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Original tekst

Visions of the Anointed. Daniel McCarthy. Cello sheet music. Viola sheet music. Violin sheet music. Advanced.

Oversættelse

Visioner for den Salvede. Daniel McCarthy. Cello noder. Viola noder. Violin noder. Avanceret.

Original tekst

Visions of the Anointed composed by Daniel McCarthy. Chamber Ensemble. For String Quartet. violin I, violin II, viola, cello. Chamber Music. Medium difficult. Score and parts. Duration 30. 00. Published by C. Alan Publications. CN.10760. The first movement, "New Vision," is a dense conversation among the quartet. In a complete musical turn-around from the first movement, the next movement, "Isadora. Dance. " comes bounding on the listener with lively strumming. complete with guitar-style picking. and open string strumming, giving the feelings of body movement, gyrations, jumping, and leaping. On a more personal level, I wrote the next movement after Edgar Allan Poe, with whom I closely identify. The fourth movement is a virtuosic blast. Commissioned by The Harrington String Quartet of West Texas A & M University and The Amarillo Symphony. The title comes from the book of the same name by Thomas Sowell. The quartet is named after the book "The Vision of the Anointed. Self-Congratulation as a Basis for Social Policy" by Thomas Sowell, The Rose and Milton Friedman Senior Fellow on Public Policy at the Hoover Institution. The "Anointed," in this case, are four great American creators. An author, a dancer, a poet, and a rock guitarist. All these artists hold a special fascination for me as entrepreneurs of thought and creativity. The first movement, "New Vision," is dedicated to economist and social philosopher, Thomas Sowell. Ph.D., The University of Chicago. Sowell, reviled by the intellectual "elite," is definitely "off-the-plantation" when it comes to "politically correct" thinking. An African-American, Dr. Sowell challenges much of the excepted academic views of politics and society. The musical language of the movement is a dense conversation among the quartet. The high degree of rhythmic stratification features the fingered tremolo and the trill, which later becomes written in measured figures. The large, multi-sectional form of the movement provides for moments of lyric melodicism amidst the relatively dissonant and rhythmic tumultuous sections of serious political arguments. In a complete musical turn-around from the first movement, the next movement, "Isadora. Dance. " comes bounding on the listener with lively strumming. complete with guitar-style picking. and open string strumming. The early 20th century Dancer, adventurer, and revolutionist, Isadora Duncan was credited with inventing what was later to be know as "Modern Dance. " Her style of dance and choreography included free and natural movements inspired by the classical Greek arts, folk dances, American athleticism which included skipping, running, jumping, leaping, tossing. So this movement abounds with rhythm unrestricted by predictable metric parameters. The rhythms give the feelings of body movement, gyrations, jumping, and leaping. On a more personal level, I wrote the next movement after Edgar Allan Poe, with whom I closely identify. Poe led a strange life, feeling different and isolated from humanity. Much of his writings are fixated on the Macomb due to several deaths of loved ones and his inability to let go of them. In a particularly dark period of his life, he wrote the poem, "Alone," which has haunted me since I read it. The opening reads. From childhood's hour I have not been As others were. I have not seen As others saw. I could not bring My passions from a common spring. From the same source I have not taken My sorrow. I could not awaken My heart to joy at the same tone. And all I loved, I loved alone. The fourth movement is a virtuosic blast. When it came to the writing of this final movement, I was at the end of three commissions from The Harrington Quartet--and, out of ideas. In my travels, I love to listen to old rock and roll recordings--not the least of which is Led Zeppelin. When I was a kid in Junior High School, and a classically trained pianist and trumpet player, I would sneak on my head phones and blast Led Zeppelin I and II through my head phones, learning to play electric bass along with the tunes on these albums. My favorite was a tune on Led Zeppelin II, "Heartbreaker. " The most unusual thing on "heartbreaker" was the guitar cadenza taken in the middle of the tune by rock guitar legend Jimmy Page--hence, the title, "Turn The Page. " I had never heard anything like it--it was like a violin cadenza in a Mendelssohn Violin Concerto. metrically free, virtuosic, and exiting. During this period of time I was contemplating how I was going to finish "Visions of the Anointed," I woke up one night thinking of this Jimmy Page cadenza and the idea came to me to base the last movement on this solo. So various gestures and lines from this solo are transcribed and taken into far-reaching variations for The Harrington String Quartet as they Turn The Page.

