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Sacred Marimbist, The. Volume 1. Marimba sheet music. Percussion sheet music. Advanced.

Oversættelse

Sacred Marimbist, The. Volume 1. Marimba noder. Percussion noder. Avanceret.

Original tekst

Sacred Marimbist, The. Volume 1. composed by David R. Gillingham. Percussion Ensemble. For Marimba. 4-mallet. marimba. 5-octave. Medium to difficult. Duration 20. 00. Published by C. Alan Publications. CN.16600. David Gillingham's collection of hymns arranged for solo marimba fills a large void in the repertoire. His 8 masterful settings accentuate the best qualities of the marimba. Most are appropriate at any time throughout the liturgical calendar making this book extremely versatile. Prelude on Be Thou My Vision - Traditional Irish Melody Mary E. Byrne wrote the words to this hymn in 1905 and set it to a gorgeous old Irish melody, Slane. Gillingham used this hymn in a version for symphonic band by the same name that has found its way into the standard repertoire. The melody is haunting and is reminiscent of plainchant and is suggestive of prayer, trust and hope. This setting is appropriate for any liturgical use. Prelude on Nearer My God To Thee - Lowell Mason This hymn, known as Bethany, uses words by Sarah F. Adams, 1841, and music by Lowell Mason, 1856. It is a very intimate hymn of sanctification and grace and is most appropriate during the general church year with the exception of Advent and Easter. It has been said that the orchestra on board the Titanic played this hymn while the ocean liner was tragically sinking. Chorale & Variations on Under the Magical Wing - David R. Gillingham This is an original hymn written by Gillingham that was used as the primary melodic material in a work for symphonic band by the same name. The band work was commissioned by the band boosters of the Eleanor Roosevelt High School Music Department in Greenbelt, MD, in honor of long time band director, Sally Sterrett Wagner. The words to the hymn reflect how, under the guidance of the 'magical wing'. of Ms. Wagner. , students have been challenged to follow their dreams and spread the joy of music throughout the world. This arrangement can be used during any part of the liturgical year. Lord of the Dance - 19th Century Shaker Tune The words of this hymn by Sydney Carter tell the story of the life of Jesus Christ. Its inclusiveness of the entire liturgical calendar make it appropriate for any sacred occasion. The vivacious dance rhythms and changing tonality of this setting make it a perfect selection for special music during the worship service. Meditation on Softly and Tenderly Jesus Is Calling - Will Thompson The words and music for this beautiful hymn were written by Will Thompson in 1880. It has often been used at funerals, but can be used anytime during the litugical year with the exception of Lent, Easter and Advent. According to the teachings of John Wesley, it would be categorized under 'prevenient grace. ' Variants on Come Christians Join to Sing - Traditional Spanish Hymn The words of this hymn were written in 1843 by Christian Henry Bateman and set to an uplifting old Spanish hymn. Gillingham used this hymn as the basis of his symphonic band work, With Heart and Voice. The band version features an original melody by Gillingham that partners with the hymn and is featured in Variation II of this setting. The hymn celebrates grace and would be appropriate year round in the worship cycle. Toccata on I am Thine O Lord - William H. Donne Fanny J. Crosby wrote the words to this hymn in 1875 based on Hebrews 10. 22 in the Bible. William H. Donne wrote the vibrant musical setting. This is a truly uplifting hymn expressing the joy of grace and sanctification. It would be appropriate during any part of the liturgical year other than Lent and Advent. Postlude on Azmon - Carl G. Glaser This hymn, commonly known as O For a Thousand Tongues to Sing, is a favorite of Gillingham, who grew up playing hymns on an old 'pump' organ. harmonium. and then later playing organ in church through high school, college and graduate school. The words were written by Charles Wesley in 1739 and the music by Carl G. Glaser in 1839. The hymn is filled with praise and thanksgiving and is appropriate to use during any part of the church year with the exception of Lent and Advent.

