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Original tekst

Classical Guitar Pedagogy. Anthony Glise. Acoustic Guitar sheet music. Classical Guitar sheet music.

Oversættelse

Klassisk guitar Pædagogik. Anthony Glise. Akustisk guitar noder. Klassisk guitar noder.

Original tekst

Classical Guitar Pedagogy. A Handbook for Teachers. Composed by Anthony Glise. 1956-. For Guitar. Classical. Perfect binding, Reference. Anthony Glise Urtext. Classic. Multiple Levels. Book. 282 pages. Published by Mel Bay Publications, Inc. MB.95638. ISBN 9780786613809. Classic. 8.75 x 11.75 inches. This comprehensive, illustrated text offers an in-depth look at the mechanics and musical thought process of teaching the classical guitar the "why" rather than the "how" the classical guitarist does things a certain way. In the author's words, "Classical Guitar Pedagogy is the study of how to teach guitarists to teach. " This university-level text will be of enormous assistance to the teacher in explaining the musical, anatomical, technical, and psychological underpinning of guitar performance. It contains ideas and techniques to help organize your teaching more efficiently, plus tips on career development as a classical guitar teacher and performer. If you make your living as a classical guitar teacher. performer you owe it to yourself and your students to get this book. Preface. Publishing Credits. Introduction. BOOK I. PRINCIPLES OF TECHNIQUE. Introduction to Book I. Chapter One - Sitting. Position of the Instrument. Position of the Arms. Position of the Legs. Chapter Two - Anatomical Function of the Hands. General Anatomical Terms. Finger Movement. The Thumb. The Left Hand. Position of the Wrist. Guitar-related Injuries. General Warning About Injuries. Chapter Three - The Right Hand. Position and Movement of the Right Hand. Closed and Open Techniques. Position and Movement of the Thumb. Shape of the Nails. Nails vs. Flesh. Chapter Four - The Left Hand. Position of the Left Hand. Turned Hand and Flat Hand Positions. Movement of the Left Hand Fingers. Afterword to Book I. BOOK II. PRINCIPLES OF PEDAGOGY. Introduction to Book II. Chapter Five - The Right Hand. Scratching Exercise. Moving Exercise. Releasing Exercise. Additional Exercises. Alternation. Right Hand Fingering. Chapter Six - The Left Hand. Left Hand Fingering - "The Fourth-Finger Approach". Chapter Seven - The Right and Left Hands. Exercises - "The Basic Seven". Rhythmic Variants of "The Basic Seven". Pulsing. Scales. Arpeggios. Individual Full Plant, Full Plant, Sequential Plant and Free Arpeggio techniques. Chapter Eight - The Teacher. Teaching. Research, Reading, and Memorization. Coaching. Chapter Nine - Practicing. Practicing. Practicing for Performances. Chapter Ten - Additional Subjects for Intermediate Students. Bars. Vibrato. Arm, Wrist, and Finger Vibrato. Developing Speed. Right and Left Hand Speed Development. Accuracy in Fast Passages. Tremolo. Chapter Eleven - Additional Subjects for Advanced Students. Advanced Bar Techniques. Hinge Bar and Split Bar. Appagado. Arpeggiating Chords. Cadential Arpeggiation. Harmonics. Natural and Artificial. Left Hand Split Trills. Playing with the Flesh. Rest Stroke Melodies in Arpeggios. Right Hand Cross Alternation. Right Hand String Crossing with P. Subito Piano Slurs. Tamboura. Timbre Changes. Opposition and Complementary Movements. Chapter Twelve - Performing. Stage Presence. Chapter Thirteen - On Stage. Stage Etiquette. Stage Fright. Media. Chapter Fourteen - Teaching Children. Chapter Fifteen - Arranging a Private Studio. BOOK III. MUSICIANSHIP. Introduction to Book III. Chapter Sixteen - The Middle-Man - An Introduction to Aesthetics. The Artist. The Art. Chapter Seventeen - Physical Control Over the Sound. Dynamics. Timbre. Articulation. Phrasing. Chapter Eighteen - Mental Control Over the Sound. Singing. Mental Dynamics. Mental Orchestration. Mental Practicing. Chapter Nineteen - Phrasing. "The Strong-Weak Maxim". Chapter Twenty - Schenker Analysis for Interpretation. Chapter Twenty-One - Temporal Modes in Music. Epilogue. Appendix I. Troubleshooting Checklist for Teachers. Appendix II. Sample 16-Week Lesson Outline. Appendix III. Suggested Methods, Studies and Pieces. Appendix IV. Suggested Magazines. Appendix V. Selected Research Source Materials. Author's Biography.

