. Latin. Komponeret 1870. Op. 168. 16 sider. Varighed 20 minutter. Udgivet af Carus Verlag. CA.4077303. ISBN M-007-08919-1. Med Sprog. Latin. Holy Week. 2. version. Arrangement for Soli SS og øvre strygere 2 Vl, VA, VC, Cb. Blandt hans kompositioner, Franz Lachner, den mangeårige musikchef i Retten i München og direktør for Royal Choir, efterlod en lang række hellige værker, herunder to indstillinger af Stabat Mater. Den første Stabat Mater, op. 154, fra 1856 var begrænset til en rent vokalensemble. CV 70,037. den anden, op. 168, fra 1870 omfattede strygere og orgel, hvor den mørkere klang blev opnået ved fraværet af violiner. I sin harmoniske udtryk den anden sammensætning er specielt rettet mod, dengang, moderne stil af den nordtyske Skole centreret omkring Liszt og Wagner, men uden nogensinde at over en moderat grad af tekniske vanskeligheder i stemmerne.