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Original tekst

Dolly Suite Opus 56. Gabriel Faure. Piano Method sheet music. Intermediate.

Oversættelse

Dolly Suite Opus 56. Gabriel Faure. Piano Method noder. Intermediate.

Original tekst

Dolly Suite Opus 56 composed by Gabriel Faure. 1845-1924. Edited by Nancy Arganbright and Dallas Weekley. For 1 piano, 4-hands. Late Intermediate. Collection. Published by Neil A. Kjos Music Company. KJ.WP609. ISBN 849797624. Born in 1845, Gabriel Faure is considered to be one of the greatest French composers of the nineteenth century. His family was not musical, being butchers , smiths and military officers, but they encouraged young Faure to develop his musical skills. He had excellent training from his teacher, Camille Saint-Saens, who remained his lifelong friend. "Dolly" is a collection of six pieces written over a period of three years. 1894-1897. They were composed in honor of Helene nicknamed "Dolly," who was the daughter of Faure's dear friend, the singer Emma Bardac. Emma later became Debussy's second wife. The opening 'Berceuse'. Lullaby. suggests a moment of childhood peace and tranquility, perhaps Dolly rocking her doll to sleep. The second piece, 'Mi-a-ou' is livelie. its title has been interpreted in two different ways. Emile Vuillermoz sees in it "the capricious bounds of the favorite family cat, its quick turns, its zigzag starts, its sudden cajolery, after which. it at last rests in the lap of its little mistress. " On the other hand, Marguerite Long, on the basis of her friendship with Faure, asserts that the title is the nickname for Dolly's brother, Raoul. The 'Le jardin de Dolly'. Dolly's Garden. represents a quiet stroll through a lovely flower garden. The mood is smimilar to that of Berceuse but the melody is less predictable with sudden turns toward chromaticism. Kitty-Valse is a sort of companion piece to Mi-a-ou, but its rhythm is more straightforward, and we find many unexpected turns in harmony, Its strong accents contrast with delicate, swirling scale patterns. Marguerite Long tells us that "Kitty" is a corruption of "Ketty" the name of the family dog. 'Tendresse'. Tenderness. is the most touching piece of the set. It suggests a conversation between am other and daughter. In the middle section the two melodc voices are shared by the primo and secondo players in a canon form with bass accompaniment. The seconds half of the first theme features whole-tone effects. In total contrast to this gentle piece, the final piece is 'Le pas Espagnol'. Spanish Dance. , which Long says was inspired by a bronze equestrian statue that stood on the mantlepiece in Madame Bardac's house and was admired by young Dolly. Vuillermoz believes it depicts Dolly pretending to be a Spanish dancer, wrapped in her mother's shawl. Berceuse. Lullaby. Mi-a-ou. Le jardin de Dolly. Dolly's Garden. Kitty-Valse. Tendresse. Tenderness. Le pas Espangnol. Spanish Dance.

Oversættelse

Dolly Suite Opus 56 komponeret af Gabriel Faure. 1845-1924. Redigeret af Nancy Arganbright og Dallas Weekley. For 1 klaver, 4-hænder. Late Intermediate. Indsamling. Udgivet af Neil A. Kjos Music Company. KJ.WP609. ISBN 849797624. Født i 1845, er Gabriel Faure anses for at være en af ​​de største franske komponister af det nittende århundrede. Hans familie var ikke musikalsk, bliver slagtere, smede og militære officerer, men de opfordrede unge Faure at udvikle sine musikalske færdigheder. Han havde en fremragende træning fra sin lærer, Camille Saint-Saens, som forblev hans livslange ven. "Dolly" er en samling af seks stykker skrevet over en periode på tre år. 1894-1897. De blev komponeret til ære for Helene tilnavnet "Dolly", som var datter af Faure s kære ven, sangeren Emma Bardac. Emma blev senere Debussys anden kone. Åbningen 'Berceuse'. Lullaby. foreslår et øjebliks barndom fred og ro, måske Dolly rokkende hendes dukke til at sove. Det andet stykke, "Mi-a-ou 'er livelie. dens titel er blevet fortolket på to forskellige måder. Emile Vuillermoz ser i det "de lunefulde grænserne for det foretrukne familie kat, sine hurtige vendinger, dens zigzag starter, sin pludselige cajolery, hvorefter. det omsider hviler i skødet på sin lille elskerinde. "På den anden side, Marguerite Long, på baggrund af hendes venskab med Faure, hævder, at titlen er kaldenavnet for Dolly bror, Raoul. Den "Le Jardin de Dolly '. Dollys Have. repræsenterer en stille spadseretur gennem en dejlig blomsterhave. Stemningen er smimilar som i Berceuse men melodien er mindre forudsigelig med pludselige sving mod kromatik. Kitty-Valse er en slags pendant til Mi-a-ou, men dens rytme er mere ligetil, og vi finder mange uventede drejninger i harmoni, sin stærke accenter kontrast med sarte, hvirvlende skala mønstre. Marguerite Long fortæller os, at "Kitty" er en forvanskning af "Ketty" navnet på familiens hund. 'Tenderness'. Tenderness. er den mest rørende stykke af den indstillede. Det foreslår en samtale mellem am andet og datter. I den midterste sektion de to melodc stemmer deles af Primo og Secondo spillere i en kanon form, med bas akkompagnement. Det sekunder halvdel af første tema har hele-tone effekter. I alt kontrast til denne blide stykke, den sidste brik er 'Le Pas Espagnol'. Spanish Dance. , Som Lang siger var inspireret af en bronze rytterstatue der stod på mantlepiece i Madame Bardac hus og blev beundret af unge Dolly. Vuillermoz mener Det forestiller Dolly foregiver at være en spansk danser, pakket ind i sin mors sjal. Lullaby. Lullaby. Mi-a-ou. Have Dolly. Dollys Have. Kitty-Valse. Tenderness. Tenderness. Ikke Espangnol. Spanish Dance.