Oversættelse

Sacred Marimbist, The. Volume 1. komponeret af David R. Gillingham. Percussion Ensemble. For Marimba. 4-hammer. marimba. 5-oktav. Middel til svær. Varighed 20. 00. Udgivet af C. Alan Publications. CN.16600. David Gillingham samling af salmer arrangeret for solo marimba udfylder et stort tomrum i repertoiret. Hans 8 mesterlige indstillinger fremhæve de bedste kvaliteter af marimba. De fleste er egnet til enhver tid i hele den liturgiske kalender gør denne bog meget alsidigt. Prelude på vær du My Vision - Traditionel irsk Melody Mary E. Byrne skrev ordene til denne salme i 1905 og sæt den til en smuk gammel irsk melodi, Slane. Gillingham brugt denne salme i en version til symfonisk band af samme navn, der har fundet vej ind i den standard repertoire. Melodien er uforglemmelige og minder om plainchant og er tankevækkende bøn, tillid og håb. Denne indstilling er passende for enhver liturgisk brug. Prelude på Nærmere Gud til dig - Lowell Mason Denne salme, der er kendt som Bethany, bruger ord af Sarah F. Adams, 1841 og musik af Lowell Mason 1856. Det er en meget intim salme af helliggørelse og nåde, og er mest hensigtsmæssigt i løbet af den almindelige kirke året med undtagelse af Advent og påske. Det er blevet sagt, at orkestret om bord på Titanic spillede denne salme mens oceandamper var tragisk synker. Choir. Bandet arbejde blev bestilt af bandets boostere af Eleanor Roosevelt High School Music Department i Greenbelt, MD, til ære for lang tid band direktør, Sally Sterrett Wagner. Ord til salmen afspejle, hvordan, under vejledning af den "magiske fløj '. Ms Wagner. , Studerende er blevet udfordret til at følge deres drømme og sprede glæden ved musik i hele verden. Dette arrangement kan anvendes under nogen del af liturgiske år. Lord of the Dance - 19th Century Shaker Tune ordene i denne salme af Sydney Carter fortæller historien om Jesu Kristi liv. Dens inddrage hele den liturgiske kalender gør det passende for enhver hellig lejlighed. De livlige danserytmer og skiftende tonalitet af denne indstilling gør det til et perfekt valg for en særlig musik under gudstjenesten. Meditation på Softly og Tenderly Jesus Is Calling - Will Thompson De ord og musik til denne smukke salme blev skrevet af Will Thompson i 1880. Det er ofte blevet brugt ved begravelser, men kan bruges når som helst under den litugical året med undtagelse af fasten, påske og advent. Ifølge læren af ​​John Wesley, ville det blive kategoriseret under 'prevenient nåde. 'Varianter på Come kristne Deltag at synge - Traditionel spansk Hymn ordene i denne salme blev skrevet i 1843 af Christian Henry Bateman og indstillet til en opløftende gammel spansk salme. Gillingham brugt denne salme som grundlaget for hans symfonisk band arbejde, med hjerte og Voice. Bandet versionen har en original melodi af Gillingham at partnere med salmen og er featured i Variation II i denne indstilling. Den salme fejrer nåde og ville være passende året rundt i tilbedelsen cyklus. Toccata om jeg Thine Herre - William H. Donne Fanny J. Crosby skrev ordene til denne salme i 1875 baseret på Hebræerbrevet 10. 22 i Bibelen. William H. Donne skrev den pulserende musikalsk indstilling. Dette er en virkelig opløftende hymne udtrykker glæden af ​​nåde og helliggørelse. Det vil være hensigtsmæssigt i løbet af nogen del af liturgiske år, bortset fra fastetiden og advent. Efterspil på Azmon - Carl G. Glaser Denne salme, almindeligvis kendt som O i tusind tunger at synge, er en favorit af Gillingham, der voksede op med at spille salmer på en gammel 'pumpe' orgel. harmonium. og så senere at spille orgel i kirken gennem high school, college og ph.d.-skole. Ordene blev skrevet af Charles Wesley i 1739, og musik af Carl G. Glaser i 1839. Salmen er fyldt med ros og taksigelse og er egnet til brug under enhver del af kirken året med undtagelse af fasten og advent.