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Volume 123 - NOW'S THE TIME. Standards with the Joey DeFrancesco Trio. Jamey Aebersold. Voice sheet music. B-Flat Instrument sheet music. Bass Clef Instrument sheet music. C Instrument sheet music. E-Flat Instrument sheet music. Piano sheet music.

Oversættelse

Volume 123 - nu er det tid. Standarder med Joey DeFrancesco Trio. Jamey Aebersold. Voice noder. B-Flat Instrument noder. Bass Clef Instrument noder. C Instrument noder. E-Flat Instrument noder. Klaver Noder.

Original tekst

Volume 123 - NOW'S THE TIME. Standards with the Joey DeFrancesco Trio composed by Jamey Aebersold. Edited by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Along series with accompaniment CD. Jamey Aebersold Play-A-Long series. Jazz Play-A-Long For All Musicians. Book & CD. 68 pages. Published by Jamey Aebersold Jazz. JA.V123DS. ISBN 978-1-56224-162-9. Another super-groove play-a-long featuring Joey with his trio accompanying you on Blues and some of the greatest standards ever written. Rhythm Section. Joey DeFrancesco. Organ. Paul Bollenback. Guitar. Byron Langham. Drums. Includes. Now's The Time, Four On Six, The More I See You, Mercy, Mercy, Mercy, Lunch Portion, I Fall In Love Too Easily, Bye, Bye, Blackbird, Gee, Baby Ain't I Good To You, Indiana, February 14th, Anthropology, Summertime, I'm Getting Sentimental Over You, Slow Blues in Bb, Obama Nation. Notes to the musician. There was a time when I didn't particularly enjoy jazz organ trios. In my teenage years the organ was what I heard in my Methodist church so I associated the instrument with hymns, people singing and church. As jazz evolved and Jimmy Smith and Larry Young entered my jazz record library I learned to love the sound of the Hammond B3 in a jazz setting. I grew up near Louisville, Kentucky and after receiving my driver's license, I would frequent night clubs where often there was an organ trio or quartet playing. On nights when I really felt brave, I would ask to sit in and play a song or two with them. This was part of my early musical bandstand training and it was very important to me. This Volume 123 play-a-long has an outstanding organ trio led by Joey DeFrancesco. Joey, Paul and Byron are Joey's original trio and have played on and off together for many years. I was fortunate to record them on February 14, 2008 at The Jazz Factory in Louisville, Ky., just six weeks before the Jazz Factory closed its doors for good. The trio had played there the night before to a packed house. Some of the songs on this set are on other sets but not in the organ trio format. Usually, when we duplicate a song on a play-a-long we change the tempo or key, or instrumentation and this always gives the rendition a completely different feel. The set opens with "Now's the Time," written by Charlie Parker and has become a standard blues that is probably the most called jam blues of all time. "Four on Six" by Wes Montgomery, is a contrafact written on the chords to Summertime. A contrafact is a new melody written over existing chords. The chords that Wes uses have a lot of ii. V7 substitutes and present a melodic challenge to say the least. "The More I See You" is an old standard with a nice harmonic flow and simple melody. "Mercy, Mercy, Mercy" by Joe Zawinul is his most famous song and has been played and arranged many different ways over the years. The solo section is on two chords which makes it approachable by beginning level jazzers. "Lunch Portion" is an original I wrote for Joey's trio. It's a shuffle and at first, makes you think it's going to be a 12 bar blues but it's not. The last two bars of each chorus take you up to the clouds. One of the prettiest ballads ever written is "I Fall In Love Too Easily. " It's a master piece in 16 measures and is taken at a very slow tempo. The old jazz standard "Bye, Bye, Blackbird" shows off the trio's ability to set a groove and keep it. After the first chorus,we substitute some descending ii. V7's over the bridge section to add variety. "Gee Baby, Ain't I Good To You" is a sixteen bar tune with several unusual harmonic twists here and there. It's done very slowly and reminds me of the days when I would go hear organ trios grinding out late night jazz in Louisville or Indianapolis. We decided to do "Indiana" even though it's on other play-a-long sets. Someone on our jazz Forum suggested doing it at a slower tempo so that's what we did. The coda section goes to a Bossa nova feel. The "February 14th" title comes from the day we recorded this set. It has a great little shuffle feel with a bridge that seems to float up to the sky. "Anthropology" is another tune written by Charlie Parker and is based on rhythm changes. The melody is very notey and is a demonstration of the technical facility "Bird" had on his alto saxophone. "Summertime" is by George Gershwin and may be the most popular American standard ever. For variety we moved this version to the key of C minor and did it at a slow tempo. "I'm Getting Sentimental Over You" has always been a tune jazz musicians loved to play on. The chords move around just enough to keep you on your toes. "Slow Blues" is just that - a very slow blues in G. Need more be said. This CD was recorded while the famous Democratic Presidential primary was taking place in America between Hillary Clinton and Barack Obama. "Obama-Nation" is a take off on something I saw in the local newspaper's "letters to the editor" section during that time. The writer said, "If Obama gets elected President it will be an Obamanation. " I think they said it in jest. If you like playing jazz, this play-a-long will give you hours of enjoyable opportunities and enhance your musical skills along the way. Jamey Aebersold.

