Noder $15.00

Original tekst

Forest of Arden. George Lloyd. B-Flat Trumpet sheet music. Cornet sheet music. Grade 4.

Oversættelse

Forest of Arden. George Lloyd. B-Flat Trumpet noder. Cornet noder. Grad 4.

Original tekst

Forest of Arden composed by George Lloyd. 1913-1998. For concert band. Flute 1. Piccolo, Flute 2, Oboe 1. 2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet. optional. , Bb Bass Clarinet, Bassoon 1. 2, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Bb Cornet 1, Bb Cornet 2, Bb Cornet 3, Bb Trumpet 1. 2, Ho. Band Music. Grade 4. Score only. Duration 10. 00. Published by C. Alan Publications. CN.S11042. This symphonic sketch for concert band is packed full different motives thrown around the ensemble hinting at the programmatic leitmotifs of Wagner. Every section of the ensemble gets a workout in this delightful 10-minute work. A Symphonic Sketch for Concert Band. The resurgence of interest in George Lloyd's music must give us faith that such talent will ultimately prevail against sometimes unhappy circumstances. Lloyd was Cornish and showed precocious gifts at an early age - he had completed his first symphony by the age of nineteen. During the 1930s he completed two operas, one of which - "The Serf" - was produced at Covent Garden in 1938. He was set for a glittering career as a composer. The Second World War intervened and he was invalidad out of the Navy in a shell-shocked state, and having written very little serious music since 1937 went to Switzerland to recuperate, looked after by his wife, Nancy. Painfully, he began writing again - symphonies Nos. 4 and 5 - and then returned to England. He needed to earn a living and he set up a mushroom farm in Dorset. But slowly he began to compose again and drafted more symphonies in short score. By this time he was virtually unknown - despite being considered the equal of Walton, Britten, and other young stars of English music some 30 years earlier. Lloyd decided to embark on a series of recordings of his symphonies, and slowly popular acclaim enabled him to regain his position. "The Forest of Arden" was written in 1987 as a result of a commission by the Solihull Youth Wind Band. Although Lloyd's music feels instinctively written one should not be misled - it is carefully crafted, but the craft and structure are always subordinated to create a flow with a strongly melodic content. Instead of two or three themes, "The Forest of Arden" contains an abundance of ideas which can be described in two groups. The first group contains the opening rhythmic motif, quickly developed into a short rising quaver passage in the woodwinds, and later then a chromatic "ostinato" bass - only 8 bars at this stage but later expanded. The second group is broad and expansive, initially based on intervals of rising fifths introduced by euphonium, tubas, and baritone saxophone, immediately echoed by horns. Low brass and winds expand the theme into rising sixths and octaves. There is a hint of development, bit this is arrested as the music moves to a piu tranquillo section introduced by the alto saxophone which further develops the rising sixth theme. There follows a true development of the opening material, starting with the ostinato bass and gradually passing through different tonal centers until the rising fifths of the second theme group are heralded - "fortissimo" and "poco piu largamente" shortly before the end. The structure is almost Wagnerian. albeit on a much smaller scale. , with themes being used as leitmotifs, but this is music which, even within the space of ten minutes is conceived on a grand design.

Oversættelse

Forest of Arden komponeret af George Lloyd. 1913-1998. For Harmoniorkester. Flute 1. Piccolo, Fløjte 2 Obo 1. 2, Bb klarinet 1, Bb klarinet 2, Bb klarinet 3, Eb Alto klarinet. valgfri. , Bb Basklarinet, Fagot 1. 2, Altsaxofon 1. 2, Tenorsaxofon, Baryton Saxofon, Bb Cornet 1 Bb Cornet 2 Bb Cornet 3, Bb Trompet 1. 2, jeg. Band Music. Grad 4. Score kun. Varighed 10. 00. Udgivet af C. Alan Publications. CN.S11042. Denne symfonisk skitse til koncert band er pakket fuld forskellige motiver kastet rundt ensemblet hentydning til programmatiske ledemotiver af Wagner. Hver sektion af ensemblet får en træning i denne dejlige 10 minutters arbejde. En Symphonic Skitse til Concert Band. Genopblussen af ​​interesse i George Lloyd musik skal give os tro, at en sådan talent i sidste ende vil sejre imod undertiden ulykkelige omstændigheder. Lloyd var Cornish og viste fremmelige gaver i en tidlig alder - han havde afsluttet sin første symfoni i en alder af nitten. I løbet af 1930'erne færdiggjorde han to operaer, hvoraf den ene - "The livegne" - blev produceret på Covent Garden i 1938. Han blev indstillet til en glitrende karriere som komponist. Anden verdenskrig greb ind, og han blev invalidad ud af flåden i en shell-chokeret tilstand, og har skrevet meget lidt seriøs musik siden 1937 gik til Schweiz for at komme til hægterne, passet af sin kone, Nancy. Smerteligt, begyndte han at skrive igen - Symphonies Nos 4 og 5 - og derefter vendte tilbage til England. Han havde brug for at tjene til føden, og han oprettet en champignon gård i Dorset. Men langsomt begyndte han at komponere igen og udarbejdet flere symfonier i korte score. På dette tidspunkt var han næsten ukendt - til trods for at blive betragtet lige af Walton, Britten og andre unge stjerner af engelsk musik nogle 30 år tidligere. Lloyd har besluttet at gå i gang med en række optagelser af sine symfonier, og langsomt populære anerkendelse muligt for ham at genvinde sin position. "The Forest of Arden" blev skrevet i 1987 som følge af en kommission af Solihull Youth Wind Band. Selvom Lloyd musik instinktivt føler skrevet man skal ikke blive vildledt - den er omhyggeligt udformet, men håndværket og struktur er altid underordnet skabe et flow med et stærkt melodisk indhold. I stedet for to eller tre temaer, "The Forest of Arden" indeholder et væld af ideer, der kan beskrives i to grupper. Den første gruppe indeholder åbningen rytmisk motiv, udviklede sig hurtigt til en kort stigende ottendedels passage i træblæsere, og senere da en kromatisk "ostinat" bas - kun 8 bar på dette tidspunkt, men senere udvidet. Den anden gruppe er bred og ekspansiv, oprindeligt baseret på intervaller på stigende femtedele indført ved Euphonium, tubaer og baryton saxofon, straks gentaget af horn. Lav messing og vind udvide temaet i stigende sjettedele og oktaver. Der er en antydning af udvikling, bit dette er anholdt som musikken flytter til en piu tranquillo sektion indført ved altsaxofon der videreudvikler den stigende sjette tema. Der følger en sand udvikling af åbningen materiale, startende med ostinat bas og gradvist passerer gennem forskellige tonale centre indtil de stigende femtedele af den anden temagruppe er indvarslet - "fortissimo" og "poco piu largamente" kort før udløbet. Strukturen er næsten Wagner. omend på en langt mindre målestok. , Med temaer bliver brugt som ledemotiver, men det er musik, som, selv i rummet på ti minutter er tænkt på en grand design.