Oversættelse

Klassisk guitar Pædagogik. En håndbog for lærere. Komponeret af Anthony Glise. 1956 -. For Guitar. Klassisk. Perfekt binding, reference. Anthony Glise Urtext. Classic. Flere Niveauer. Bog. 282 sider. Udgivet af Mel Bay Publications, Inc. MB.95638. ISBN 9780786613809. Classic. 8,75 x 11,75 inches. Denne omfattende, illustreret tekst tilbyder en dybdegående kig på mekanik og musikalske tankegang med at undervise i klassisk guitar på "hvorfor" i stedet for "hvordan" den klassiske guitarist gør tingene på en bestemt måde. I forfatterens ord, "Klassisk guitar pædagogik er studiet af, hvordan man underviser guitarister at undervise. "Dette universitetsniveau tekst vil være af enorm hjælp til læreren at forklare den musikalske, anatomiske, teknisk og psykologisk fundament for guitar ydeevne. Den indeholder ideer og teknikker til at hjælpe med at organisere din undervisning mere effektivt, plus tips om karriereudvikling som klassisk guitar lærer og performer. Hvis du gør din lever som en klassisk guitar lærer. performer, du skylder dig selv og dine elever til at få denne bog. Forord. Publishing Credits. Indledning. BOOK I. PRINCIPPER FOR TEKNIK. Introduktion til bog I. Chapter One - Sitting. Placering af instrumentet. Placering af våben. Placering af ben. Kapitel Two - Anatomisk funktion af Hands. Generelle Anatomiske Vilkår. Finger bevægelse. Tommelfingeren. The Left Hand. Placering af Wrist. Guitar skader. Generel advarsel om Skader. Kapitel tre - højre. Placering og bevægelse af højre. Lukkede og åbne teknikker. Placering og bevægelse af tommelfingeren. Form af neglene. Nails vs. Flesh. Kapitel Fire - The Left Hand. Placering af den venstre. Drejede Hånd og flad hånd positioner. Bevægelse på venstre hånd Fingers. Efterskrift til bog I. BOOK II. PRINCIPPER pædagogik. Introduktion til bog II. Kapitel fem - højre. Skrabe Motion. Flytning Motion. Frigivelse Motion. Yderligere Øvelser. Vekslen. Right Hand Fingering. Kapitel Six - The Left Hand. Left Hand Fingering - "den fjerde Finger metode". Kapitel Seven - The højre og venstre hånd. Øvelser - "The Basic Seven". Rytmisk varianter af "The Basic Seven". Pulserende. Scales. Arpeggios. Individuel Fuld Plant, Full Plant, Sekventiel Plant og Gratis Arpeggio teknikker. Kapitel Otte - Lærer. Undervisning. Forskning, Reading, og Memorization. Coaching. Kapitel Nine - Øve. Øve. Øve til forestillinger. Kapitel Ten - yderligere emner for mellemliggende Studerende. Bars. Vibrato. Arm, håndled og Bend. Udvikling Speed. Højre og venstre hånd Speed ​​Udvikling. Nøjagtighed i Fast Passages. Tremolo. Kapitel Eleven - yderligere emner til avancerede studerende. Avanceret Bar Teknikker. Hinge Bar og Split Bar. Appagado. Arpeggiating Chords. Cadential Arpeggiation. Harmoniske. Naturlig og kunstig. Left Hand Split Trills. At spille med kødet. Rest Stroke Melodier i Arpeggios. Right Hand Cross Alternation. Right Hand String Crossing med P. Umiddelbart Planlæg nedsættende bemærkninger. Tamboura. Timbre Ændringer. Oppositionens og supplerende Bevægelser. Kapitel Twelve - Performing. Stage Presence. Kapitel Thirteen - On Stage. Stage Etikette. Stage Fright. Medier. Kapitel fjorten - Undervisning Børn. Kapitel Femten - Arrangere en privat Studio. BOOK III. Musikalitet. Introduktion til bog III. Kapitel Seksten - The Middle-Man - En introduktion til Æstetik. Kunstneren. The Art. Kapitel Seventeen - fysisk kontrol over Øresund. Dynamics. Ring. Artikulation. Frasering. Kapitel Atten - mental kontrol over Øresund. Sang. Mental Dynamics. Mental Orchestration. Mental øver. Kapitel Nineteen - Frasering. "The Strong-Svag Maxim". Kapitel Twenty - Schenker Analyse for Tolkning. Kapitel enogtyve - tidsmæssige Modes i Musik. Epilog. Tillæg I. Fejlfinding Tjekliste for lærere. Tillæg II. Prøve 16-Week Lektion Outline. Tillæg III. Foreslåede metoder, undersøgelser og Pieces. Tillæg IV. Foreslåede Magasiner. Tillæg V. Udvalgte Forskning udgangsmaterialer. Forfatterens Biografi.