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Original tekst

Inner Sanctum. B-Flat Trumpet sheet music. Horn sheet music. Trombone sheet music. Grade 3.

Oversættelse

Inner Sanctum. B-Flat Trumpet noder. Horn noder. Trombone noder. Grad 3.

Original tekst

Inner Sanctum composed by Aaron Perrine. For concert band. Flute 1, Flute 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, F Horn 1, F Horn 2, Trombone 1, T. Grade 3. Score only. Duration 4. 30. Published by C. Alan Publications. CN.16111. The title, "Inner Sanctum," was derived from feeling the commissioning ensembles feels about their bandroom. a safe, sacred place free of all of the distractions of the outside world. The piece begins with a sense of nostalgia and reflection before moving into a faster uplifting section driven by the piano and keyboard percussion. Your students will be begging you to play this one over and over. Inner Sanctum was commissioned and premiered by the Brooklyn Center High School Concert Band in 2007. Before I began composing, I met with the band to see what direction they wanted their piece to take. In the end, they decided that they really wanted the piece to be personal to them. they wanted it to tell their story. Like many band programs, Brooklyn Center's band program has experienced its highs and lows. In 2002, there were less than twenty students left in the program, verging on the level of extinction. This is when the turnaround began. The students of that band overcame tremendous difficulties and took the program to new heights. The pinnacle of their achievements came in 2006 when they were honored with a GRAMMY Signature School Enterprise Award, an award received by only two institutions in the country that year. The opening of Inner Sanctum is both simply set and sparsely orchestrated, reminiscent of the band of 2002. It unfolds slowly, often interrupted but not deterred. Eventually the tempo increases and the piece takes on a lighter, more optimistic feel. This music represents the band a few years later. things have improved and the program has a definite direction. Things continue to build in this fashion until measure 78, affectionately named by the students in rehearsal as the 'BC GRAMMY Chord. ' This chord literally spells out, 'BC GRAMMY' if you cycle the letters through all of the musical pitches. BBb, CC, GG, RD, AA, MF, YD. This can be clearly seen in the piano part of that measure. While the GRAMMY Award certainly validated all of the hard work needed to achieve it, it also raised new questions and insecurities. The students wondered how they could even top this achievement, or simply rebound from the emotional letdown that naturally followed. In the end, the students learned that while this was a great honor, they cannot live in the past and must continue to work hard to ensure success in the future. The piece ends as uncertain as it began, meant to emphasize that the story of the Brooklyn Center Band Program is far from finished. it is, in fact, being written and revised each and every day. The title, Inner Sanctum, was derived from feeling the Brooklyn Center Band feels about the bandroom. a safe, sacred place free of all of the distractions of the outside world.

Oversættelse

Inner Sanctum komponeret af Aaron Perrine. For Harmoniorkester. Fløjte 1, Fløjte 2, obo, fagot, Eb-klarinet, Bb klarinet 1, Bb klarinet 2, Bb klarinet 3, Bb Basklarinet, Eb Altsaxofon 1, Eb Altsaxofon 2, Bb Tenor Saxophone, Eb Baryton Saxofon, Bb Trompet 1 , Bb Trompet 2, F Horn 1, F Horn 2, Basun 1, T. Grad 3. Score kun. Varighed 4. 30. Udgivet af C. Alan Publications. CN.16111. Titlen, "allerhelligste", blev afledt fra at føle ibrugtagningsdatoer ensembler mener om deres bandroom. en sikker, helligt sted fri for alle distraktioner af omverdenen. Stykket begynder med en følelse af nostalgi og refleksion, før du flytter ind i et hurtigere opløftende sektion drevet af klaver og keyboard slagtøj. Dine elever vil være tigger dig til at spille denne ene igen og igen. Inner Sanctum blev bestilt og uropført af Brooklyn Center High School Concert Band i 2007. Før jeg begyndte at komponere, mødtes jeg med bandet for at se, hvilken retning de ønskede deres brik til at tage. I sidste ende besluttede de, at de virkelig ønskede brik til at være personligt til dem. de ville have det til at fortælle deres historie. Ligesom mange band-programmer, har Brooklyn Center band program oplevede sine op-og nedture. I 2002 var der mindre end tyve elever tilbage i programmet, grænsende til det niveau af udryddelse. Dette er, når turnaround begyndte. De studerende på dette bånd overvandt enorme vanskeligheder og tog programmet til nye højder. Højdepunktet af deres resultater kom i 2006, da de blev hædret med en Grammy Signatur Skole Enterprise Award, en pris kun modtages af to institutioner i landet, der året. Åbningen af ​​Inner Sanctum er både blot indstille og tyndt orkestreret, inspireret af bandets 2002. Det udfolder sig langsomt, ofte afbrudt, men ikke afskrækket. Til sidst tempo stiger, og stykket tager på en lettere, mere optimistisk fornemmelse. Denne musik er bandet et par år senere. ting har forbedret og programmet har en bestemt retning. Ting fortsætte med at bygge på denne måde indtil foranstaltning 78, kærligt navngivet af de studerende i øvelokalet som »BC Grammy Chord. »Denne akkord bogstaveligt ekspliciterer, 'BC Grammy', hvis du cykler bogstaverne gennem alle musikalske pladser. BBB CC, GG, RD, AA, MF, yd. Dette kan tydeligt ses i klaver del af denne foranstaltning. Mens Grammy Award sikkert valideret alt det hårde arbejde er nødvendig for at opnå det, er det også rejst nye spørgsmål og usikkerhed. De studerende spekulerede på, hvordan de kunne endda top denne præstation, eller blot rebound fra den følelsesmæssige konstruktionsmaskiner, der naturligt fulgte. I sidste ende, lærte eleverne, at mens det var en stor ære, kan de ikke leve i fortiden, og skal fortsætte med at arbejde hårdt for at sikre succes i fremtiden. Stykket slutter så usikker som den begyndte, betød at understrege, at historien om Brooklyn Center Band Program er langt fra færdig. er det i virkeligheden, der skrives og revideres hver eneste dag. Titlen, allerhelligste, stammer fra følelsen af ​​Brooklyn Center Band mener om bandroom. en sikker, helligt sted fri for alle distraktioner af omverdenen.