Oversættelse

Visioner for den Salvede komponeret af Daniel McCarthy. Chamber Ensemble. For String Quartet. violin I, violin II, bratsch, cello. Kammermusik. Medium svært. Partitur og stemmer. Varighed 30. 00. Udgivet af C. Alan Publications. CN.10760. Den første bevægelse, "Ny Vision," er en tæt samtale blandt kvartetten. I en komplet musikalsk turn-around fra den første bevægelse, den næste bevægelse, "Isadora. Dans. "Kommer springende på lytteren med livlig klimprer. komplet med guitar-stil plukning. og åben streng klimprer, hvilket giver følelsen af ​​kroppens bevægelser, gyrations, hoppe, og springende. På et mere personligt plan, skrev jeg den næste bevægelse efter Edgar Allan Poe, som jeg nøje identificere. Den fjerde sats er en virtuos blast. Bestilt af Harrington Strygekvartet i West Texas A. Titlen stammer fra bogen af ​​samme navn af Thomas Sowell. Kvartetten er opkaldt efter bogen "The Vision of den Salvede. Selvtilfredshed som grundlag for socialpolitik "af Thomas Sowell, The Rose og Milton Friedman Senior Fellow på Public Policy ved Hoover Institution. Den "salvede", i dette tilfælde, er fire store amerikanske skabere. En forfatter, danser, en digter, og en rock guitarist. Alle disse kunstnere have en særlig fascination for mig som iværksættere tanke og kreativitet. Den første bevægelse, "Ny Vision", er dedikeret til økonom og social filosof, Thomas Sowell. Ph.D., University of Chicago. Sowell, hånet af den intellektuelle "elite" er afgjort "off-the-plantagen", når det kommer til "politisk korrekt" tænkning. En afrikansk-amerikansk, Dr. Sowell udfordrer meget af de undtagne akademiske synspunkter politik og samfund. Den musikalske sprog af bevægelsen er en tæt samtale blandt kvartetten. Den høje grad af rytmisk lagdeling er udstyret med den Fingered tremolo og trille, der senere bliver skrevet i målte tal. Den store, multi-snit form af bevægelsen foreskriver øjeblikke af lyrisk melodicism midt i de relativt dissonante og rytmiske tumultagtige sektioner af alvorlige politiske argumenter. I en komplet musikalsk turn-around fra den første bevægelse, den næste bevægelse, "Isadora. Dans. "Kommer springende på lytteren med livlig klimprer. komplet med guitar-stil plukning. og åben streng klimprer. Begyndelsen af ​​det 20. århundrede Dancer, eventyrer, og revolutionær, Isadora Duncan blev krediteret med at opfinde det, der senere skulle blive kendt som "Modern Dance. "Hendes stil af dans og koreografi inkluderet gratis og naturlige bevægelser inspireret af de klassiske græske kunst, folkedanse, amerikansk atletiske som omfattede springe, løbe, hoppe, springe, kastede. Så denne bevægelse bugner med rytme ubegrænset af forudsigelige metriske parametre. De rytmer giver de følelser af kroppens bevægelser, gyrations, hoppe, og springende. På et mere personligt plan, skrev jeg den næste bevægelse efter Edgar Allan Poe, som jeg nøje identificere. Poe førte et mærkeligt liv, føle sig anderledes og isoleret fra menneskeheden. Meget af hans skrifter er fikseret på Macomb grund af flere dødsfald blandt kære og hans manglende evne til at give slip på dem. I en særlig mørk periode af sit liv skrev han digtet, "Alone", som har hjemsøgt mig, da jeg læste det. Åbningen læser. Fra barndommens time har jeg ikke været så andre var. Jeg har ikke set som andre så. Jeg kunne ikke bringe mine lidenskaber fra en fælles forår. Fra samme kilde, jeg ikke har taget min sorg. Jeg kunne ikke vække mit hjerte til glæde på samme tone. Og alt jeg elskede, elskede jeg alene. Den fjerde sats er en virtuos blast. Da det kom til at skrive denne sidste bevægelse, var jeg i slutningen af ​​tre kommissioner fra The Harrington Quartet - og, tør for idéer. I mine rejser, jeg elsker at lytte til gamle rock and roll optagelser - ikke mindst som er Led Zeppelin. Da jeg var barn i Junior High School, og en klassisk uddannet pianist og trompetist, ville jeg snige på mit hoved telefoner og blast Led Zeppelin I og II gennem mit hoved telefoner, lære at spille elektrisk bas sammen med melodier på disse albums. Min favorit var en melodi på Led Zeppelin II, "Heartbreaker. "Det mest usædvanlige ting på" Heartbreaker "var guitar kadence taget i midten af ​​melodien ved rockguitar legenden Jimmy Page - dermed titlen" Turn The Page. "Jeg havde aldrig hørt noget lignende - det var ligesom en violin kadence i et Mendelssohn Violinkoncert. metrisk fri, virtuose og spændende. I løbet af denne periode, jeg overvejede, hvordan jeg skulle til slut "Visions of den Salvede" Jeg vågnede en nat tænker på denne Jimmy Page kadence og idéen kom til mig at basere den sidste bevægelse på denne solo. Så forskellige bevægelser og linjer fra denne solo transskriberes og tages i vidtrækkende variationer for The Harrington Strygekvartet, da de vender siden.