Oversættelse

Volume 123 - nu er det tid. Standarder med Joey Defrancesco Trio komponeret af Jamey Aebersold. Redigeret af Jamey Aebersold. For enhver C, Eb, Bb, bas instrument eller stemme. Play-Along serie med akkompagnement cd. Jamey Aebersold Play-A-Long serie. Jazz Play-A-Long til musikere. Bog. Udgivet af Jamey Aebersold Jazz. JA.V123DS. ISBN 978-1-56224-162-9. En anden super-groove play-a-long featuring Joey med sin trio, der ledsager dig på Blues og nogle af de største standarder nogensinde er skrevet. Rhythm Section. Joey DeFrancesco. Organ. Paul Bollenback. Guitar. Byron Langham. Drums. Indeholder. Nu er det tid, fire på Six, jo mere jeg ser dig, Mercy, Mercy, Mercy, frokost del, I Fall In Love Too nemt, Bye, Bye, Blackbird, Gee, Baby er jeg ikke god mod dig, Indiana, February 14., antropologi, Summertime, jeg Kom Sentimental Over You, Slow Blues i Bb, Obama Nation. Noter til musikeren. Der var en tid, hvor jeg ikke specielt nyde jazz orgel trioer. I mine teenageår orglet var, hvad jeg hørte i mit Metodistkirken, så jeg tilknyttet instrumentet med salmer, folk synge og kirkelige. Som jazz udviklet sig og Jimmy Smith og Larry Young trådte mit jazz rekord bibliotek lærte jeg at elske lyden af ​​Hammond B3 i en jazz indstilling. Jeg voksede op i nærheden af ​​Louisville, Kentucky og efter at have modtaget mit kørekort, jeg ville hyppige natklubber, hvor der ofte var et orgel trio eller kvartet spiller. På nætter, hvor jeg virkelig følte modig, ville jeg bede om at sidde i og afspille en sang eller to med dem. Dette var en del af min tidlige musikalske musikpavillon træning, og det var meget vigtigt for mig. Denne Volume 123 play-a-long har en enestående orgel trio ledet af Joey DeFrancesco. Joey, Paul og Byron er Joey oprindelige trio og har spillet på og uden sammen i mange år. Jeg var så heldig at optage dem den 14. februar 2008 på The Jazz Factory i Louisville, Kentucky, blot seks uger før Jazz Factory lukket dørene for god. Trioen havde spillet der natten før til en pakket hus. Nogle af sangene på dette sæt er på andre sæt, men ikke i orglet trio format. Normalt, når vi kopiere en sang på en play-a-long, vi ændre tempo eller nøgle, eller instrumentering og det giver altid gengivelsen en helt anden fornemmelse. Sættet åbner med "Nu er det tid", skrevet af Charlie Parker og er blevet en standard blues, som er nok den mest kaldes jam blues af hele tiden. "Fire på Six" af Wes Montgomery, er en contrafact skrevet på akkorder til Summertime. En contrafact er en ny melodi skrevet over de eksisterende akkorder. De akkorder, Wes bruger har en masse ii. V7 erstatninger og præsentere en melodisk udfordring at sige det mildt. "Jo mere jeg ser dig" er en gammel standard med en dejlig harmonisk flow og enkel melodi. "Mercy, Mercy, Mercy" af Joe Zawinul er hans mest berømte sang og er blevet spillet og arrangeret mange forskellige måder gennem årene. Solo sektion er på to akkorder, som gør det imødekommende ved at begynde niveau jazzers. "Lunch Portion" er en original jeg skrev for Joey trio. Det er en shuffle og i første omgang, gør du tror det kommer til at være en 12 bar blues, men det er ikke. De sidste to søjler i hver omkvædet tage dig op til skyerne. En af de smukkeste ballader nogensinde er skrevet, er "I Fall In Love Too nemt. "Det er et mesterværk i 16 foranstaltninger, og er taget i et meget langsomt tempo. Den gamle jazz standard "Bye, Bye, Blackbird" viser off trioens evne til at sætte en rille og holde det. Efter den første omkvæd, vi erstatte nogle faldende ii. V7 er over broen afsnittet at tilføje sort. "Gee Baby, Er jeg ikke god mod dig" er en seksten bar melodi med flere usædvanlige harmoniske twists her og der. Det er gjort meget langsomt, og minder mig om de dage, hvor jeg ville gå høre orgel trioer slibning ud sent aften jazz i Louisville eller Indianapolis. Vi besluttede at gøre "Indiana", selvom det er på andre play-a-long sæt. Nogen på vores jazz Forum foreslog at gøre det i et langsommere tempo, så det er, hvad vi gjorde. Det coda sektion går til en Bossa nova føler. Den "14 feb" title kommer fra den dag, vi indspillede dette sæt. Det har en stor lille shuffle føler med en bro, der synes at svæve op til himlen. "Antropologi" er en anden melodi skrevet af Charlie Parker og er baseret på rytme ændrer. Melodien er meget notey og er en demonstration af den tekniske facilitet "Bird" havde på sin altsaxofon. "Summertime" er af George Gershwin og kan være den mest populære amerikanske standard nogensinde. For sort vi flyttede denne version til tonearten C-mol og gjorde det i et langsomt tempo. "Jeg Kom Sentimental Over You" har altid været en melodi jazz musikere elskede at spille på. Akkorderne bevæger sig rundt lige nok til at holde dig på tæerne. "Slow Blues" er netop det - en meget langsom blues i G. Brug for mere siges. Denne CD blev indspillet, mens den berømte demokratiske præsidentkandidat primære fandt sted i Amerika mellem Hillary Clinton og Barack Obama. "Obama-Nation" er en tage ud på noget jeg så i den lokale avis er "læserbreve" sektionen i løbet af denne tid. Forfatteren sagde, "Hvis Obama bliver valgt til præsident, vil det være en Obamanation. "Jeg tror, ​​de sagde det i spøg. Hvis du kan lide at spille jazz, vil dette play-a-long give dig timevis af underholdende muligheder og forbedre dine musikalske færdigheder undervejs. Jamey Aebersold.