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Original tekst

A Little D 'n' A. Gary P. Gilroy. Marimba sheet music. Percussion sheet music. Timpani sheet music. Vibraphone sheet music. Xylophone sheet music. Intermediate.

Oversættelse

A Little D 'n' A. Gary P. Gilroy. Marimba noder. Percussion noder. Timpani noder. Vibrafon noder. Xylofon noder. Intermediate.

Original tekst

A Little D 'n' A composed by Gary P. Gilroy. Percussion Ensemble. For Percussion Ensemble. Percussion 1. 4 timpani, gong, whip. , Percussion 2. bells, 2 triangles. , Percussion 3. xylophone, bass sandpaper blocks, suspended cymbal, whip. , Percussion 4. 3-octave vibraphone, suspended cymbal. , Percussion 5. 4-octave marimba, suspended cymbal. , Perc. Medium. Score only. Duration 3. 30. Published by C. Alan Publications. CN.14931. A short concert opener for advanced percussion ensemble. This work explores fun techniques using muted and open sounds and allows for bluesy improvisation in the keyboard instruments. Fast and furious, this is a showy piece for your next concert. A Little D 'n' A was composed for Dr. Matthew Darling and the California State University, Fresno Percussion Ensemble specifically for their performance at the state convention of the California Music Educators Association on Thursday, March 15, 2007 in Ontario, California. The composer has had a long and wonderful working relationship with Dr. Darling since joining Darling on the faculty of the Music Department at California State University, Fresno in 1993. Gilroy, himself a percussionist, has always been a strong advocate of Dr. Darling and his terrific percussion program at Fresno State. It has been a rare occasion that Gilroy has missed the Percussion Ensemble Concert each semester during the past 13 years. Time and time again, Dr. Darling's concert presentations have been inspirational to Dr. Gilroy in every respect. the students' playing is wonderful and the programming is stellar. It was with great pride that Dr. Gilroy responded to Darling's request and began to work on this short concert opener for the Percussion Ensemble's special appearance at the state convention. The main theme of this work is based on the first two pitches of Dr. Darling's last name. 'D' and 'A.' The third note of this motif is 'G,' the composer's initial for both his first and last name. This motif, simple yet effective, is heard throughout the composition in several key areas. The work celebrates the friendship and mutual respect these two professors have enjoyed together for more than a decade. The middle of the composition explores the idea of 'muted' and 'open' sounds from a variety of metallic percussion instruments. The effect is often heard from a triangle in a number of works but in this composition, the technical demands of the muted and open passages are rather extreme. It requires that a small stand is used to suspend the two triangles. one muted with duct tape and the other hanging freely to generate an open sound. The splash cymbal enters next with a new rhythm layering in until the hi-hat and gong each interrupt, 8 and 16 bars later respectively. After all of this muted and open playing creates a nice groove, some of the mallet percussion enters with a new middle section based on D minor blues scale. The xylophone and marimba players each take an 8 bar solo during this time. The blues section eventually gives way to another transition this time using a series of 4 graduated. piccolo, alto, tenor and bass. sets of sandpaper blocks. arranged stereophonically, please. to bring back the material from the first theme. The work closes with a driving push to the end accentuated by the whip among other percussion instruments.

Oversættelse

A Little D 'n' En komponeret af Gary P. Gilroy. Percussion Ensemble. For Percussion Ensemble. Percussion 1. 4 pauker, gong, pisk. , Slagtøj 2. klokker, 2 trekanter. , Slagtøj 3. xylofon, bas sandpapir blokke, suspenderet bækken, pisk. , Slagtøj 4. 3-oktav vibrafon, suspenderet bækken. , Slagtøj 5. 4-oktav marimba, suspenderet bækken. , Perc. Medium. Score kun. Varighed 3. 30. Udgivet af C. Alan Publications. CN.14931. En kort koncert åbner for avanceret percussion ensemble. Dette arbejde udforsker sjove teknikker, der anvender afdæmpede og åbne lyde og tillader bluesy improvisation i tangentinstrumenter. Hurtig og rasende, er dette et prangende stykke til din næste koncert. A Little D 'n' A blev komponeret til Dr. Matthew Darling og California State University, Fresno Percussion Ensemble specielt til deres præstation ved State Convention af California Music Educators Association på torsdag, marts 15, 2007 i Ontario, Californien. Komponisten har haft en lang og vidunderlig samarbejde med Dr. Darling siden han kom Darling på fakultetet for Music Department på California State University, Fresno i 1993. Gilroy, selv en percussionist, har altid været en stærk fortaler for Dr. Darling og hans forrygende percussion program på Fresno State. Det har været en sjælden lejlighed, at Gilroy har forpasset Percussion Ensemble Concert hvert semester i løbet af de seneste 13 år. Igen og igen har Dr. Darling koncert præsentationer været inspirerende Dr. Gilroy i enhver henseende. elevernes spiller er vidunderlige og programmeringen er stjernernes. Det var med stor stolthed, at Dr. Gilroy reagerede på Darling anmodning og begyndte at arbejde på denne korte koncert åbner for Percussion Ensemble særlige optræden på State Convention. Hovedtemaet for dette arbejde er baseret på de to første pladser i Dr. Darling efternavn. »D« og »A.« Den tredje notat af dette motiv er "G" komponistens første for både hans for- og efternavn. Dette motiv, enkel, men effektiv, høres i hele sammensætningen på flere centrale områder. Arbejdet fejrer venskab og gensidig respekt de to professorer har nydt sammen i mere end et årti. Den midterste af sammensætningen udforsker ideen om "dæmpet" og "åbne" lyder fra en række metalliske slagtøjsinstrumenter. Effekten er ofte hørt fra en trekant i en række værker, men i denne sammensætning, de tekniske krav fra dæmpede og åbne passager er temmelig ekstreme. Det kræver, at en lille stativ anvendes til at suspendere de to trekanter. en dæmpet med gaffatape, og den anden hænger frit for at generere en åben lyd. Splash bækken kommer ind næste med en ny rytme lagdeling i indtil hi-hat og gong hver afbryder, 8 og 16 barer senere henholdsvis. Efter alt dette dæmpet og åben spille skaber en dejlig rille, nogle af de mallet percussion kommer ind med en ny midtersektion baseret på d-mol blues skala. Xylofon og marimba spillere hver tage en 8 bar solo i denne periode. The Blues sektionen til sidst giver vej til en anden overgang denne gang ved hjælp af en række 4 gradueret. piccolo, alt, tenor og bas. sæt sandpapir blokke. arrangeret stereofonisk venligst. at bringe materialet tilbage fra det første tema. Arbejdet slutter med en drivende skub til enden understreges af pisken bl.a. slagtøjsinstrumenter.