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Original tekst

Lifesongs. David Gillingham. B-Flat Trumpet sheet music. Bass Trombone sheet music. Euphonium sheet music. Horn sheet music. Tuba sheet music. Grade 5.

Oversættelse

Lifesongs. David Gillingham. B-Flat Trumpet noder. Bass Trombone noder. Euphonium noder. Horn noder. Tuba noder. Grade 5.

Original tekst

Lifesongs. with SATB Choir. Composed by David Gillingham. For Choir with Concert Band. Flute 1. Piccolo, Flute 2, Oboe, Bassoon, Bb Clarinet 1, Bb Clarinet 2. 3, Bass Clarinet, Eb Alto Saxophone 1. 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2. 3, F Horn 1. 2, F Horn 3. 4, Trombone 1. 2, Bass Trombone, Euphonium, Tuba, S. Grade 5. Score and parts. Duration 20. 00. Published by C. Alan Publications. CN.08400. Using the text of three life-affirming poems by Henry Wadsworth Longfellow, Lifesongs is cast in three section that coincide with three stages of life. The text and the music wavers through many emotions. radiant and upbeat, mournful and depressing, dark and militaristic, reflective and joyful. The final lines reflect the overall sentiment of the piece, "O Fear not in a world like this, and thou shalt know erelong, know how sublime a thing it is to suffer and be strong. The text for Lifesongs comes from three poems by Henry Wadsworth Longfellow, titled, "Sunrise on the Hills," "A Psalm of Life," and "The Light of Stars. " These three poems divide the work into three large sections, which are performed without a break. All three poems are life affirming and hence the title Lifesongs. I have renamed each section to coincide with three stages of life, "Song of Birth," "Song of Life," and "Song of Eternity. " "Song of Birth". "Sunrise on the Hills". musically depicts the most wonderful picture of one standing on the hilltop watching the sunrise. The choir, solists, and wind ensemble collaborate in painting this colorful picture. Though this picture is radiant and upbeat, there are changes of mood along the way, such as with lines like "hosts in battle overthrown," "I heard the distant waters dash," "the music of the village bell come sweetly to the echo-giving hills," and "the wild horn, whose voice the woodland fills, was ringing to the merry shout. " All of these words are scored appropriately to sway the listener back and forth between these moods. I personally believe that Longfellow was trying to say that all this beauty of the sunrise precipitates an array of emotions. But the pinnacle of the section is at the end where Longfellow suggests that it is easy for us to forget the "sorrows" of the world if we "go to the woods and hills," for "No tears dim the sweet look that Nature wears. " "Song of Life". "Psalm of Life". begins somewhat mournful and depressing with the line, "tell me not, in mournful numbers, life is but an empty dream. " The section is about the whole struggle of life and our purpose here on earth. Like the first movement, there is a tug-of-war between emotions. Consider, for example, the line, "Art is long, and Time is fleeting, and our hearts, though stout and brave still, like muffled drums, are beating funeral machines to the grave. " Sometimes the music becomes dark and militaristic to lines such as, "in the world's broad field of battle," and "trust no Future, howe'er pleasant. " But the lesson to be learned in this section comes later in the poem when Longfellow states, "Lives of great men all remind us we can make our lives sublime. " Here the music becomes more reflective and leads to pure joy when the choir sings the final four lines, "Let us, then, be up and doing, with a heart for any fate. still achieving, still pursuing, learn to labor and to wait. " In "Song of Eternity". "The Light of Stars". , Longfellow alludes to death, but, as with all of his poetry, there is a positive overtone. Like the second section, it begins darkly with an undertone of undulating clarinets in their low register. This backdrop of sound is appropriate for lines such as "the night is come, but not too soon," and "there is no light in earth or heaven but the cold light of stars. " But the darkness soon gives way to light and the D-minor tonality moves to C-major. The soprano and baritone begin by joyfully singing the line, "O star of strength. I see thee stand and smile upon my pain. " Then comes excitement in the music with a brass fanfare followed by the choir singing, "The star of the unconquered will, He rises in my breast. " Finally the soprano, baritone, and choir end the work by singing the final four lines, "O Fear not in a world like this, and thou shalt know erelong, know how sublime a thing it is to suffer and be strong. " These lines are as meaningful today as they were in Longfellow's time, and are a true lesson of life.

