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Original tekst

Silver Screen. Paul Hart. Grade 4.

Oversættelse

Silver Screen. Paul Hart. Grad 4.

Original tekst

Silver Screen composed by Paul Hart. For concert band. Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe, Eb Clarinet. , 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone. , 1st B. Band Music. Grade 4.5. Score only. Duration 10. 45. Published by C. Alan Publications. CN.S11246. Paul Hart's tongue-in-cheek piece is an inevitably programmatic version of a silent film score. We can hear the story unfold from the opening credits to a clown-like hero and his beautiful heroine to the villain who ties her to the train tracks. If you like Cartoon, you will love Silver Screen. Before starting to write this piece I did a little basic research and was surprised to learn how sophisticated the art of providing music for silent films eventually became. A large theatre might well employ an orchestra of sixty or more musicians and keep a library of many thousands of orchestral scores including many classical selections as well as popular music of the day. My impressions of silent film music had always been based on the compilations of snippets which used to be aired on British TV in the 1960s as "Fillers. " I suppose the music for these was composed and recorded in the sixties and would often just be a "Honky-Tonk" piano. We were treated to sections of comedies and melodrama and I don't remember ever seeing a full-length film. My piece is really a reflection of the impressions which these broadcasts made on me and is, as such, slightly tongue-in-cheek. The piece is inevitably programmatic and the story might unfold as follows. Logos and opening credits wind down to a dawn shot of an American town, which soon comes to life with bustling energy. A stumble and a clarinet gliss lead to the introduction of the hero who is, of course, a clown-like figure. A fanfare announces the arrival of the Mayor, a pompous swaggering chap, followed by his beautiful daughter, the heroine, portrayed by the alto saxophone. She meets the hero and we hear their respective tunes intertwining. This happy scene is interrupted by the arrival of the villain who struts around menacingly and his eye falls on the Mayor's daughter and our hero. He must have feelings for the girl and an anxious dialogue ensues in which we hear their three themes tossed around nervously. The hero tries to calm things down but to no avail and we are led into a chase which culminates in the hero getting knocked unconscious and the Mayor's daughter being tied to the railway tracks. I never quite understood why this would happen in silent films, I suppose it's a case of "If I can't have her then nobody else shall. We hear the sound of an approaching train and as the tension builds, our heroine cries out in fear and the villain gloats and rubs his hands. Happily, of course, our hero wakes up, kills the villain and rescues the girl just as the train arrives. The train disappears into the distance, the girl expresses her love for the hero, climaxing in a romantic scene in which he proposes to her. This is interrupted by the villain's body being borne away. Everyone then goes about their business. a happy ending, followed by the credits.

Oversættelse

Silver Screen komponeret af Paul Hart. For Harmoniorkester. Piccolo, 1. Fløjte, 2. Fløjte, 1. Obo, 2. Obo, Eb klarinet. , 1. Bb klarinet, 2. Bb klarinet, 3. Bb klarinet, Bb Basklarinet, 1. fagot, 2. Fagot, 1. Eb Altsaxofon, 2. Eb Altsaxofon, Bb Tenor Saxophone, Eb Baryton Saxofon. , 1. B. Band Music. Grade 4.5. Score kun. Varighed 10. 45. Udgivet af C. Alan Publications. CN.S11246. Paul Hart tongue-in-kind stykke er et uundgåeligt programmatisk version af en stumfilm score. Vi kan høre historien udfolde fra åbningen kreditter til en klovn-lignende helten og hans smukke heltinde til skurken, der binder hende til toget sporene. Hvis du kan lide Cartoon, vil du elske Silver Screen. Inden du begynder at skrive dette stykke jeg gjorde lidt grundforskning og var overrasket over at lære, hvordan sofistikerede kunsten at levere musik til stumfilm til sidst blev. Et stort teater kunne godt ansætte et orkester på tres eller flere musikere og holde et bibliotek af mange tusinde orkestrale scores herunder mange klassiske markeringer samt populær musik af dagen. Mit indtryk af stumfilm musik havde altid været baseret på opgørelser af snippets, der bruges til at blive sendt på britisk TV i 1960'erne som "Fyldstoffer. "Jeg formoder, at musik til disse blev komponeret og indspillet i tresserne og vil ofte blot være en" Honky-Tonk "klaver. Vi blev behandlet til sektioner af komedier og melodrama og jeg kan ikke huske nogensinde at se en fuld-længde film. Mit stykke er virkelig en afspejling af de indtryk, som disse udsendelser foretaget på mig og er som sådan lidt tongue-in-kind. Stykket er uundgåeligt programmatisk og historien kan udfolde sig som følger. Logoer og åbning kreditter vinden ned til en daggry skudt af en amerikansk by, som snart kommer til livet med travle energi. En snuble og en klarinet Gliss føre til indførelsen af ​​helten, der er, selvfølgelig, en klovn-lignende figur. En fanfare annoncerer ankomsten af ​​borgmesteren, en pompøs brovtende fyr, efterfulgt af sin smukke datter, heltinden, portrætteret af den altsaxofon. Hun møder helten og vi hører deres respektive melodier fletter. Denne lykkelige scene afbrydes ved ankomsten af ​​den skurk, der spankulerer rundt truende, og hans øjne falder på borgmesterens datter og vores helt. Han må have følelser for pigen og en ivrig dialog ensues hvor vi høre deres tre temaer kastet rundt nervøst. Helten forsøger at berolige ting ned, men til ingen nytte, og vi bliver ledt ind i en jagt, der kulminerer i helten få slået bevidstløs og borgmesterens datter at være bundet til jernbaneskinner. Jeg har aldrig helt forstået, hvorfor dette ville ske i stumfilm, jeg formoder, det er et tilfælde af "Hvis jeg ikke kan få hende så ingen andre skal. Vi hører lyden af ​​et tog, der nærmer og som spændingen bygger, vores heltinde skriger i frygt og skurken hoverer og gnider sine hænder. Heldigvis, selvfølgelig, vores helt vågner op, dræber skurken og redder pigen, ligesom toget ankommer. Toget forsvinder i det fjerne, pigen udtrykker sin kærlighed til helten, klimaks i en romantisk scene, hvor han foreslår hende. Dette er afbrudt af skurken krop bæres væk. Alle går derefter om deres virksomhed. en lykkelig slutning, efterfulgt af de kreditter.