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Original tekst

In the Fire of Conflict. Christos Hatzis. Percussion sheet music.

Oversættelse

I Fire of Conflict. Christos Hatzis. Percussion noder.

Original tekst

In the Fire of Conflict composed by Christos Hatzis. 1953-. For solo percussion. Score, part, audio CD and data CD. 37 pages. Published by Promethean Editions. PO.PE108. ISBN 978-1-877218-99-6. I. Rescue Me. II. I Call Your Name. In the Fire of Conflict is named after the theme for the 2008 Toronto Summer Music Festival for which it was composed. Set in two continuous movements, the live percussion part is performed with the rap music in the digital audio part, sourced from American rapper Steve Henry a. 'Bugsy H.', of the Christian rap group Poetik Disciples. The live percussion weaves constantly around the rap lyrics, often drawing melodic contours from the prosodic contours of the spoken text. Reflecting on this commission, the composer writes. 'I was becoming very concerned with the rise of gun violence in recent years in Toronto, my home city, but also with the constant rise of violence around the world in either organized conflicts, such as war, or spontaneous eruptions, exacerbated no doubt by food shortages, global warming and demographic explosion particularly in areas where daily survival is most difficult, and by the diminishing hope among the majority of people alive today that our current way of life can continue in its present form indefinitely. 'Although my own spiritual focus has always been on the incoming Aquarian eon, expected to be an eon of peace and spiritual enlightenment, I am also aware of the fact that we are still in the closing years of the Piscean age, the age of enantiodromia or conflict according to Carl Jung. that things will get worse before they get betterâmuch worse. that there will come a time soon when our faith in God will be the only life vest that will protect us from drowning spiritually in the vast sea of hopelessness that surrounds us already. This is the story I wanted to tell through this work, but I wanted to say it not from the vantage point of spiritual certainty, but from the impenetrable darkness of someone struggling to stay afloat amidst this sea of hopelessness. As I was trying to determine how to enter and understand this state of mind, I remembered a visitor to my MySpace site a few months earlier, a American Christian rap group called Poetik Disciples. 'I have always been fascinated by the prosodic rhythmic discourse of hip-hop music, but certainly not by its implicit endorsement of misogyny and violence that one so often encounters in hip-hop lyrics. Poetik Disciples used the same musical techniques to essentially create devotional songs and that was very inspirational to me. I contacted the leader of the group, Steve Henry, who, as it turned out, had experienced personally the "bottom of the well" by way of gang violence, loss and incarceration, and asked him if he could help me with this project. A few days later he sent me some rap tracks which he created for this specific project and I knew then that my work would be very much emanating from his specific material which has been incorporated into the accompanying audio playback component of the piece.

Oversættelse

I brand i Konflikt komponeret af Christos Hatzis. 1953 -. For solo slagtøj. Score, del, lyd-cd og data-cd. 37 sider. Udgivet af Promethean Editions. PO.PE108. ISBN 978-1-877218-99-6. I. Rescue Me. II. Jeg kalder dit navn,. I ilden af ​​konflikter er opkaldt efter temaet for 2008 Toronto Summer Music Festival, som den er sammensat. Set i to kontinuerlige bevægelser, er den levende percussion del udført med rap musik i digital audio del, stammer fra amerikanske rapper Steve Henry a. "Bugsy H.«, på den kristne rap gruppe poetik Disciples. Live percussion væver konstant omkring rap-tekster, der ofte trækker melodiske konturer fra prosodiske konturer talte tekst. Reflekterende på denne kommission, skriver komponisten. "Jeg var ved at blive meget bekymret med fremkomsten af ​​pistol vold i de seneste år i Toronto, min hjemby, men også med den konstante stigning i vold rundt om i verden i enten organiserede konflikter, såsom krig, eller spontane udbrud, forværret uden tvivl ved fødevaremangel, global opvarmning og demografisk eksplosion især i områder, hvor den daglige overlevelse er sværest, og af den aftagende håb blandt de fleste mennesker i live i dag, at vores nuværende livsstil kan fortsætte i sin nuværende form på ubestemt tid. »Selv om min egen åndelige fokus altid har været på indkommende Aquarian æon, forventes at være en EON af fred og åndelig oplysning, er jeg også klar over, at vi stadig er i de afsluttende år af Fiskenes tidsalder, alder enantiodromia eller konflikt ifølge Carl Jung. at tingene vil blive værre, før de får betterâmuch værre. at der vil komme en tid snart når vores tro på Gud, vil være den eneste redningsvest, der vil beskytte os fra at drukne åndeligt i det store hav af håbløshed, der omgiver os allerede. Det er den historie, jeg ønskede at fortælle gennem dette arbejde, men jeg ville sige det ikke fra udsigtspunktet af åndelig vished, men fra det uigennemtrængelige mørke nogen kæmper for at holde sig oven vande midt dette hav af håbløshed. Da jeg forsøgte at afgøre, hvordan du indtaster og forstå denne sindstilstand, jeg huskede en besøgende til min MySpace hjemmeside et par måneder tidligere, en amerikansk kristen rap gruppe kaldet poetik Disciples. "Jeg har altid været fascineret af den prosodisk rytmiske diskurs hip-hop musik, men bestemt ikke ved sin implicitte godkendelse af kvindehad og vold, som man så ofte møder i hip-hop lyrics. Poetik disciple brugte de samme musikalske teknikker til at væsentlige skabe opbyggelige sange, og det var meget inspirerende for mig. Jeg kontaktede lederen af ​​gruppen, Steve Henry, der, som det viste sig, havde oplevet personligt "bunden af ​​brønden" i form af bandevold, tab og indespærring, og spurgte ham, om han kunne hjælpe mig med dette projekt. Et par dage senere sendte han mig nogle rap spor, som han skabte til dette specifikke projekt, og jeg vidste dengang, at mit arbejde ville blive meget stammer fra hans særlige materiale, som er blevet indarbejdet i den ledsagende lydafspilning komponent af stykket.