Oversættelse

Lifesongs. med SATB Choir. Komponeret af David Gillingham. For Choir med Concert Band. Flute 1. Piccolo, Fløjte 2, Obo, Fagot, Bb Klarinet 1, Bb klarinet 2. 3, Basklarinet, Eb Altsaxofon 1. 2, Bb Tenor Saxophone, Eb Baryton Saxofon, Bb Trompet 1 Bb Trumpet 2. 3, F Horn 1. 2, F Horn 3. 4, Basun 1. 2, Bass Trombone, Euphonium, Tuba, S. Grade 5. Partitur og stemmer. Varighed 20. 00. Udgivet af C. Alan Publications. CN.08400. Ved hjælp af teksten i tre livsbekræftende digte af Henry Wadsworth Longfellow er Lifesongs støbt i tre afsnit, der falder sammen med tre faser af livet. Teksten og musikken vakler gennem mange følelser. strålende og optimistisk, sørgmodige og deprimerende, mørke og militaristisk, reflekterende og munter. De endelige linjer afspejler den generelle stemning af stykket: "O Frygt ikke i en verden som denne, og du skal vide erelong, ved, hvor sublimt en ting, det er at lide og være stærk. Teksten til Lifesongs kommer fra tre digte af Henry Wadsworth Longfellow, titlen, "Sunrise på bakkerne", "A Salme of Life" og "The Light of Stars. "Disse tre digte opdele arbejdet i tre store dele, som udføres uden pause. Alle tre digte er livsbekræftende og dermed titlen Lifesongs. Jeg har omdøbt hvert afsnit til at falde sammen med tre faser af livet, "Song of Birth", "Song of Life" og "Song of Eternity. "" Song of Birth ". "Sunrise på bakkerne". musikalsk skildrer den mest vidunderlige billede af en stående på bakketoppen se solopgangen. Koret solister og vind ensemble samarbejde om at male denne farverige billede. Selvom dette billede er strålende og optimistisk, er der ændringer i humør undervejs, såsom med linjer som "værter i kamp styrtet," "Jeg hørte det fjerne farvande streg", "musikken i landsbyen klokke kommer sødt til ekkoet -giving bakker "og" den vilde horn, hvis stemme skoven fylder, ringetoner til lystige råb. "Alle disse ord er scoret hensigtsmæssigt at svaje lytteren frem og tilbage mellem disse stemninger. Jeg mener personligt, at Longfellow prøvede at sige, at alt denne skønhed af solopgang udfældes en række følelser. Men toppen af ​​sektionen er i slutningen, hvor Longfellow tyder på, at det er let for os at glemme de "sorger" af verden, hvis vi "gå til skoven og bakker," for "ingen tårer dim den søde udseende, Naturen bærer. "" Song of Life ". "Salme of Life". begynder lidt vemodigt og deprimerende med den linje, "fortæl mig ikke, i sørgmodige antal, livet er, men en tom drøm. "Afsnittet handler om hele kamp for liv og vores formål her på jorden. Ligesom den første bevægelse, er der en tug-of-krig mellem følelser. Tag for eksempel, den linje, "Kunst er lang, og Tid er flygtig, og vores hjerter, selv stout og modig stadig, ligesom dæmpede trommer, er at slå begravelse maskiner til grav. "Nogle gange musikken bliver mørk og militaristiske for linjer som:" i verdens brede felt af slaget, "og" tillid ingen fremtid, howe'er behagelig. "Men den lektie, der skal læres i dette afsnit kommer senere i digtet når Longfellow hedder," Lives of store mænd alle minde os, vi kan gøre vores liv sublime. »Her musikken bliver mere reflekterende og fører til ren glæde, når koret synger de sidste fire linjer:» Lad os derfor være op og gør, med et hjerte for enhver skæbne. stadig nå, stadig forfølger, lære at arbejde og til at vente. "I" Song of Eternity ". "The Light of Stars". , Longfellow hentyder til døden, men som med alle hans digte, der er en positiv overtone. Ligesom det andet afsnit, begynder det mørkt med en undertone af bølgende klarinetter i deres lave register. Denne kulisse af lyd er passende for linjer som "Natten er kommet, men ikke for tidligt," og "der er ingen lys i jord eller himmel, men det kolde lys stjerner. "Men mørket snart viger for lyset og D-mol tonalitet flytter til C-dur. Den sopran og baryton begynde med glæde synge linjen "O stjerne af styrke. Jeg ser dig stå og smile til min smerte. "Så kommer spænding i musikken med en messing fanfare efterfulgt af korsang," The Star af ubesejrede vilje, han rejser sig i mit bryst. "Endelig sopran, baryton, og kor afslutte arbejdet med at synge de sidste fire linjer," O Frygt ikke i en verden som denne, og du skal vide erelong, ved, hvor sublimt en ting, det er at lide og være stærk. "Disse linier er så meningsfuldt i dag, som de var i Longfellow tid, og er en sand lektion i livet.