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Original tekst

Pulse-Echo. Jason Eckardt. Cello sheet music. Piano sheet music. Viola sheet music. Violin sheet music.

Oversættelse

Pulse-Echo. Jason Eckardt. Cello noder. Klaver Noder. Viola noder. Violin noder.

Original tekst

Pulse-Echo composed by Jason Eckardt. 1971-. For piano quintet. piano, violin I, violin II, viola, cello. Full score - study. 120 pages. Published by Carl Fischer. CF.MXE50F. ISBN 825897742. pulse-echo was commissioned by the Serge Koussevitzky Foundation in the Library of Congress for NOVA Chamber Music Series. Salt Lake City, Utah. and artistic director Jason Hardink. It was premiered in February, 2014. Hardink was interviewed by Edward Reichel for the web newsletter Reichel Recommends. "Eckardt is a proponent of New Complexity, a term coined in the 1980s to describe music that verges on the extreme edge of playability. While acknowledging the music's difficulty, Hardink also sees more than just a jumble of notes on a page. 'Jason's music is intense, complex and dissonant,' he said, 'but there is an underlying energy and joy of life in it. As. Hardink pointed out, 'it's not a piano-centric work. The strings play around the resonances from the piano. They play off of what the piano plays. ' In that regard it's a true chamber work in concept.

Oversættelse

Pulse-Echo komponeret af Jason Eckardt. 1971 -. For klaver kvintet. klaver, violin I, violin II, viola, cello. Full score - undersøgelse. 120 sider. Udgivet af Carl Fischer. CF.MXE50F. ISBN 825897742. puls-ekko blev bestilt af Serge Koussevitzky Foundation i Library of Congress for NOVA Kammermusik Series. Salt Lake City, Utah. og kunstnerisk leder Jason Hardink. Den blev uropført i februar 2014. Hardink blev interviewet af Edward Reichel for web nyhedsbrevet Reichel anbefaler. Eckardt er fortaler for New Kompleksitet, et begreb opfundet i 1980'erne til at beskrive musik, der grænser til den yderste kant af spilbarhed. Anerkender musikkens vanskeligheder, Hardink ser også mere end blot et virvar af noter på en side. »Jason musik er intens, kompleks og dissonante, sagde han, men der er en underliggende energi og livsglæde i det. Som. Hardink påpegede, det er ikke et klaver-centreret arbejde. Snorene lege omkring resonanser fra klaveret. De spiller ud af, hvad klaver spiller. »I den forbindelse er det en sand kammer arbejde i koncept.