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Cello Concerto. Gavin Bryars. Cello Solo sheet music.

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Cellokoncert. Gavin Bryars. Noder Cello Solo.

Original tekst

Cello Concerto. Farewell to philosophy. Composed by Gavin Bryars. 1943-. For cello and orchestra. This edition. ED 12586. Scores. Music Of Our Time. Study score. Composed 1995. 114 pages. Duration 35 minutes. Published by Schott Music. SD.49003264. ISBN 9790220118159. I have a great fondness for the lower string instruments. I am a bass player, my mother is a cellist, as are both my daughters. my own ensemble includes two violas, a cello and a bass, and for the instrumentation of my opera Medea I omit the entire violin section from the orchestra. As I have written a number of works for solo instrument or voice with orchestra I welcomed the opportunity to write a concerto for cello and orchestra and especially one which focuses particularly on the instrument's lyrical qualities. Although the piece is in one continuous movement, and the soloist is playing almost without a break, it nevertheless falls into distinct sections which are recognisable by a shift of tempo as well as by a change in the music's character. One of the early ideas Julian Lloyd Webber and I discussed was that it might form a companion piece to one of the Haydn concertos. Given my friendship with some members of the English Chamber Orchestra and my awareness of their repertoire, this suggested a number of particular musical references. The subtitle to the work, for example, combines the subtitles of two idiosyncratic Haydn symphonies and I allude to them in different ways but chiefly through orchestration. for The Philosopher by including a section in the concerto where the orchestration resembles that of the symphony's first movement. pairs of English and French horns, muted violins and unmuted lower strings. for The Farewell, by the progressive reduction in the orchestration towards the end. Indeed, apart from the orchestral tutti in the last few bars, the last pages of the score are virtually for string quartet. The subtitle also refers to my own background as a philosophy graduate. The piece was commissioned by Philips Classics for Julian Lloyd Webber and is dedicated to him. The first performance was given by Julian Lloyd Webber and the English Chamber Orchestra conducted by James Judd, 21 November 1995, Barbican Hall, London. Gavin Bryars.

Oversættelse

Cellokoncert. Farvel til filosofi. Komponeret af Gavin Bryars. 1943 -. For cello og orkester. Denne udgave. ED 12586. Scores. Music Of Our Time. Undersøgelse score. Komponeret 1995. 114 sider. Varighed 35 minutter. Udgivet af Schott Music. SD.49003264. ISBN 9790220118159. Jeg har en stor forkærlighed for de lavere strengeinstrumenter. Jeg er en bassist, min mor er en cellist, som er begge mine døtre. mit eget ensemble omfatter to violaer, en cello og en bas, og for instrumentering af min opera Medea jeg udelade hele violin afsnit fra orkestret. Som jeg har skrevet en række værker for solo instrument eller stemme med orkester jeg bifaldt mulighed for at skrive en koncert for cello og orkester, og især en, der har særligt fokus på instrumentets lyriske kvaliteter. Selvom stykket er i en kontinuerlig bevægelse, og solisten spiller næsten uden pause, er det ikke desto mindre falder i adskilte sektioner, der genkendes af et skift i tempo, samt en ændring i musikkens tegn. En af de tidlige ideer Julian Lloyd Webber og jeg diskuterede, var, at det kunne danne en følgesvend stykke til en af ​​Haydn koncerter. På grund af mit venskab med nogle medlemmer af English Chamber Orchestra og min bevidsthed om deres repertoire, dette foreslog en række særlige musikalske referencer. Undertitlen til arbejdet, for eksempel, kombinerer undertekster to idiosynkratiske Haydn symfonier, og jeg hentyder til dem på forskellige måder, men hovedsagelig gennem orkestrering. The Philosopher ved at inkludere et afsnit i koncerten, hvor orkestrering ligner symfoniens første bevægelse. par af engelsk og fransk horn, dæmpede violiner og unmuted lavere strygere. The Farewell, ved gradvis reduktion i orkestrering mod slutningen. Faktisk bortset fra den orkestrale tutti i de sidste par barer, de sidste sider af partituret er næsten for strygekvartet. Undertitlen henviser også til min egen baggrund som kandidat i Filosofi. Stykket blev bestilt af Philips Classics for Julian Lloyd Webber og er dedikeret til ham. Uropførelsen blev givet af Julian Lloyd Webber og English Chamber Orchestra dirigeret af James Judd, den 21. november 1995 Barbican Hall, London. Gavin Bryars.